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Antelope Wife
 
 

Antelope Wife (Paperback)

de Louise Erdrich (Author) "Deep in the past during a spectacular cruel raid upon an isolated Ojibwa village mistaken for hostile during the scare over the starving Sioux, a..." En savoir plus
4.8étoiles sur 5  Voir tous les commentaires (4 évaluations de client)
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As Louise Erdrich's magical novel The Antelope Wife opens, a cavalry soldier pursues a dog with an Ojibwa baby strapped to its back. For days he follows them through "the vast carcass of the world west of the Otter Tail River" until finally the dog allows him to approach and handle the child--a girl, not yet weaned, who latches onto his nipples until, miraculously, they begin to give milk. In another kind of novel, this might be a metaphor. But this is the fictional world of Louise Erdrich, where myth is woven deeply into the fabric of everyday life. A famous cake tastes of grief, joy, and the secret ingredient: fear. The tie that binds the antelope wife to her husband is, literally, the strip of sweetheart calico he used to yoke her hand to his. Legendary characters sew beads into colorful patterns, and these patterns become the design of the novel itself.

The Antelope Wife centers on the Roys and the Shawanos, two closely related Ojibwa families living in modern-day Gakahbekong, or Minneapolis. Urban Indians of mixed blood, they are "scattered like beads off a necklace and put back together in new patterns, new strings," and Erdrich follows them through two failed marriages, a "kamikaze" wedding, and several tragic deaths. But the plot also loops and circles back, drawing in a 100-year-old murder, a burned Ojibwa village, a lost baby, several dead twins, and another baby nursed on father's milk.

The familiar Erdrich themes are all here--love, family, history, and the complex ways these forces both bind and separate the generations, stitching them into patterns as complex as beadwork. At least initially, this swirl of characters, narratives, time lines, and connections can take a little getting used to; several of the story lines do not match up until the book's conclusion. But in the end, Erdrich's lovely, lyrical language prevails, and the reader succumbs to the book's own dreamlike logic. As The Antelope Wife closes, Erdrich steps back to address readers directly for the first time, and the moment expands the book's elaborate patterns well beyond the confines of its pages. "Who is beading us?" she asks. "Who are you and who am I, the beader or the bit of colored glass sewn onto the fabric of the earth?... We stand on tiptoe, trying to see over the edge, and only catch a glimpse of the next bead on the string, and the woman's hand moving, one day, the next, and the needle flashing over the horizon." -- Mary Park, editor --Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.

From Publishers Weekly

"Family stories repeat themselves in patterns and waves, generation to generation, across blood and time." Erdrich (Love Medicine, etc.) embroiders this theme in a sensuous novel that brings her back to the material she knows best, the emotionally dislocated lives of Native Americans who try to adhere to the tribal ways while yielding to the lure of the general culture. In a beautifully articulated tale of intertwined relationships among succeeding generations, she tells the story of the Roy and the Shawano families and their "colliding histories and destinies." The narrative begins like a fever dream with a U.S. cavalry attack on an Ojibwa village, the death of an old woman who utters a fateful word, the inadvertent kidnapping of a baby and a mother's heartbreaking quest. The descendants of the white soldier who takes the baby and of the bereaved Ojibwa mother are connected by a potent mix of tragedy, farce and mystical revelation. As time passes, there is another kidnapping, the death of a child and a suicide. Fates are determined by a necklace of blue beads, a length of sweetheart calico and a recipe for blitzkuchen. Though the saga is animated by obsessional love, mysterious disappearances, mythic legends and personal frailties, Erdrich also works in a comic vein. There's a dog who tells dirty jokes and a naked wife whose anniversary surprise has an audience. Throughout, Erdrich emphasizes the paradoxes of everyday life: braided grandmas who follow traditional ways and speak the old language also wear eyeliner and sneakers. In each generation, men and women are bewitched by love, lust and longing; they are slaves to drink, to carefully guarded secrets or to the mesmerizing power of hope. Though the plot sometimes bogs down from an overload of emotional complications, the novel ultimately celebrates the courage of following one's ordained path in the universe and meeting the challenges of fate. It is an assured example of Erdrich's storytelling skills.
Copyright 1998 Reed Business Information, Inc. --Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.

Dans ce livre (les détails)
First Sentence
Deep in the past during a spectacular cruel raid upon an isolated Ojibwa village mistaken for hostile during the scare over the starving Sioux, a dog bearing upon its back a frame-board tikinagun enclosing a child in moss, velvet, embroideries of beads, was frightened into the vast carcass of the world west of the Otter Tail River. Lire la première page
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5.0étoiles sur 5 The power of love, Avril 30 2003
Par Patricia Kramer (Madison, WI USA) - Voir tous mes commentaires
(REAL NAME)   
Lousie Erdrich's writing wraps the reader in intricate strands of symbolism, characters and shifting time and place. Stories are woven, questions are raised and as time passes answered. The strands begin to straighten out and make sense. Re-reading the book to get it all straight is a treat and a gift. I will gladly settle into Erdrich's writing over authors who leave no question marks or connections to ponder any day.

The power, danger and wonder of intense love is but one of the journeys the reader will take in this book.

