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4.0étoiles sur 5
?Shining sun, Fév 23 2007
As the author's widow explains in the epilogue, Italo Calvino once got it into his head to write a book about the five senses. He dabbled on and off in this project until he died, producing three short stories. With his usual magical delicacy, Calvino explored taste, hearing and smell with a rare skill.
The title story tells of a young couple vacationing in Mexico, where they explore ancient ruins, hear of the history of Oaxaca, and discover new erotic dimensions as they try the local food -- spicy, rich, and almost intoxicating, the food helps link them back to one another.
"A King Listens" is a more experiment story, with no real plot and a second-person narrative ("You are the king; everything you desire is already yours"). A king sits on his throne, alone in a giant hall, alienated from most of his palace and everyone in it. But he hears a woman singing, strange whispers, a prisoner scrabbling against a wall, and much more, which are his roads to the outside world.
"The Name, the Nose" is a tragic tale in the tradition of Poe, but in more lush language. A man danced with a masked lady at a ball, falling madly in love with her -- but he can only identify her by her perfume. He desperately searches a parfumerie for the right scent, thinking of the night when he met her... and is shocked when he discovers where she is, and who the masked figure with her is.
Italo Calvino was obviously a guy who liked to dabble in magical realism, and "theme books" -- tarot cards, magical cities, and the unfolding of the universe. So it's a shame that he never finished "Under the Jaguar Sun." While delightful as a collection, it makes you think of how wonderful "Sight" and "Touch" would have been.
And the way he writes is suitable to each story -- the first is hot and passionate, the second is steady and slightly dull, and the last one is ornate, gothic and blue. Calvino even drops some hints as to what the stories should be about, even when it's obvious; the king in the second story even describes his palace as "all whorls, lobes; it is a great ear." Subtle, huh?
But he can't hold back his natural flair for description in any of these stories. Even though sight isn't explored in this book, we get intricate descriptions of ballrooms, rock orgies, and "a theatre-church, all gold and bright colours, in a dancing and acrobatic baroque, crammed with swirling angels, garlands, panoplies of flowers, shells." His prose can be almost intoxicating.
Calvino's stories about three of the senses are all beautiful, each in a unique, spellbinding way. A must-read for lovers of the magical-realist maestro.
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3.0étoiles sur 5
Posthumous -- and it shows, Déc 26 2001
A collection of 3 short stories. Each deals with one of the senses and were going to be part of a projected suite with, presumably, some kind of framing device. Calvino was one of those happy people that can write works that stretch the intellect without altogether sacrificing story, plot and characterisation. The middle tale ('A King Listens') is unsuccessful, ending up as nothing more than an experiment - who knows whether it would have improved had he time to revise it, it was the last thing he wrote before his death. But the opening and closing stories are much better, especially the latter ('The Name, The Nose'), although still not prime Calvino (try 'Adam One Afternoon', 'Invisible Cities' or 'If on a Winter's Night a Traveller' if you're new to the writer and want to know what his talents can *really* produce). 'Under the Jaguar Sun', the title story set in Mexico, deals with taste and develops the idea of human relationships as a form of canibalism in which we digest our partner to taste their thoughts, feelings, desires and wishes in order to make them part of ourselves. 'The Name, The Nose' takes three characters (a Proustian aesthete, a prehistoric apeman on the verge of walking upright and a drug-addled rock musician) that are all in love with an unknown woman identifiable only by her scent, eventually discovering that she has died since making love with them. Despite the differences in the characters, their tales are interlinked surpringly smoothly and satisfyingly. However, due to its posthumous nature, the book is very short, only 83 pages of big type, and so can only be recommended to Calvino fans.
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3.0étoiles sur 5
Exquisite style, but short on substance, irony, Aoû 14 2001
This book collects three of Calvino's last stories, originally planned to be a set of five, each focused on one of the five senses. One of the world's most original and sensitive storytellers, he will be solely missed."Under the Jaguar Sun" presents a married couple whose vacation in Mexico is punctuated by the powerful flavors of the local cuisine. Before the trip is over they discover that the spicy food whets their appetite for passion as well as for dining. In "A King Listens" the proud ruler, constrained by the obligations and dangers of his office, finds his only real source of information is his hearing. The ambient sounds of his palace, and the voices inside his own head are all that he can depend on. Finally, "The Name, the Nose" shows us a collage of desperate swains trying to seek out a woman whom they can identify only by her fragrance. As in "Jaguar" Calvino touches on the relationship between the senses and sexual desire, but this tale also carries a different message - one that seems to hint darkly at the author's own coming demise. For those unfamiliar with the work of this master of postmodern literature, these three stories are probably not the best introduction. The quiet intensity of Calvino's voice is there, and his style is as pristine as ever, almost a prose poetry; but while the stories feature at least a couple of genuine surprises, they fall short of the knockout power that distinguishes his very best work. By focusing so strongly on the senses, he underplays what are probably his greatest strengths - in-depth logical analysis and exquisitely ironic humor. Fans will surely appreciate one last opportunity to experience Calvino's skill, but others should probably start with one of his more revolutionary works if they want to see why he is so greatly admired.
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