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The Italian
 
 

The Italian (Paperback)

de Ann Radcliffe (Author), Frederick Garber (Editor), E. J. Clery (Introduction) "IT was in the church of San Lorenzo at Naples, in the year 1758, that Vincentio di Vivaldi first saw Ellena Rosalba ..." En savoir plus
3.5étoiles sur 5  Voir tous les commentaires (4 évaluations de client)

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`His figure was striking, but not so from grace ... and as he stalked along, wrapt in the black garments of his order, there was something terrible in its air; something almost super-human.' First published in 1797, The Italian is one of the finest examples of Gothic romance. The fast-paced, narrative centres on Ann Radcliffe's most brilliant creation, the sinister monk Schedoni, whose past is shrouded in mystery. From the novel's opening chapters the reader is ushered into a shadowy world in which crime and religion are mingled. In the church of Santa Maria del Pianto in Naples, Ellena Rosalba and Vincentio di Vivaldi first meet; but their love is ill-omened. Leagued against them are the proud and ambitious Marchese di Vivaldi and her confessor Father Schedoni. When Ellena vanishes on the death of her guardian, Vivaldi sets out in pursuit of her across the mountainous regions of southern Italy before himself falling prey to the Holy Inquisition. This revised and expanded edition explores the novel in the context of British attitudes to Italy and Roman Catholicism in the late eighteenth century with close attention to the novel's style and form.


Ingram

First published in 1797, THE ITALIAN is Ann Radcliffe's classic creation of Gothic romance. Set against the backdrop of the Holy Inquisition, the narrative revolves around a sinister and mysterious monk and two ill-fated lovers. With a new Introduction and updated notes, this edition examines the formal, historical, and political aspects of Radcliffe's most brilliant work.

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IT was in the church of San Lorenzo at Naples, in the year 1758, that Vincentio di Vivaldi first saw Ellena Rosalba. Lire la première page
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3.5étoiles sur 5 (4 évaluations de client)
 
 
 
 
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5.0étoiles sur 5 So Many Turns of Events!, Aoû 6 2002
Par Un client
The Italian was Radcliffe's last novel. It is about a nobleman who falls in love with a woman whose identity is unknown to herself and the reader throughout her sufferings. She is oppressed by many people in whose hands she falls as she is snatched away from the nobleman Vivaldi to prevent their marriage. Like all of Radcliffe's heroines, her character is marked by an amazing fortitude despite the horrifying things to which she is frequently subjected. Vivaldi faces the powers of the Inquisition and Radcliffe gives the reader some idea of their dealings with offenders and their ways of making prisoners "confess." There are many turns of events which are delightful until another perilous event disappoints and grieves the reader. This is certainly what most reviewers call a page-turner. The sentiments are by no means modern. For a reader who is looking for modern unrestrained "romance," none of Radcliffe's novels is a good choice. Her stories are for true romantics.
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2.0étoiles sur 5 A Difficult Read, Aoû 1 2001
Par disco75 "disco75" (State College, PA United States) - Voir tous mes commentaires
I found "The Italian" to be less satisfying, more lurid, more obscure, and harder going than "Romance of the Forest." The plot moves slowly and the punctuation of this edition was a definite impediment for me. The decadent qualities, atmosphere of depravity, and character style were intentional, I realize, but I found this book to be mired in its genre, cardboard in character development, and unrewarding. I enjoyed the similar "Uncle Silas" far more.
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4.0étoiles sur 5 Gothic Romance at its Best, Juil 13 2000
Par Roman Kazmin (Coral Springs, FL USA) - Voir tous mes commentaires
Let it first be said that Lewis's "The Monk" is heavily influenced by Radcliffe. Reading "The Monk" first would throw the reader off the track. This novel is an excellent selection from the genre of Gothic novel, and is indeed a masterpiece. The Gothic novel had a great impact on Romanticism, and on the literature of the absurd. Overall, an enjoyable read!
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3.0étoiles sur 5 The "Queen of the Gothic Novel"
This is one of Radcliffe's two best novels, the other being "The Mysteries of Udolpho". A little excursion into literary history will clear up the confusion of the... Read more
Publié le Oct. 26 1998

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