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Mistress Of The Art Of Death Unabridged Compact Discs (Audio CD)


4.4 out of 5 stars  See all reviews (7 customer reviews)

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From AudioFile

Rosalyn Landor narrates a complex story that merges history, mystery, human rights, feminism, and a touch of romance. Adelia, who is educated in forensics of the period, is sent with a Jewish detective and Muslim eunuch bodyguard to clear the Jews of Cambridge, England, who are accused of murdering Christian children. Landor navigates the tension and tenderness of a headstrong Italian woman caught between cultures and the clash of science and religion. Landor steers listeners skillfully through Adelia's desire to understand what has taken place and her horror at the deeds of a mass murderer. Landor's portrayal reflects Adelia's struggle to maintain scientific detachment in the face of disease, death, and her attraction to a Crusader whom she suspects. S.W. © AudioFile 2007, Portland, Maine-- Copyright © AudioFile, Portland, Maine

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4.4 out of 5 stars (7 customer reviews)
 
 
 
 
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2 of 2 people found the following review helpful:
3.0 out of 5 stars Morbidly Entertaining, Mar 31 2009
By Toni Osborne "The Way I See It" (Montreal, Canada) - See all my reviews
(TOP 100 REVIEWER)   
This review is from: Mistress Of The Art Of Death (Paperback)
With this story we are hurtled back in time to Medieval England. This is a morbidly entertaining novel that depicts human cruelty with details of sexual torture and the sacrificing of innocent children. Employing modern narration to weave historical figures and events into the plot, Ms Franklin provides us with a view of how things were in the 12th century during the reign of Henry11.

Set against a rich background the story begins when four children are found dead and mutilated casting suspicion on the local Jewish population. King Henry 11 implores the King of Sicily (his cousin) to dispatch one of his most trusted and experienced to solve the crime. Sent to England are Adelia Aguila, a doctor specialising in death, Simon her protector and Mansur her Arab servant, their mission is to find the guilty before they kill again. From the start, the trio struggles to understand the horrors and furies that lie behind the gruesome murders.

The author exploits brilliantly the contrast between the 12th century barbaric England and the more modernistic way of thinking Adelia represents. Emotions are vividly portrayed with well-drawn characters.

This is a well crafted novel with numerous twists and continuous surprises throughout
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1 of 1 people found the following review helpful:
3.0 out of 5 stars Good but annoying, Jul 5 2009
By Prairie Pal (Winnipeg, Canada) - See all my reviews
(TOP 1000 REVIEWER)   
This review is from: Mistress Of The Art Of Death (Paperback)
During the reign of Henry II, Ariana Franklin tells us, the Jews of Cambridge are accused of ritual child murder -- a not uncommon accusation in the Middle Ages. Since Henry wants to keep on good terms with the financially helpful Jewish community he sends abroad for a medical investigator to prove them innocent. What he gets is a feisty female pathologist from the Kingdom of Sicily, the remarkable Vesuvia Adelia Rachel Ortese Aguilar, who proves indeed to be a "mistress of the art of death". Franklin's plot is engaging, her heroine is given a clear and memorable personality of her own and the historical setting is generally accurate. So far, so good. What annoys me about this book and, in fact, many other historical mysteries involving medieval women, is that the authors cannot resist making their heroines into 21st-century feminists. Not only is Adelia a very rare bird -- a female doctor -- but she is religiously liberal (a proto-Unitarian if not an outright atheist), an animal-rights supporter, sexually unburdened by contemporary morality, gay-friendly, a dispenser of birth-control advice and one who believes that a woman's profession takes precedence over romantic attachments. All quite unremarkable in a woman of 2009 but just not believable in a character set in the 12th century. Can we please have a resourceful medieval protagonist capable of solving the crimes of her time without recourse to techniques and attitudes that are jarringly anachronistic?
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1 of 1 people found the following review helpful:
5.0 out of 5 stars Intriguing Novel, Jun 10 2008
This review is from: Mistress Of The Art Of Death (Paperback)
Since two of my favorite authors endorsed this book (Kate Mosse, and Diana Gabaldon), I didn't think that I'd wind up unhappy with my purchase. The first few chapters of this book are EXTREMELY slow. I wondered what the heck I had bought...scenes from a pilgimage "Chaucer" style, and the introduction of so many characters that you couldn't keep track of who was who, made the first chapters almost unbearable, BUT it redeemed itself before I was a third of the way through, and after that point it was impossible to put down. I now can't wait to read the next book containing the same protagonist...but must say that this romantic was sorely disappointed when Adelia declined her offer of marriage.
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 		 Most recent customer reviews

5.0 out of 5 stars The best medieval mystery heroine out there!
Unless a book is one of the great literary works, I usually buy it, devour it or discard it if it's boring, and then sell it. Read more
Published 8 months ago by R. D. Agnillo

5.0 out of 5 stars A Great Read!!
I *loved* this book and would highly recommend it to anyone who enjoys a good mystery or wants to step back into medieval England. Read more
Published 17 months ago by Readalot

5.0 out of 5 stars Cross the forensic science of a Kay Scarpetta with the historical background of Judith Tarr
In 1171 England, the Jews were given a haven under King Henry's rule, not because he liked them but they paid one seventh of the monies in the royal treasury. Read more
Published on Nov 5 2007 by Lester Stark

5.0 out of 5 stars Fantastic read
Interesting, entertaining and well researched. I loved this book from beginning to end. History, science and mystery intermingled without dragging the story. Read more
Published on Oct 1 2007 by L. Miller

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