Commentaires client les plus utiles
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4.0étoiles sur 5
Affecting and tautly-plotted mystery, Janv. 12 2001
Ruth Rendell is a talented writer, but I often have problems with elements of her plots being a little bit predictable-- this is definitely not the case with _Wolf to the Slaughter_. The book constantly suprises and manages to do so without any deus ex machina tricks that might make it unconvincing. A mysterious note that claims someone was murdered, a stain on a carpet that may or may not be blood, and a gold lighter with a leading inscription-- these are the only clues that Wexford and his crew have to what might not even be a crime. Mix in a slightly mad painter, three women who gave their hearts unwisely, and a young policeman in love for the first time and you've got a compelling mystery novel which is one of the best Rendells I've read to date.
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5.0étoiles sur 5
Rendell cements her reputation with this one!, Janv. 4 2001
Ruth Rendell's Chief Inspector Wexford mysteries are important entries to the police procedural genre. This, the second of the series, is probably the book that cemented Rendell's decision to continue. The daughter of local artist Rupert Margolis hasn't been home in a few days, but her father isn't reporting her disappearance. No, instead, he is filling out inquirings for someone to help him manage his household in his daughter's stead! And then Wexford receives a note that says daughter Ann has been murdered, and the suspects name given. With his ever-present second in command Mike Burden, Wexford begins his investigation, characterized by methodical thinking and well-paced moving! The plot becomes ever so convoluted--but don't give up. Rendell is in complete charge (it's one of her longer Wexfords) and by the conclusion her logial thinking, clever plot execution, and expert character development have won the day. "Wolf to the Slaughter" is also perhaps one of Rendell's most suspense-filled books (of the Wexford series). A local hotel has been letting one of its rooms as a love nest, but when a man with a knife one evening gets through with it, it is a room of blood, violence, and death. But whose? There's no corpse to be found! Wexford and Burden take over and the pages turn automatically after this, as Rendell's heros leave no stone unturned--nor sheet unfurled! Rendell has published many other books that are not in the series (she also writes under the name of Barbara Vine) and, with each, she clearly knows what she's writing about--she's a master here. And the surprise ending is handled masterly, too! (Billyjhobbs@tyler.net)
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4.0étoiles sur 5
An Early Chief Inspector Wexford Mystery, Avril 5 2000
Par Un client
Fans of Ruth Rendell who await each new Chief Inspector Wexford mystery from Ruth Rendell may wish to go back to her early works. Wolf to the Slaughter was her second Wexford mystery, written 33 years ago but with no loss of appeal for today's readers. Unworldly artist Rupert Margolis goes to the Kingsmarkham police, not to report that his younger sister Ann is missing, but to seek help finding someone to manage his household since Ann hasn't come home for several days. At the same time, Wexford receives an anonymous note reporting that a young woman named Ann was murdered by a small dark young man named Geoff Smith.The book has the elements we have come to appreciate in Ruth Rendell mysteries, including the slow steady unraveling of the mystery by Wexford and his chief assistant Mike Burden, methodically tracking down the few leads, when they don't even have the victim's body; and an array of real human characters, such as the aging Ruby Branch, who supports the man she loves, Monkey Matthews, an ex-con well known to the Kingsmarkham police, by renting out a room for the evening no questions asked; Noreen Anstey, abandoned by her second husband, now regretting the wrong she did to her first, living alone and having to sell off her remaining valuables; and Mark Drayton, the young police officer who never lets himself get seriously involved with any young women while he works hard to advance in the police force. It's Wexford's and Burden's keen understanding of human nature that helps put the pieces of this mystery together and leads them to the victim and the killer. The two play off each other well: Burden coming up with an important insight into the identity of the predator in the case, and Wexford pulling the sequence of events all together in a surprise finish.
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de Ruth Rendell
de Peter Robinson
de Reginald Hill
de Ruth Rendell
de P.D. James
