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Oxygen
 
 

Oxygen (Hardcover)

by Andrew Miller (Author) "Inside the house his father's clocks were striking the hour ..." (more)
3.9 out of 5 stars  See all reviews (7 customer reviews)
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From Amazon.com

In Andrew Miller's third novel, Oxygen, the award-winning author of Ingenious Pain offers an intense, claustrophobic tale of parallel lives, of regret and redemption.

A family reunion of sorts is underway in the summer of 1997 for Alice, a newly retired, long-widowed schoolteacher, dying of cancer at her home in the English countryside. Gathered at her side are her two sons: Alec, a myopic, indecisive translator, and the more gregarious Larry, an unemployed TV soap star whose glittering U.S. career is about to take a nosedive into the shabby territory of porn films, so he can stave off bankruptcy and hold on to his disintegrating marriage. The counterpoint to this scenario is Laszlo Lazar, Hungarian exile and feted playwright, whose latest work, Oxygen, Alec is translating. Lazar, who has a comfortable existence in one of the more fashionable Paris quartiers, seems to possess everything that Alec does not: critical success, a loving partner, a longstanding circle of artistic friends. Yet Lazar is tormented by memories of the 1956 uprising and a comrade he feels he betrayed. When a political splinter group asks him to undertake a mysterious mission, he seizes his chance to atone for the past.

Shifting between a quintessentially English idyll, the carousing bars of Paris, the physical and emotional aridity of California, and a Budapest of the past and present, Miller skillfully evokes his characters' stories and their common theme--the liberation of self--even if the end result is self-destruction. He writes compassionately of the terminally ill Alice, clinging to the last vestiges of life, the last agonizing breath: "Was that the last to go? Certain gestures, reflexes, a way of cocking the head or moving the hands in speech?" He reminds us that human beings have choices, even in despair, and he provides a suitably ambiguous ending to round off a wise and engrossing novel. --Catherine Taylor, Amazon.co.uk

From Publishers Weekly

Three characters on the cusp of crisis and one on the brink of death inhabit Miller's moving new novel, in which each grapples with despair and discovers that love can confer purifying strength. Widowed school administrator Alice Valentine is dying at her home in England's West Country. She's dependent on an oxygen tank and on her younger son, Alec, who has left his London apartment to care for her. Depressed and feeling unable to cope, the unstable Alec has coincidentally received an assignment that could make his career: to translate a play called OxygŠne, written in French by Hungarian exile L szl¢ L z r. Alice's older son, Larry, had always been the successful brother, early on as a tennis star and later as a TV actor. But Larry's been out of a job for some time, and drink and drugs have eroded his moral judgment, alienated his wife and possibly affected his six-year-old daughter. When the family convenes at Alice's bedside for what will be her last birthday, each member is submerged in private struggles. Meanwhile, in Paris, L szl¢ is surrounded by friends and grateful for the devotion of his lover, Kurt, but he remains guilt-ridden because of his failure to avert a tragedy during the Hungarian uprising in 1956. Contacted by Albanian exiles conspiring to fight the Serbs in Kosovo, L szl¢ has a chance to redeem himself on a dangerous mission. With brilliant dexterity, Miller intertwines the strands of his plot and leads each character to epiphanies, capped by a breathtaking denouement. Miller's first novel, Ingenious Pain, won several important literary prizes, including the IMPAC. It's no wonder that Oxygen was a Booker Prize finalist. Written in elegant, resonant prose, this book breathes with compassion and honesty, and with the rare quality called hope. (Apr.)Forecast: Apt comparisons to Michael Cunningham's The Hours may add impetus to sales bound to be initiated by good reviews and a seven-city author tour.

Copyright 2002 Cahners Business Information, Inc.


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Customer Reviews

7 Reviews
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Average Customer Review
3.9 out of 5 stars (7 customer reviews)
 
 
 
 
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3.0 out of 5 stars Short of Breath, May 19 2003
By BJ Fraser (Michigan) - See all my reviews
By the time I finished this book, I really wondered what the connection was between the two stories of the story: the story of the Valentine family grappling with the death of the family matriarch, Alice, and the story of Hungarian playwright Lazlo who's caught up in some sort of political intrigue. Then, as rarely happens, I understood that the connection is in Lazlo's play, where at the end the miners underground begin to try tunneling up while someone above ground begins trying to tunnel down to save them. In this case, I'd say the two sides tunneling towards each other are Alice's son Alec (who's also translating the play into English) and Lazlo, but I might be wrong. The play ends ambiguously and so does Miller's book.

