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Loser Takes All
 
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Loser Takes All (Paperback)

de Graham Greene (Author)
3.5étoiles sur 5  Voir tous les commentaires (2 évaluations de client)

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Bertram is not a believer in luck. An unambitious accountant, his plans for his second marriage are typically quiet: St. Luke’s then two weeks in Bournemouth. But he comes to the attention of Dreuther, the director of his company, who changes Bertram’s plans for him: wedding and honeymoon in Monte Carlo, on board his private yacht. Inevitably Bertram visits the casino, and loses. But then his system starts working, and his trouble really begins. This text refers to an alternate Paperback edition.


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Luck seems to have eluded Betram altogether. He doesn't even believe in chance. But when his wedding plans are moved to Monte Carlo, he is drawn to the Casino and is seduced by good fortune. A Miramax film starring Robert Lindsay and Molly Ringwald. This text refers to an alternate Paperback edition.

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2 évaluations
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3.5étoiles sur 5 (2 évaluations de client)
 
 
 
 
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4.0étoiles sur 5 Clever Story, Oct. 7 2002
Par momwith2kids (Chicago, IL United States) - Voir tous mes commentaires
Obviously Graham Greene is a great storyteller. There's a lot of sarcasm in his writing, which I love. This is about a mediocre accountant, Bertram, marrying for the second time to a women much younger than himself. They are both stranded in Monte Carlo, and much to his new wife's chagrin, he becomes obsessed with a gambling system which starts to work for him. "Loser Takes All" has a good twist at the end. Actually, I was surprised by the end of this book, not only by what happened, but how the tone seemed to change completely. I fully expected something different.

Maybe the story itself didn't interest me all that much. I wouldn't say it was fantastic or anything. It was all right. Still, this was the first Graham Greene book I've read, and I'm sure it won't be the last.

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3.0étoiles sur 5 A Clever Thought Experiment, Jui 15 2002
Par Melvin Pena (Evanston, IL United States) - Voir tous mes commentaires
(TOP 1000 REVIEWER)   
Graham Greene's 1955 novella, "Loser Takes All," is a clever thought experiment in which love, morality, and ethics are all brought to bear on the early days of a married relationship. One of Greene's most appealing moves in the book is his delineation of character. The people who populate the novella are character types struggling to become characters - to find individuality and meaning in a world whose sole virtue seems to be money.

"Loser Takes All" begins in Monte Carlo. An English couple, Bertram, a fortyish accountant with a dead end career; and Cary, his twentyish fiance are on the verge of marriage - but they've been sidetracked. Initially planning on a small church service, Bertram is called into a meeting with his abstracted and unapproachable boss, Dreuther. Although Bertram isn't well-off, Dreuther talks him into moving his marriage plans to Monte Carlo, where Dreuther will rendezvous with them, and bring them back to England on his yacht. The action of the novella shows how this change of plans affects absolutely everything in Bertram and Cary's lives.

This is a short work, but it is packed with important and compelling themes. Greene was an absolute craftsman of language and situation, and the major themes that his longer works explore are found even in this short entertainment. Human relationships are central to the novella - the central relationship between Bertram and Cary is affected by Bertram's relationship with Dreuther, Dreuther's with 'another' of the firm's shareholders, Blixon. Greene asks how sympathies are constructed and maintained in good times and in bad.

Money and chance are also extremely important to the overarching theme of gambling and roulette. Characters like Bertram and character types like Phillippe and Bird's Nest illustrate the tensions in viewing life's progression as a matter of necessity or one of chance. Again, "Loser Takes All" is a short work, and is valuable as a kind of synopsis of the issues Greene's impressive literary corpus consistently engages with. The three star rating is because, in the context of Greene's body of work alone, "Loser Takes All" is a good piece, but not a great one.

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