From Publishers Weekly
By "hyperreality" Eco is alluding to the American "frantic desire for the almost real," the yen for fakes to fill a cultural void. The trenchant title essay analyzes the American psyche as it hops from erotic laser holograms to the Lyndon B. Johnson Library and Disneyland. Eco, well known as a novelist (The Name of the Rose, is urbane, detached, elegant and sometimes obscure as an essayist. This uneven collection of newspaper and magazine pieces reflects the Italian scholar's love of the Middle Agesone essay compares American universities to monasteries, another focuses on Thomas Aquinasthough, for the most part, Eco relentlessly analyzes the present. He examines sport as a calculated waste of energy, presents a structuralist critique of Casablanca and offers commentaries on the Red Brigades, credit-card cheats, the religious revival and blue jeans as a latter-day version of knights' armor.
Copyright 1986 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
From Library Journal
This smorgasbord of 26 pieces ultimately focuses on the boundaries of realism as exemplified by the"hyper reality" of American phenomena like the Madonna Inn, wax museums, San Simeon, theme parks, etc. Though his tone is witty, Eco's purpose remains that of the semiologist. He is concerned about "the systems of signs that we use to describe the world and tell it to one another," and aims both to expose the "messages" of political and economic power and of "the entertainment industry and the revolution industry" and to show us how to analyze and criticize them. Though these essays are generally entertaining, they lack the originality and punch of Barthes's Mythologies and seem unlikely to find the same popular success as Eco's own The Name of the Rose . Richard Kuczkowski, Dir., Continuing Education, Dominican Coll., Blauvelt, N.Y.
Copyright 1986 Reed Business Information, Inc.
--This text refers to an out of print or unavailable edition of this title.
by Benedict Anderson
by Gilles Deleuze
by Umberto Eco
by Gilles Deleuze
by Jacques Derrida