Ordinarily I would have panned this book because when it ends, there is no resolution, but understanding the metaphor (or hoping I do), it makes sense to me. So I can understand why Miller ended the novel where he did. Still, as a reader I prefer concrete endings that resolve the issues being brought up in the book.

My problem, another rarity, is that the book is too short. I was just getting to understand the characters and then the book is over, I'd have liked more time to flesh them out better. The other problem is that not a lot of interesting stuff happens. There's no action, there's not even a lot of dialogue, it's more about people THINKING about things, which while it gives us insight into the characters, does not make for an interesting story. Give me some love scenes, some car chases, a barroom brawl, SOMETHING other than characters contemplating the sad state of the universe.

Anyway, what anyone reading this is wondering by now is: should I buy this book? I'd say yes, but only if you've nothing else to read. Miller's writing is good, the characters are decent, and all the contemplating does make you think.

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2.0 out of 5 stars What was the point?, April 6 2003
By A Customer
A friend highly recommended the book, partly because - since I'm Hungarian - one of the characters is an aging Hungarian playwright in Paris who'd once fought in the '56 revolution.

Miller's writing style flows beautifully.

But it flows nowhere. There are two distinct stories - bridged by the the play Oxygene. In one story, the Valentine sons gather to be with their mother, Alice, who is dying of lung cancer (she was a smoker you see). One of the sons, Alec is also translating the play Oxygene (written by the aging Hungarian in Paris).

As Alice lies dying, Laszlo the Hungarian playwright is enjoying life in Paris with his young lover, rubbing facial cream into his skin to rejuvenate it, and mourning his lack of bravery during the revolution when he failed to save a dear friend.

Oxygen is presumably the symbolic bridge that connects the two parts of this book since there's absolutely no other connection between the Valentines' story and Laszlo's story. We breathe oxygen you see to live. Alice is dying because she can no longer breathe. And so forth. A somewhat strained metaphor.

The journey through a tale is made exciting and meaningful by an emerging character arc: there was next to none for the characters in this book.

Maybe I"m old fashioned. I like a story. And I think I'm tired of reading books about dysfunctional families, and the failed 'average man'. No matter how nice the writing style.

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2.0 out of 5 stars I just didn't care to "get it.", Nov 4 2002
By A Customer
Let me preface by saying this was my first Andrew Miller novel. Based on the description and the reviews I'd read on Amazon, I was looking forward to an exhilarating reading experience. Well, I didn't get it. You probably know the threads of the story: several, unrelated plot lines where each character is challenged. If I cared to, I could discern the links between them all; however, I just did not care enough about the story or the characters to pull the threads together. All through the story, I felt that Miller was just on the edge of taking the plunge to explore these characters more fully, but it never happened. Some characters were well drawn, such as Laszlo and even Larry, but the others were not fully realized. Since the novel had "Finalist for the Booker Prize" emblazoned on its label, I expected more.
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Most recent customer reviews

5.0 out of 5 stars Rises to the challenge
In his third novel, Andrew Miller leaves behind the 18th-century England of his previous work and gives us a story set in the summer of 1997. Read more
Published on Sep 21 2002 by Matthew Hovious

5.0 out of 5 stars Wonderful
Andrew Miller's Oxygen is a wonderful novel, one that seamlessly shifts from one story to the next and then back again, one that focuses on human needs--from oxygen, to love, to... Read more
Published on Aug 25 2002 by Elizabeth Hendry

5.0 out of 5 stars Eloquent and emotionally resonant
The ink from Andrew Miller's pen flows with such natural grace and ease there's a hushed sense of intimacy in the rhythmn of his prose. Read more
Published on Aug 4 2002

5.0 out of 5 stars Profoundly moving
This novel about choices and consequences is one of the most beautifully written family dramas ever, and Laszlo Lazar is one of the most memorable characters in recent literature... Read more
Published on April 21 2002 by Charles Decker

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