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5.0étoiles sur 5 This is my favorite Erdrich book, Juil 10 2001
Par Anonymous (Illinois USA) - Voir tous mes commentaires
This is definitely one of her best works yet. It is a spellbinding and powerful book.
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4.0étoiles sur 5 An Analytical Outlook to a Magic-Realistic Novel, Déc 22 2000
Par Koray Oba (Izmir, Turkey) - Voir tous mes commentaires
The couples, who are likely to become the parents of a little baby, first find a name for that sojourner even before he/she is born. This name usually has to carry positive meanings beneath it, such as the ones from religious, legendary themes which remind people of force ,power, durability etc... The reason is obvious: People all around the world -no matter where they are from or what religion they have etc... - name their children with names associated with strength, stability as they believe -at least want to believe- that those names bring the attribution of the meaning to their children.Naturally, in literature the influence of this belief can be seen. In the novel of Louise Erdrich The Antelope Wife, the protagonists (as there are multiple points of view, I mention here Protagonists) believe that there is a strong relationship between the names they possess and their destiny. The Antelope Wife's impact mostly stems from its different way of narrating. In most of the ordinary novels there is usually one protagonist. In this novel there are many important characters all of whom contribute to the plot. Yet the most vital character can be perceived as the Antelope Wife. Klaus Shawano at first sight, falls in love with her, feels himself compelled to be with her, and begins to follow her secretly. Stubbornly, Klaus keeps on following her, and he manages to catch her; yet she rejects to be with him, and he, not knowing how to make her stay "tie[s] her up" with sweetheart calico. (30). Here, he metaphorically ties her up to himself with sweetheart calico. At the end, Klaus unties her, that is to say, ends his obsessive love affair with her. Richard Whiteheart Beads' story is a bit tragic as his life was performed just the same way as the beadwork's. Richard's last name depends on a naming story,by which the scattered life of him is revealed. According to this story his family name - Whiteheart Beads -derives from the beadworks. In the course of time, the beadwork was scattered, similarly the life of Richard was scattered: "... Whiteheart Bead. That name went until Richard ended up with it" (240) . First, her wife Rozin leaves Richard for Frank Shawano. In the stupefaction of the shocking desertion of his wife, he accidentally causes his daughter Deanna to die. The two distress which come in a series profoundly deplores him. That is to say, his life was ruined just like the beadwork had been ruined, scattered... Thus, apparently, the Indian belief comes true: The name completely influenced the entire life of Richard Whiteheart Beads. The Ojibwa society in the novel also name the animals just like they name their children. The Windigo dog who represent intelligence in the book, manages to escape before they cook him in the stew pot to make soup, by using his ability of intelligence. As he manages to escape the stew pot, the owners of him name him as Almost Soup. The witty dog criticizes human beings: "In Ojibwa language, that is my name and I refuse to give it up for human mistakes or human triumphs" (81). The attempt to emphasize the significance of naming again strikes here, which determines Erdrich's Indian society.

The names of some characters have been changed throughout the novel and these alterations of names have a great deal of contribution to the novel. As the novel is mostly based on dialectical adjustments, the alteration of names have a profound impact on the climax of the events. The one whose name have been subject to these alterations most frequently is the Blue Prairie Woman. Although the name changes, the characters' name still take place in further parts at the story, which means that the new name does not replace the former name. The old name remains active. In my opinion, Erdrich tries to conduct the sense of her concept of dialectical adjustments; the old concept remains even if new one comes out. Erdrich, throughout the novel, uses a lot of Indian words. The usage of these words give the sense of beadwork which also takes part in the novel; as one critic claims the bead-sewing twins are "create[ing] the patterns of the world" (Martin) . The Indian words among the English sentences seem to match thoroughly the beads among the patterns. That is, as the twins create the patterns of the world, the Indian words such as "nibi", "Daashkikaa" etc... create the pattern of the novel -or in other words- maintain the completeness of the novel. When examined attentively, Louise Erdrich implies a figurative meaning using the Indian name of Minneapolis: Gakahbekong. She ,consciously using the Indian name, tends to contrast the permanency of the Indian culture and temporality of Minneapolis, the name which belongs to Newly adopted culture. For, in Erdrich's literature, Gakahbekong represents the old, permanent generation whereas Minneapolis represents the new, the changing and the temporary. Although time changes everything in the world it can do nothing to the real, permanent,special ones such as Gakahbekong. No matter how much the appearance of Gakahbekong has transformed, it still contains the spiritual values inside itself. As I stated above, in Louise Erdrich's magical novel The Antelope Wife, the people believe that there is a strong relation between the names they possess and their destiny. Finally, it is clear that they are right about their belief in names as throughout the story, the names have influenced their lives. Almost for all the characters, their names have an important influence on their lives. In the beginning I mentioned that every society pays attention to names, nevertheless in the Ojibwa society it is a little more emphasized. The names have a great contribution to the rendering of the meaning. Specifically, the place, Gakahbekong, plays a significant role since its meaning serves as a symbolical explanation to the general meaning. With a lot of motives beneath the mysterious characters, two complex family relations, a time which consists of lives of three generations and the important characters like Zosie Roy, Antelope Wife, Richard Whiteheart Beads etc... the novel serves as a guide for the social importance of the names in the Indian society. Finally, as the paper dealt with the naming of characters and the influence of both naming and the alteration of the names to the plot, it helped to reveal the underlying motives in the novel of Erdrich, The Antelope Wife.

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5.0étoiles sur 5 Compelling, haunting
With each book, my admiration grows for this writer. Her attention to detail, characterizations, interweaving of mysticism and reality -- and with all, an original dash of humor... Read more
Publié le Janv. 29 1999 par K. L. Cotugno

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