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3.0 out of 5 stars
Pretty pirates, Mar 25 2007
It's an unfortunate fact that any prolific author is going to leave a half-finished book behind them. And when Edith Wharton died in 1937, she left a partly-finished novel, "The Buccaneers," which was later finished by Marion Mainwaring. Unfortunately, Mainwaring couldn't equal Wharton's style, and the resulting book is a bit too rough to be excellent.
The St. George family is wealthy and cultured, but since they are "new money," haughty Virginia and childlike, passionate Nan are excluded from New York society. Nan's governess offers an alternative: the girls and three other snubbed debutantes will spend a season in England, where the newness of their money won't matter. The girls all jump at the opportunity (especially with handsome young aristos running around).
England's aristocracy greets them with both suspicion and delight: Most people love the honest, innocent attitude of the American girls. But when Virginia becomes engaged to a mild-mannered aristocrat, some people see the Americans as "stealing" eligible Englishmen. Meanwhile, Nan has fallen in love with an impoverished aristocrat, but she has some growing up to do first...
Okay, nobody expected Wharton's manuscript to simply sit there, unfinished. It's not very satisfying, for one thing. But "The Buccaneers" doesn't quite work as a Wharton novel. Don't worry, it's a fun read with glimmers of Wharton's wit and societal observation. She just took the story across the pond to England.
The problem is that Marion Mainwaring doesn't write like Wharton. She writes like someone TRYING to write like Wharton, and so her style and characterizations seem very exaggerated at times. Fortunately she only wrote about thirty percent of the book (based on Wharton's original synopsis) and so most of the book has Wharton's flavor.
Not that the Wharton sections are quite perfect either -- since the book was unfinished, some parts of it have a "second draft" feel. And her sharp observations feel dulled here. But it accurately captures Wharton's preoccupation with Victorian propriety, manners, and the delicate social structure around old New York. Not to mention a dash of Henry James, with the stories of American innocents abroad.
The concept of new vs. old money was a big deal in the 1870s, especially since it eventually overturned the old social order. Wharton populated her novel with wide-eyed (and sometimes loudmouthed) American girls, and impoverished young dukes and earls who are trying to keep the crumbling old estates going. Wharton also spiced up the cast with flamboyant mistresses, amnesiac noblemen, and a prim governess who happens to be the cousin of Dante Gabriel Rossetti.
Edith Wharton left a promising book behind her when she died, and fortunately "The Buccaneers" was given passable treatment by Marion Mainwaring. It's too rough to be among Wharton's best, but this flawed novel is still a fun read.
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5.0 out of 5 stars
Piracy in petticoats, Mar 7 2004
I first learned of this story from the 1995 miniseries, which I loved. In reading the book it was immediately apparent that the miniseries was quite different in some respects from the original, unfinished text. However, this is not a problem. The novel articulates beautifully the feeling of being always an outsider in one's adopted country and adds several perspectives that are not present in the tv adaptation. Set in the late 1800s, a quartet of American girls, overlooked by the fashionable New York set, seek their matrimonial fortunes in England. Each of our protagonists is unique: from Nan, the dreamy romantic upon who the plot rests and her goddess-like sister Virginia, to the impetuous Connie and the shrewd, savvy and practical Elmswood sisters Lizzie and Mabel. This is not a story without drama and pain, nor do I find it as depressing a tale as many of Wharton's other novels -- thinking particularly about "Life of Mirth". I personally attribute this cautious optimism to Marion Mainwaring who pulled the original unfinished novel together. The story remains one that, for me, is eminently re-readable and thought provoking. It is equal parts society scandal and personal meditation -- a mix that works wonderfully.
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2.0 out of 5 stars
A travesty, Jul 7 2003
How could this Mainwaring person have the nerve to ruin an Edith Wharton novel? Her chapters were contrived and ridiculous, a romance novel tacked onto an intelligent exploration of Americans in England. The characters completely changed "character" when she took over. Phew! I barely made it through the last 50 pages they were so dreadful. IF YOU'RE THINKING OF TRYING EDITH WHARTON DEFINITELY SKIP THIS ONE.
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