From Publishers Weekly
Starred Review. As a boy in the 1960s, Mendelsohn could make elderly relatives cry just by entering the room, so much did he resemble his great-uncle Shmiel Jäger, who had been "killed by the Nazis." This short phrase was all Mendelsohn knew of his maternal grandfather Abraham's brother, who had remained with his wife and four daughters in the Ukrainian shtetl of Bolechow after Abraham left for America. Long obsessed with family history, Mendelsohn (
The Elusive Embrace) embarked in 2001 on a series of journeys to learn exactly what had happened to Shmiel and his family. The result is a rich, ruminative "mythic narrative... about closeness and distance, intimacy and violence, love and death." Mendelsohn uses these words to describe the biblical story of Cain and Abel, for one of the book's most striking elements is the author's recounting of the book of Genesis in parallel with his own story, highlighting eternal themes of origins and family, temptation and exile, brotherly betrayal, creation and annihilation. In Ukraine, Australia, Israel and Scandinavia, Mendelsohn locates a handful of extraordinary, aged Bolechow survivors. Especially poignant is his relationship with novelist Louis Begley's 90-year-old mother, from a town near the shtetl, an irascible, scene-stealing woman who eagerly follows Mendelsohn's remarkable effort to retrieve her lost world. B&w photos, maps.
(Sept.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From Booklist
As a boy, Mendelsohn was not only entranced by the stories his grandfather told about growing up in the little Galician town of Bolechow but also attuned to the sorrow that shadowed every tale: his grandfather's oldest brother, Shmiel, his wife, and their four daughters had been killed by the Nazis. So affected was Mendelsohn by his legacy, he eventually embarked on a quest to find out exactly what happened to his six lost relatives. A classicist and formidable literary critic, Mendelsohn performs extraordinary feats of factual and emotional excavation in this finely wrought, many-faceted narrative, a work best described as Talmudic. Autobiography is entwined with revelatory commentary on the Torah, while his affecting chronicle of his journeys to Israel, Australia, Stockholm, Vienna, and, most movingly, Bolechow itself set the stage for Mendelsohn's sometimes perplexing, always intense conversations with his newly discovered cousins. Shmiel, Ester, Lorka, Frydka, Ruchele, and Bronia gradually come into focus, as does a shocking vision of the hell Bolechow became as neighbors tortured and murdered neighbors. Mendelsohn's tenacious yet artistic, penetrating, and empathic work of remembrance recalibrates our perception of the Holocaust and of human nature.
Donna SeamanCopyright © American Library Association. All rights reserved