From Publishers Weekly
This rambling, chatty audiobook draws listeners in slowly (sometimes painstakingly so) as it follows the lives of three dynamic women—jilted Gemma Hogan; literary agent Jojo Harvey; and bestselling English author Lily Wright, who "stole" Gemma's boyfriend Anton. Gemma, hurt and betrayed by her best friend's actions, must put her emotions on hold to care for her mam after her dad takes off with a younger woman. Reader Donnelly enthusiastically captures Mam's dour Irish voice and Gemma's younger, more innocent one. Her energetic reading style also helps sustain readers during the book's plodding moments, such as when Keyes describes the happenings of Gemma's work day, her drive home, her trips to the chemist and so on. The details don't let up when the story abruptly shifts its focus to Jojo, who works at a prestigious London firm. Donnelly doesn't quite capture Jojo's American accent, but the English accent she adopts for Lily is spot-on. On the whole, Donnelly does a fine job narrating this marathon-length audiobook, and though it takes a while for the pace to pick up, listeners will be wrapped up in the characters' lives by the story's end.
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Jojo is a literary agent. Two of her clients have written novels that are poised to break records on the bestseller lists. Gemma has written a journal of her parents' broken marriage, and Lily Wright has moved to London--with Gemma's boyfriend. Terry Donnelly deserves much praise for her delivery of the action in the book, which sweeps from Ireland to London to New York. Donnelly allows no lapses of interest as the listener follows the varying story lines. She is a good reader. Marian Keyes writes a good story. Yet this novel is studded with bad grammar, which cheapens the writing. It hurts the eye when read and the ear when listened to. J.P. © AudioFile 2004, Portland, Maine--
Copyright © AudioFile, Portland, Maine
--Ce texte provient de la
Audio Cassette
édition.