de Wally Lamb
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de Wally Lamb
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de Julie Gregory
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de Wally Lamb
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de Dan Chaon
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Any book that can give voice to the voiceless should be celebrated. No one feels this more strongly than Wally Lamb, editor of Couldn't Keep It to Myself, a collection of stories by 11 women imprisoned in the York Correctional Institution in Connecticut. Teacher and novelist Lamb was invited to head a writing workshop at York Correctional Institution in 1999. His somewhat reluctant acceptance soon turned into steadfast advocacy once the women in his charge began to tell their stories. Lamb maintains that there are things we need to know about prison and prisoners: "There are misconceptions to be abandoned, biases to be dropped." However, as heartfelt as his appeal is, nothing speaks more convincingly in this book than the stories themselves.
Those collected here are disturbing and horrific. They reveal, often in graphic detail, the worst kind of abuse: incest, drug addiction, spousal violence, parental neglect, or incompetence. They're also testimony to what social workers and health care professionals have confirmed for years--that those who populate our prisons are often victims first themselves. Thus, the telling of these stories serves as a form of therapy. They are also sad accounts of the brutalities many suffer, yet few discuss: "One day I figured out a dying little girl lived inside of me, so I threw her a lifeline in the form of paper and pen." Considering the degradation the contributors have experienced both in and outside prison, the courage, candor, and honesty with which they speak truly make these stories, as difficult as they are to read, "victories against voicelessness--miracles in print." --Silvana Tropea
From Publishers Weekly
Bestselling author and Oprah Winfrey favorite Lamb (She's Come Undone; I Know This Much Is True) takes a cue from Winfrey herself in collecting and editing this book of writings gleaned from a workshop he conducted for the female inmates of Connecticut's York Correctional Institution. The result is an intriguing and powerful collection of unlikely literary debuts. Although the 11 selections cover the range one might expect from writings plucked from a women's prison-tales of broken homes, poverty, violence, teenage pregnancy, race and gender bias, and, of course, crime and punishment-Lamb succeeds in giving the collection an intense, recognizable emotional core reminiscent of his blockbuster debut novel, She's Come Undone. Indeed, each selection bears the marks of Lamb's heavy involvement-the clipped yet elegant prose and the delicate, occasionally humorous manner in which difficult emotional situations are rendered. Standout selections include Nancy Whiteley's opening remembrance of her troubled adolescence and Diane Bartholomew's artfully rendered, heart-wrenching "Snapshots of My Early Life." As a sad footnote, Bartholomew, whom Lamb credits with inspiring the success of the workshop, will never see her opus in print. Sent to prison in 1990 for murdering her abusive husband, Bartholomew was stricken with cancer while serving her sentence and died in November 2001. In his introduction, Lamb calls the workshop "a journey rich with laughter, tears, [and] heart-stopping leaps of faith." To the credit of Lamb and his authors, this book, the end product of the workshop, is as well.-- heart-stopping leaps of faith." To the credit of Lamb and his authors, this book, the end product of the workshop, is as well.
Copyright 2002 Reed Business Information, Inc.
Copyright 2002 Reed Business Information, Inc.
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