Vous voulez voir cette page en français ? Cliquez ici.

10 used & new from CDN$ 7.13

Have one to sell? Sell yours here
 
 
Art and Beauty in the Middle Ages
  

Art and Beauty in the Middle Ages (Hardcover)

by Umberto Eco (Author), Hugh Bredin (Translator)
3.5 out of 5 stars  See all reviews (2 customer reviews)

Available from these sellers.


4 new from CDN$ 73.95 6 used from CDN$ 7.13

Product Details


Product Description

From Library Journal

Eco's slim volume, though 20 years old, remains fresh and useful in this highly readable translation. Eco moves swiftly and surely from Boethius to Meister Eckhart, from subtle conceptual distinctions to broad historical and sociological syntheses. The book reflects the moment of its composition, the heyday of phenomenology, in its search for the intuitive dimensions in aesthetic experience. Eco's study will serve students of aesthetics in general and medieval aesthetics in particular who need a brief but accurate introduction to a vast field, while students of Eco's own thinking will profit from a glance at the scholastic background to Eco's work on semiotics. Ronald L. Martinez, French and Italian Dept., Univ. of Minnesota, Minneapolis
Copyright 1986 Reed Business Information, Inc.


Review

"A delightful study... Eco's remarkably lucid and readable essay is full of contemporary relevance and informed by the energies of a man in love with his subject." Robert Taylor, Boston Globe "The book lays out so many exciting ideas and interesting facts that readers will find it gripping." Washington Post Book World "A lively introduction to the subject." Michael Camille, The Burlington Magazine "If you want to become acquainted with medieval aesthetics, you will not find a more scrupulously researched, better written (or better translated), intelligent and illuminating introduction than Eco's short volume." D. C. Barrett, Art Monthly --This text refers to the Paperback edition.

Tag this product

 (What's this?)
Think of a tag as a keyword or label you consider is strongly related to this product.
Tags will help all customers organize and find favorite items.
Your tags: Add your first tag
 

 

Customer Reviews

2 Reviews
5 star:
 (1)
4 star:    (0)
3 star:    (0)
2 star:
 (1)
1 star:    (0)
 
 
 
 
 
Average Customer Review
3.5 out of 5 stars (2 customer reviews)
 
 
 
 
Share your thoughts with other customers:
Most helpful customer reviews

 
5.0 out of 5 stars Absolutely necessary introduction to medieval ideas of art and beauty, Jun 28 2007
By B. Gilchrist (Ste.Anne-de-Bellevue, Quebec Canada) - See all my reviews
(REAL NAME)   
Eco's work is a brilliant condensation of the large, difficult to access, work by Edgar de Bruyne on Medieval Aesthetics. The translation is crisp, the ideas are never less than illuminating, and yes, it can be understood. There is a bias toward the Thomistic, and virtually nil on the Carolingian era, but that's the bias of the day, not Eco's fault. He was 25 years old when he wrote this, which is mind-boggling. Plus, it's inexpensive and handsomely presented. I bought two.
Was this review helpful to you? Yes No (Report this)



 
2.0 out of 5 stars Strike Out, Aug 12 2001
By D. S. Heersink "D. Stephen Heersink" (San Francisco) - See all my reviews
(REAL NAME)   
Umberto Eco's best efforts are probably contained in this rather labyrinthine and meandering effort to codify Thomistic philosophy. Thomism doesn't have a philosophy of the "aesthetic,' a notion wholly alien to the medieval mind. So Eco has to kind of create such a notion from a plethora of Thomas' writings. Fortunately, Eco does stay on track, even if he creates and follows tangents widely, by staying focused on the contribution ART (vis-a-vis "aesthetics") offers to modern sensibility.

Frankly, if one wants a better understanding of Medieval attitudes toward art, Emile Male's "Gothic" is incomparable. Male's work is a tour d'force and a "must" for anyone seriously interested in medieval art.

Even Jacques Maritain's "Art and Scholasticism" does a better job of presenting Thomistic views on art and beauty. The same can be said of Josef Pieper, who has written many books on art and the scholastic mind.

Eco, who made a name for inviting deconstruction into the Italian worldview, is better skilled at directing his attentions to that field than the medieval notions, concepts, and theories of art and beauty. If one wants a more concolidated assessment of the "philosophical" underpinnings of scholasticism's attitude toward art, simply read Aristotle. The scholastic view isn't much different, except that it is differently deployed in a manner consistent with Male's "Gothic."

This book bored me.

Was this review helpful to you? Yes No (Report this)


Share your thoughts with other customers: Create your own review
 
 
Only search this product's reviews



Look for similar items by category


Look for similar items by subject


Feedback


Your Recent History

 (What's this?)

After viewing product detail pages or search results, look here to find an easy way to navigate back to pages you are interested in.