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The Chicago Manual of Style, 15th Edition
 
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The Chicago Manual of Style, 15th Edition (Hardcover)

by University of Chicago Press Staff (Editor)
4.0 out of 5 stars  See all reviews (18 customer reviews)
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Product Description

From Publishers Weekly

Countless publishing professionals have learned the details of their business from this classic guide for publishers, editors and writers. It's updated every 10 years or so, and the 15th edition is the most extensive revision in decades. The Internet's influence is pervasive, with substantial sections on preparing manuscripts for electronic publishing, editing for online publications and citing electronic sources. The "Rights and Permissions" chapter is by attorney William S. Strong (The trace the publication process for books and journals, both print and electronic, from manuscript development to distribution and marketing. For the first time, the manual includes a chapter on grammar and usage, by Bryan A. Garner (A Dictionary of Modern Usage). Gone is the 13-page table showing when to hyphenate compound words of all sorts, but it's replaced by a six-plus-page list and a narrative overview, which will be simpler for the overworked manuscript editor ("copyeditor" has vanished, and the index relegates "copyediting" to a cross-reference to manuscript editing) to use. Traditionalists may be bothered by the new edition's preference for ZIP Code state abbreviations and dropping periods from such abbreviations as Ph.D. and even U.S. Some things do remain the same. The style guide still endorses the serial comma (which PW does not) and numerals are still spelled out from one through one hundred and at the beginning of a sentence. Those in the publishing industry will need this edition, both for what's new and for what they will want to argue about.
Copyright 2003 Reed Business Information, Inc.


From Booklist

The Chicago Manual of Style maintains its vitality by adapting to its ever-changing environment. None of the changes from one edition to the next are capricious; that which remains vital carries over, and that which must change, changes.

From the 1906 first edition's limited focus as "a compilation of typographical rules" for books, it has evolved to provide guidance to authors and editors working in other forms and media such as journals, newsletters, Web sites, and even, with the fifteenth edition, American Sign Language. The editors now "assume throughout that most writers and editors, whether preparing print or nonprint works, use computer software." That assumption is most visible in the chapter dealing with presentation in type of mathematical expressions and formulas. Software has collapsed the division of labor between author and typesetter, giving the author the power to fulfill both roles simultaneously. Mathematicians have faced that special challenge; all scholars have been vexed by uncertainty about citing electronic resources.

Various specialized manuals from other publishers have attempted to codify practices for citing electronic publications, but none has enjoyed the authority Chicago has earned over nearly a century. The fifteenth offers deeper guidance for citing electronic books, articles in e-journals, electronic editions of older works, and online newspapers and magazines. The clear, practical, and easily applied rules for citing these sources recognize the problem an author must solve when a URL is subject to change; they also offer advice on matters such as when to provide the date a cited e-work was accessed. U.S. copyright law, driven by the same technologies the fifteenth edition addresses, has also experienced significant changes. An expanded section on copyright offers clear albeit not exhaustive coverage of the current complexities of copyright. All authors would do well to study this primer.

Chicago's mantra throughout is consistency in support of clarity. Helping authors and editors achieve consistency in practice when creating or editing a manuscript and presenting it to readers is Chicago's raison d'etre. The prescriptive tone of some entries serves consistency, but usage is determined by users of the language. Chicago acknowledges variants in practice, often noting that an author may use a variant even though its entry first describes preferred practice. Bowing to popular influence, the editors concede that they "no longer urge deletion of the d in 2nd or the r in 3rd" and they "now recommend the month-day-year form of dates" prevalent in the U.S. The editors also have the wisdom and the experience to uphold rules that, if ignored, can create confusion in readers' minds. All of the rules and recommendations are easily accessible through the thorough index, a hallmark of every recent edition.

New to the fifteenth is a lively chapter on grammar and usage contributed by Bryan A. Garner, author of Garner's Modern American Usage (2d ed., Oxford, 2003; formerly A Dictionary of Modern American Usage). Its first part reviews basic rules of English grammar, and the second offers succinct explanations of words easily misused (decimate, precondition) or confused (e.g., healthy and healthful; purposely and purposefully). Added features discuss bias-free language and prepositional idioms.

Evolution is never a lockstep uniform process. Although the heart of Chicago embraces changes wrought by digital publishing, its concluding bibliography lags. Only the print editions of general-purpose encyclopedias and several English-language dictionaries are noted. Even though the entry for the Oxford English Dictionary indicates its availability on CD-ROM, it neglects to mention its online incarnation. But one must not miss the forest for these few trees. As it has done again and again, Chicago offers sensible, clearly articulated, and defensible advice to authors and editors who want to do their best to present an author's text to readers. Every library that serves authors, especially those producing scholarly works, simply must have the current edition of chicago. RBB
Copyright © American Library Association. All rights reserved


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Customer Reviews

18 Reviews
5 star:
 (11)
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Average Customer Review
4.0 out of 5 stars (18 customer reviews)
 
 
 
 
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9 of 9 people found the following review helpful:
5.0 out of 5 stars Very fine resource, May 18 2004
By sadhana444 "sadhana444" (Anchorage, AK United States) - See all my reviews
The Chicago Manual of Style (CMOS) is without question my favorite style manual. The fact that this manual is one of the best of its kind does not seem to be in question for most people. What does seem to be in question is whether or not the CMOS is a fit for an individual's needs. What also seems to be in question is whether or not the 15th edition is an improvement from the 14th edition.

