From Amazon.com
One of kids' favorite characters in Francesca Lia Block's Weetzie Bat series is Witch Baby: a tangly haired, purple-eyed girl who can curl her toes into cashew shapes. She's a bit of an outsider, more in touch with feelings and portents than the rest of the gang from Shangri-L.A. In
Witch Baby and
Missing Angel Juan, we're able to watch Witch Baby work through some of her feelings of alienation. Her willingness to explore darker emotional realms is a real inspiration, and, in fact, she seems more evolved and "whole" than the others. In
Missing Angel Juan, Witch Baby finally finds a way to create her own sense of belonging. She finds out more about her history and her unique needs to push through some of the shyness and moodiness that has always kept her separate from others.
From Kirkus Reviews
This sequel to the extraordinary Weetzie Bat (1989) revisits L.A.'s frenetic pop world, again using exquisitely crafted language to tell a story whose glitzy surface veils thoughtful consideration of profound contemporary themes. Witch Baby--child of Weetzie Bat's lover (My Secret Agent Lover Man) and taloned Jayne Mansfield-groupie Vixanne Wigg--is at odds with all her complicated family (which still includes gay lovers Dirk and Duck). She's jealous of Weetzie's daughter Cherokee, beloved of Raphael, biracial son of other characters in book #1; she's a drummer whose music echoes her inner turmoil and a photographer whose disturbing shots reflect her distress at the world's horror--a glowering personality whose excesses trouble both herself and others. Still, like Weetzie Bat's, Witch Baby's quest for meaning ends on an up beat: though her first love is deported to Mexico, there's hope of finding him again; meanwhile, her honesty results in a reconciliation between Duck and his mom; Witch Baby also learns who her ``real'' parents are and returns to the fold after meeting the many-masked Vixanne. Like her adoptive mother, Witch Baby is painfully aware of many kinds of cruelty--to the homeless, to the environment, to people who are ``different''; but, again, generosity and love triumph in a far-from-perfect world. Block's deft wordplay, connections, and allusions continue to delight in this satisfying extension, which will be most easily enjoyed by those familiar with the earlier book. (Fiction. YA+) --
Copyright ©1991, Kirkus Associates, LP. All rights reserved.
--This text refers to an out of print or unavailable edition of this title.