The Ghost Road (Paperback)

The Booker Prize recently awarded to Barker for this book, the culmination of her astonishing WWI trilogy that began with Regeneration and The Eye in the Door, persuaded Dutton to move publication ahead by eight months, which is good news for American readers. Though it would seem almost impossible to look at that appalling conflict with a fresh eye, Barker has succeeded in ways that define the novelist's art: by close observation as well as by deployment of a broad and painfully compassionate vision, all rendered in prose whose very simplicity speaks volumes. The present book can be read without reference to the others, but all are mutually enriching. They revolve around William Rivers, a psychologist who pioneered the treatment of shell shock, and some of his patients, who include such real-life figures as poets Wilfred Owen and Siegfried Sassoon, as well as the fictional Lieutenant Billy Prior, a bisexual whose life as an officer is complicated by his working-class origins. The questions the trilogy addresses are profound ones like the nature of sanity, the politics of class, war and sex, and the struggle to maintain humanity in the face of meaningless slaughter. In The Ghost Road, the war is nearing its end, which renders the continuing horrors of trench warfare ever more futile. Prior is sent back to the front after Rivers's treatment, enjoys a strange idyllic interlude in a ruined village, rescues a horribly wounded fellow officer and then faces the stupidest massacre of all. Meanwhile Rivers takes on new nightmare cases?and begins to remember his anthropological researches in Melanesia years before, when he strove to understand the rituals of a people whose greatest pleasure, head-hunting, had been abolished by a British colonial administration. The contrast between the primitives' deeply considered approach to death and the pointless killing indulged in by supposedly more civilized people is only hinted at, but it gives the book, particularly in its deeply eloquent concluding pages, enormous resonance. The whole trilogy, which in its entirety is only equivalent in length to one blockbuster serial-killer frenzy, is a triumph of an imagination at once poetic and practical.
Copyright 1995 Reed Business Information, Inc. --This text refers to the Hardcover edition.

When Billy Prior returns to France for the fourth time in September of 1918, it's like coming home. He does so against everyone's advice, but when he watches the sun rise slowly after the Battle of Joncourt, he realizes why he couldn't have stayed back. And mysteriously, so do we. Peter Firth's reading captures perfectly Barker's tragic mix of pity and apotheosis. An accomplished British actor, Firth is at once the cynical, but savvy, Prior, the stammering Professor Dodgson (Lewis Carroll), soft-spoken Dr. Rivers, all with transparent ease. His unerring sense of character and tone recreates the bitter irony of that last push in 1918 when so many died so needlessly. For Barker, these last dead, though they sour the trumpet of victory, are war's only winners. At the end Firth's silence becomes eloquent. P.E.F. An AUDIOFILE Earphones Award winner. (c)AudioFile, Portland, Maine --This text refers to the Audio Cassette edition.