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R. Scott Bakker established himself as a fantasy writer to watch with
The Darkness That Comes Before, the first volume of his Prince of Nothing trilogy. That book largely set the scene for the epic series, introducing the main characters and providing the mandatory fantasy backdrop of an earth-shattering war against an evil, godlike figure. With the explication out of the way, Bakker is free to get on with the action, and
The Warrior-Prophet is all action. The novel begins with The Holy War, a Crusades-like army made up of vying factions, invading the desert lands of the jihadist Fanhim. The following 600-plus pages feature one large battle after another, broken up only by 600-plus various subplots involving sorcerous conspiracies and the occasional romantic interlude. Hundreds of thousands die, but Bakker never loses his focus on the human side of the struggles, following the individual quests of characters in the madness of all-out war: the warrior prophet Kellus seeks to unite the strife-riven Holy War before it destroys itself--and him--in the desert; the sorcerer Achamian attempts to understand both his nightmares of the dread No-God's re-awakening and his relationship with Esmenet, a prostitute; the barbarian Cnaiur becomes a fierce leader of the war but slowly goes mad in his thirst for vengeance against Kellhus's father; and secret skin-spies of the demonic Consult seek to control events to usher in their own desired apocalypse. Bakker even pays careful attention to the minor characters, describing the heroic actions and deaths of various warriors in battle, until
The Warrior-Prophet often reads more like a history, or even a battle song, than a conventional fantasy novel.
Unfortunately, this is also the book's one weakness. There are so many characters and intrigues that readers will have to frequently consult the glossary to remind themselves of who's who and why they're fighting each other. But it's probably not fair to criticize a fantasy tale for presenting a world that's too real. And it's the world of Earwa that is the real star of the trilogy, as Bakker has invested it with a breathtaking social complexity, thanks in part to his allusions to European and Middle Eastern history. Earwa deserves a place beside Tolkien's Middle-earth, Robert E. Howard's Hyborian world, and Steve Erikson's Malazan Empire in the annals of great fantasy worlds. --Peter Darbyshire
Book Description
As the Holy War continues its inexorable southward march, it is itself conquered from within—by Anasûrimbor Kellhus.
From the arid Plains of Mengedda to the humid banks of the River Sempis, the Men of the Tusk wage relentless war against the heathen Fanim. While the Lords of the Holy War plot and squabble, Kellhus patiently extends his dominion, steering souls through the subtleties of word and expression. The sorcerer Achamian and his lover, Esmenet, submit entirely, only to have their faith—and their love—tested in unimaginable ways. The warrior Cnaiür falls ever deeper into madness, convinced that Kellhus will betray their pact to murder Kellhus's father.
And the skin-spies of the Consult watch with growing trepidation.
After a harrowing trek through the desert, the Holy War assembles about the walls of ancient Caraskand. At long last the Men of the Tusk stand upon the bourne of the Sacred Land, so near Holy Shimeh, the city of the Latter Prophet. Caraskand need only fall...
But another prophet has arisen, one who walks in their very midst—the Warrior-Prophet. Brother turns against brother. In the Holy War's most desperate hour, every man, every woman, is forced to choose. Between hatred and hope. Between their most desperate desires and the end of the world. Between Anasûrimbor Kellhus and the Second Apocalypse.