From Amazon.com
For anyone pondering a career in publishing,
The Bestseller--a fictional account of the frayed egos, sorted ideas, and strange economics that fuel the book industry--may be a dose of harsh reality. Olivia Goldsmith has created a tale of Davis & Dash, a Manhattan house run by an unspectacular publisher and a talented, but foul, editor. The new line of books doesn't exactly threaten to populate the Pulitzer list, though there's a serious 1,114-page work by a novelist who killed herself after her 23rd rejection letter. Goldsmith, who obviously deserves to be among the published, manages to puzzle these disparate pieces together into a cohesive story of the powers that be and those that hope to.
--Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.
From Publishers Weekly
It is an old adage that books about publishing do not sell, because those likely to be most interested will beg, borrow or steal them rather than buy. In the case of the latest by Goldsmith (The First Wives Club) that would be a pity, because it is a highly entertaining tale with a good share of romance and drama, considerable humor and some cynical fun at the expense of the book business; there are many recognizable characters, and a number of real-life walk-ons. (There's even an index so book people can look themselves up, but be warned: it is not what it seems.) Goldsmith's busy plot?which makes publishing seem as glamorous and crazy as fashion or the movies (settings for two of her previous books)?offers four women with novels being considered by high-powered New York publisher Davis & Dash. There is an elderly romance queen with a fading readership; a proud mother trying to get someone to read a magnum opus by her dead daughter; a cool young Englishwoman who has penned a quirkily charming book about a busload of American tourists in Tuscany; and a desperate young woman whose devious husband is trying to steal all the credit for her true-crime roman a clef. Throw in a corrupt publisher doctoring the books to try to make his own sales look bigger, a nymphomaniac and alcoholic editor-in-chief, a staunch young editor and her lesbian agent friend, and you have the makings of a spicy literary stew. The only problem is that Goldsmith winds it all up in much too pat a fashion, with the villains getting their comeuppances and the good getting their happily-ever-after endings in quick, glib order. But, hey, no one expected New Grub Street. $175,000 ad/promo; author tour; film rights to Paramount; simultaneous audiocassette from HarperAudio. (Aug.) FYI: Diane Keaton, Bette Midler and Goldie Hawn are currently filming The First Wives Club.
Copyright 1996 Reed Business Information, Inc.
--Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.
