From Amazon.com
The Mercy Seat is a powerful novel, rich with biblical allusions and authoritative, haunting depictions of the landscape and life of the American West in the second half of the 19th century. The story begins as a young girl, Mattie, is called from sleep to help her father prepare for her family's flight from their Kentucky home, its pie safe and its oak bed frames. Reasons for their sudden departure are only slowly revealed and never completely explained.
The center of the evolving story is the conflict between Mattie's father and his brother. John Lodi is skilled in the art of blacksmithing and gun making; Fayette Lodi is anxious to use that skill to turn a profit for himself. Although the brothers travel west together and eventually settle in the same corner of Oklahoma in the valley of the San Bois Mountains, they have no shared ideas on how to create new lives for themselves or their families. Violence eventually erupts, but it goes beyond the two brothers to infect their wives, their children, and the very land they inhabit.
It is a story that mirrors that of Cain and Abel, yet its biblical echo is only one of the features which make this multilayered, beautifully crafted novel so enjoyable. There are hints of Faulkner, too, as Askew employs his technique of using a number of voices to tell the story: there is Mattie herself, mother before her time to her younger siblings, yet refusing to mature into a woman; there is Thula Henry, Choctaw woman who both understands Mattie's gifts and tries to exorcise her demons; and Grady Dewberry, loquacious son of John's employer recalling events that marked his childhood.
This is more than just a simple repositioning of the Snopes from Mississippi to Oklahoma, however. It is a vision of the settling of America with a deep and abiding appreciation for the combustible elements that participated in it. Evangelical preachers riding their circuits, Native Americans pushed farther and farther west, former slaves freed from their masters but not from prejudice, and white men on the run from the law of the more settled East, all figure prominently. Some patience is required as the central tragedy looms, but for the most part, the novel is poignant, gripping, and even heartbreaking. --K.A. Crouch
From Library Journal
Eleven-year-old Mattie Lodi narrates most of this story about the utter destruction of her family, which begins in 1888 when her renegade uncle's criminal activities force the family to leave their native Kentucky for the wild, lawless Indian Territory. By the time they settle in Oklahoma, Mattie's mother and sister are dead, her brother is brain-damaged, and her father has withdrawn into impenetrable silence. Then a violent feud begins to stew between him and his brother. Mattie tries to hold her family together but eventually becomes the catalyst for the bloody climax to the feud. Askew (Strange Business, Viking 1993) also weaves Native and Christian spiritualities into the fabric of this Cain-and-Abel tale. The novel's weakness is the inconstancy in narration; Mattie's voice is so strong and true that other narrators pale in comparison, which causes confusion. The strength of the novel is Askew's rich, gritty detailing of frontier life. Recommended for historical fiction collections.?Editha Ann Wilberton, Kansas City P.L., Kan.
Copyright 1997 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
