From Publishers Weekly
A deliriously mordant political satire, Walter's follow-up to 2005's critically acclaimed
Citizen Vince begins moments after New York City cop Brian Remy shoots himself in the head. He isn't seriously wounded, and he can't remember doing it. It's less than a week after 9/11, and Brian serves as an official guide for celebrities who want a tour of "The Zero." With stitches still in his scalp, Brian is tapped for a job with the Documentation Department, a shadowy subagency of the Office of Liberty and Recovery, which is charged with scrutinizing every confetti scrap of paper blown across the city when the towers fell. As he learns the truth about his new employer's mission (think: recent NSA-related headlines) and becomes enmeshed in a sinister government plot, he finds an unseemly benefactor in "The Boss," the unnamed mayor who cashes in on his sudden national prominence. Meanwhile, Brian's cop and firemen colleagues shill for "First Responder" cereal, his rebellious teenage son acts as if Brian died in the attack and the president provides comic background sound bites ("draw your strength from the collective courage and resilientness"). Walter's Helleresque take on a traumatic time may be too much too soon for some, but he carries off his dark and hilarious narrative with a grandly grotesque imagination.
100,000announced first printing; 12-city author tour.(Sept.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
From AudioFile
There's a difficulty with recording a grim satire that has nothing to do with the talent of the narrator. (Christopher Graybill is quite wonderful here, warm and skillful.) Black humor lies in the disjunction between the awful things happening to the protagonist and the reader's perception of how absurd it is. On the page it's comic when Gulliver is captured by tiny Lilliputians, to us, but not to Gulliver. Apparently, on the page this novel of a Kafka-esque version of New York after 9/11 is darkly funny; but to hear it well read is to identify with Walter's protagonist, for whom this alternate universe is terrifying and confusing, physically and morally. Quite brilliant, but clearly different to hear than to read with your eyes. B.G. © AudioFile 2007, Portland, Maine--
Copyright © AudioFile, Portland, Maine
--This text refers to the
Audio CD
edition.