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3.0étoiles sur 5
In search of India -- through the lens of a Mexican poet, Juil 31 2003
This book is an odd medley of genres and has a distinct "entre deux mondes" quality. It briefly starts as a travelogue, as Octavio Paz, describes his sea journey during the 1950s from his diplomatic posting at the Mexican Embassy in Paris to his first assignment in India where he would later return, in the 1960s, as Mexican ambassador. In many ways, I enjoyed these thirty odd first pages, replete with images from the crossing of the Suez Canal to the docks of Bombay and over rail tracks to Delhi, much more than the rest of the book. The bulk of the book is an impressionistic, enigmatic, and often confusing essay on Indian society, religion, castes, languages,and cosmology. Many of these difficult topics are treated too superficially for this book to be a serious historical or sociological analysis of India. While not the central thrust of this book, comparisons between Indian and Mexican history become inevitable as, for example, when Paz considers different outcomes from what he sees as a common experience in Mexico and India of an indigenous polytheistic culture colliding with an invading monotheistic faith. Or when he analyzes the impact of what he sees as two secular institutions supposedly brought to India and Mexico by colonizing forces - the civil service and army. It is rare for two important, but spatially and historically distant civilizations, to be analyzed next to each other in such a personal way. The reader will not escape a sense of forced comparisons by the author of very different historical and social settings. But the author does not claim rigor in his analysis of India, acknowledging that "this is not a systematic study, but a more or less ordered gathering of the reflections, impressions, and objections that India provoked in me." For the reader who can view these impressions of India from a Mexican diplomat and Nobel laureate in literature on a less obvious level, this self-conscious disavowal of profound insight into India makes the book intriguing. The author may shed less light on India than he does on his native Mexico,or Latin America, more generally. Perhaps, this is his real intention. The final pages return to the biographical style at the beginning of the book, giving glimpses into how Octavio Paz historically situates demands for political reforms which were emerging in Mexico in the late 1960s, from his vantage point in India. Ultimately, these political convulsions in Mexico, notably the student riots, culminate in his resignation as a representative of the Mexican Government in India. "I decided I could no longer represent a government that was operating in a manner so clearly opposite to my way of thinking." Readers of his classic on Mexican society "The Labyrinth of Solitude" will sense echoes in "Light of India" which Octavio Paz concludes with a short and tender poetic swan song to his diplomatic assignment in India, invoking the Hindu deities Shiva and Parvati.
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