In terms of fit, I would say that the CMOS is probably a good fit for advanced writers, editors, and publishers; however, most of these advanced professionals already know this. College students might be better served by a style manual specific to their discipline - for example, The Modern Language Association (MLA) Handbook for English students, or the Publication Manual of the American Psychological Association (APA) for psychology students. Beginning students might also be better served by a general handbook (such as The Little, Brown Handbook or The Holt Handbook). For office workers, administrative assistants, and secretaries, a better fit might be "The Gregg Reference Manual," which has an emphasis on business correspondence. In each of these cases; however, the CMOS would be a useful backup reference.

In regard to the editions, my overall opinion is that the 15th edition is a significant improvement in content to the 14th, and well worth the purchase. The 13th edition was published in 1982, the 14th in 1993, and this 15th in 2003, so the CMOS is updated approximately every 10 years, which feels like a good revision pace to me. The content revisions are summarized on the back cover, and I'll list them at the end of this review.

In addition to content, the layout of the new edition is also revised. There is a bit of risk and daring in using a light blue font to distinguish examples within paragraphs, and in using a new font for numbering. The light blue text is a bit hard to read at times, but for the main, it seems to add clarity. The daring numbering font is a bit less clear than the last edition, but probably only a keen font connoisseur would even notice.

Content revisions:

- Updated Materials throughout to reflect current style, technology, and professional practice

- New coverage of journals and electronic publications

- Comprehensive new chapter on American English grammar and usage by Bryan A. Garner (author of A Dictionary of Modern American Usage)

- Updated and rewritten chapter on preparing mathematical copy

- Reorganized and updated chapters on documentation, including guidance on citing electronic sources

- Streamlined coverage of current design and production processes, with a glossary of key terms

- New diagrams of the editing and production process4es for both books and journals, keyed to chapter discussions

- Descriptive headings on all numbered paragraphs for ease of reference

- New expanded Web site with special tools and features for Manual users - www.chicagomanualofstyle.org

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5 of 7 people found the following review helpful:
2.0 out of 5 stars Design disaster, Jan 12 2004
By A Customer
Aesthetics supersedes practicality in most matters of my life, but there are times when you just want to USE something. As an editor, I want my reference books to decrease my work time, not add to it. I admit I haven't discovered a plethora of new style info simply because the style of the book itself precludes my perusal of it.

Chicago 15 is a big, beautiful disaster. Whoever designed it should be forced to use it -- after reading manuscripts every day, all day, all year -- as punishment. What were they thinking when they chose the typestyles and font sizes, especially for the reference numbers? Perhaps it was obvious we would just disregard this book and stick with our 14th editions anyway, so the designers thumbed their noses at us and decided to just make it pretty (which it is).

Must I mention the barely legible pale blue print? An attempt at setting apart the examples is laudable, though unnecessary (Is that not what the braces are for? I was always taught that ONE form of distinction is enough), but the chosen color is insulting to those of us who actually read for a living.

As an artist, I love the fonts and design. As an editor, I hate this book -- and I have no use for it as an artist. The best thing about this book is that no one wants to use it, so I'm not forced to either. None of the NYC book publishers I edit for have abandoned the 14th (although we all readily switched over to Webster's 11th). The second-best thing about this book is that I still have the 14th edition and WIT to turn to. The third-best thing is that at least the business expense is tax-deductible.

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2.0 out of 5 stars It's riddled with typos..., Jul 14 2004
By Gr Haynes (Chattanooga, TN USA) - See all my reviews
(REAL NAME)   
I think the title says it all!
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Most recent customer reviews

1.0 out of 5 stars Unhelpful
The format is not helpful at all. Useful information is there, but it does not come handy when you need to look up something quickly.
Published 11 months ago by Rajbir

5.0 out of 5 stars Can't live without it
Those of us in the publishing business could not get through a week without the book. Congratulations to the Chicago Manual of Style on its 15th edition. Read more
Published on April 16 2004 by Eric B

5.0 out of 5 stars The Chicago Manual of Style, 15th Edition
Since 1906, the incomparable Chicago Manual has been the reference for writers, editors, copyeditors, publishers, and anyone else working with words. Read more
Published on April 15 2004 by B. Viberg

2.0 out of 5 stars Make Sure You Buy the 14th Edition, First
The info you want and need is in the 14th Edition -- stick with that one and you'll never go wrong. This is like the "new coke. Read more
Published on April 7 2004

5.0 out of 5 stars Indispensable! But here's my admittedly idiosyncratic note:
On the whole I greatly enjoy TCMOS (with apologies to anyone who has been using other initials to refer to the same volume). Read more
Published on Mar 25 2004 by James Forsyth

5.0 out of 5 stars Good reference, like the printing
Many of the other reviewers here have been complaining about the printing and layout. I rather like the layout and think the printing (at least the black) is superb. Read more
Published on Mar 14 2004

3.0 out of 5 stars CHICAGOS 15thA BIG DISAPPOINTMENT
Because of the size of the print used in the 15th edition, I could not read the text so I rushed downtown (14 miles one way) and bought a stronger pair of reading spectacles. Read more
Published on Mar 5 2004 by LeRoy Johnson

5.0 out of 5 stars First great reference text of the 21st century
The 15th edition of the Chicago Manual of Style is the first great reference text of the 21st century. Read more
Published on Oct 29 2003 by loce_the_wizard

4.0 out of 5 stars Sorry, it's the editor in me
Well, the spine type on the copy I bought is right-side up. But what's with the '40s typeface on said spine?

Sloppy printing job! Read more

Published on Sep 23 2003

5.0 out of 5 stars Simply the best; An absolute must for writers
I've been passionate about writing for some time now and situations always seem to arise-where to put the hyphen-that must be dealt with properly. Read more
Published on Sep 17 2003 by R. Shaff

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