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Serendipities: Language and Lunacy
 
 

Serendipities: Language and Lunacy (Hardcover)

de Umberto Eco (Author), William Weaver (Translator)
3.8étoiles sur 5  Voir tous les commentaires (8 évaluations de client)

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The multitalented Umberto Eco--novelist, critic, and literary theorist--turns his attention to the history of linguistics. In linguistics, as in the other sciences, Eco explains, there are serendipities: "Even the most lunatic experiments can produce strange side effects, stimulating research that proves perhaps less amusing but scientifically more serious." In his earlier book The Search for the Perfect Language, for example, he discussed the project of discovering the language spoken before the collapse of the Tower of Babel. Although misconceived, the project by chance led to advances in mathematical logic, artificial intelligence, and even world peace--the goal of artificial languages like Esperanto and the unfortunately named Volapük. In the five essays in Serendipities, Eco explores some related serendipitous episodes in the history of linguistics; as always, his characteristic blend of playfulness and erudition is bound to be irresistible to any lover of language.

The first essay, "The Force of Falsity," discusses false documents with momentous repercussions, such as the letter of Prester John, which encouraged European explorers and conquerors to seek its supposed author, the Christian ruler of a distant and fantastically wealthy land. In the second essay, Eco considers Dante's relation to the idea of the perfect language. The third essay discusses early misinterpretations of Egyptian, Chinese, and Mexican ideograms. The Jesuit savant Athanasius Kircher, for example, devoted page upon page to mystical interpretations of a hieroglyph that later turned out to represent nothing more profound than the Greek letter lambda. The remaining two essays are devoted to single authors: "The Language of the Austral Land" concerns Gabriel de Foigny's instructive parody of contemporary attempts to devise the perfect language, while "The Linguistics of Joseph de Maistre" endeavors, with indifferent success, to make sense of the counterrevolutionary Savoyard's musings on the nature of language. --Glenn Branch



From Publishers Weekly

Consider the platypus. With its famous molelike body carrying a beaver's tail and a duck's beak, the beast confounded the first Western scientists who studied it in 1798. Was it a mammal or a reptile? Did it lay eggs? Was it just a taxonomic hoax? The platypus eventually found its rightful place in the animal kingdom, but as Eco (Travels in Hyperreality, etc.) shows in these challenging essays, the questions it raised about language and perception still animate some sharply contested semiotic debates. Writing with his customary keenness of intellect, Eco ranges widely over metaphysical terrain, drawing on Aristotle, Heidegger and C.S. Peirce to inform his discussions. Revising aspects of Kant's philosophy in terms of cognitive studies, Eco ponders how we identify the things around us and argues that meaning in the world is ultimately contractual and negotiable. When Aztecs first saw horses ridden by Spanish conquistadors, for example, they used their previous knowledge to surmise that the invaders were riding deer. In another example, Eco investigates how we can recognize a Bach suite for solo cello, even when played by different soloists or transcribed for the recorder. Throughout, Eco gamely reconsiders his 1976 work, A Theory of Semiotics, over which many a gauntlet was testily thrown, and revisits other key moments in the history of semiotic research. This collection will certainly appeal to specialists. But Eco's ability to balance technical subject matter with broadly intelligible anecdotes and illustrations should make it valuable and pleasurable for anyone seeking a gallant introduction to the philosophy of language. (Nov.) FYI: Also in November Harvest will release Eco's Serendipities in paperback ($12, ISBN 0-15-600751-7)
Copyright 1999 Reed Business Information, Inc. --Ce texte provient de la Paperback édition.

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3.8étoiles sur 5 (8 évaluations de client)
 
 
 
 
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1 internautes sur 1 ont trouvé ce commentaire utile :
4.0étoiles sur 5 Caveat Emptor, Aoû 9 2003
Par Un client
This review is from: Serendipities (Paperback)
Please note: This book is approximately 75% paraphrased from Eco's "The Search for the Perfect Language," which contains a more thorough treatment of the material that the two books share. The material that is new in this book is interesting, making the read worthwhile for the dedicated reader who has already enjoyed "The Search..". For the casual reader, "Serendipities" is much shorter and more accessible than "The Search for the Perfect Language", making it a suitable alternative or possibly an introduction to the longer text. However, if you take offense at paying to read the same information twice, simply do not purchase both books. Enjoy!
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5.0étoiles sur 5 Why we should stay on the Eco high-horse, Avril 27 2004
Par Richard A Steffke (Rialto, CA United States) - Voir tous mes commentaires
This review is from: Serendipities (Paperback)
I have to confess that I haven't read this book as of yet. In fact I pretty much know exactly what his essays are going to conclude with, given the fact that I've read and am well acquainted with both his academic works, as well as his novels, satire etc. and also those elements he uses in his works which require a polymathic worldview in order to even appreciate some of their subtlety (e.g. Why was William of Baskerville in "The Name of the Rose" a "nominalist" or why is the title of "Foucault Pendulum" a reference to the French Deconstuctionist Michel Foucault and not the physicist, or why is the monk at the end of "The Island of the Day Before" not an illusion at all or ..."
I'm purchasing the book "sight unseen" and given that it's Eco he's getting five stars immediately.
As for my reasons in writing this review it's pretty much revealed by my title. As for answers to to my examples; I've listed them below:

"The Name of the Rose":William of Baskerville is a nominalist because he's a member of that philosophical school best represented by William of Oakham(Occam's Razor). That school of thought, arose as a result of conflicts between certain excesses of the Scholastics. Nominalism is considered to be one of the germinal thoughts which led to the development of the "Scientific Method"

"Foucault's Pendulum": The complete subtext of this book includes the underlying theme of "conspiracy theory." The reason that's important is that Eco believes one of those things which give rise to "conspiracy theories" is "unlimited-semiosis". Eco faults Michel Foucault and his excesses such as is embodied in "deconstructionalism" as an example of one of the dangers of "unlimited semiosis."

"The Island of the Day Before." The mad monk isn't an illusion. It's actually the protaganist whose not just a buffoon, but has actually gone mad(of course he's not an illusion either). The mad monk embraces Tycho Brahe's cosmology of the solar system. Unless one understands the "history of science" in this particular historic milieu, or the reasons why Tycho Brahe came up with his cosmology(which seems truly bizarre to the modern mind) you can't discern whether the monk is real or not. Hint: The monk embraced Aristotelian Physics. Tycho Brahe's cosmology resolved the contradiction which existed between that and Galileo's observations. One must remember this was prior to Isaac Newton's "Principia" and before these issues had been resolved!

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4.0étoiles sur 5 Food for thought, Janv. 10 2003
This review is from: Serendipities (Paperback)
Do you know what Christopher Columbus was trying to prove with his historic ocean voyage, and why the church elders insisted it couldn't be done? Eco asks this question in the first essay of this book, "The Force of Falsity", and you may be surprised by the answer. Throughout, Eco gives you that delightful taste of history that he's known for, while asking provocative questions about the philosophy of language and even the nature and value of truth itself.

Language is definitely the focus of this book, but each essay is more of an examination than a thesis, and the material is not as heavy as Eco's essays about language often are. On the other hand it is not as light and playful as, for example, "Misreadings" (also a worthy read). It's a casual, engaging read with some substance to it, and well worth reading if you like to think.

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Commentaires client les plus récents

5.0étoiles sur 5 Brilliant thinking
Serendipites is a collection of five essays where Eco is debating questions that arose from his preceding text - The search for the Perfect Language. Read more
Publié le Jui 26 2002 par ilmk

4.0étoiles sur 5 Let's Dismount the Eco High Horse and just Review the Book
Ezra Pound notes in ABC of Reading: "One definition of beauty is aptness to purpose. Whether it is a good definition or not, you can readily see that a good deal of BAD... Read more
Publié le Janv. 21 2002 par byzanthem

2.0étoiles sur 5 Not Eco's best
Umberto Eco's large oeuvre can be divided into four groups: his scholarly work on semiotics, his amusing essays and plays on genre, his fiction, and his works for the mythical... Read more
Publié le Déc 16 2001 par Christopher I. Lehrich

3.0étoiles sur 5 You will probably enjoy it more than I did...
First, I must assume that if you're considering reading this book you are a student of history, language, or perhaps the history of language. Read more
Publié le Juil 29 2001 par J. Snavely

3.0étoiles sur 5 Interesting History
Most people who come to this book are probably already Eco fans or have a specialized interest in the subject matter. Read more
Publié le Déc 28 1999 par Willem Vandenbroek

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