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Desolate Angel: Jack Kerouac, The Beat Generation, And America
 
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Desolate Angel: Jack Kerouac, The Beat Generation, And America (Paperback)

by Dennis Mcnally (Author)
5.0 out of 5 stars  See all reviews (2 customer reviews)
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Product Description

Jack Kerouac-"King of the Beats," unwitting catalyst for the '60s counterculture, groundbreaking author-was a complex and compelling man: a star athlete with a literary bent; a spontaneous writer vilified by the New Critics but adored by a large, youthful readership; a devout Catholic but aspiring Buddhist; a lover of freedom plagued by crippling alcoholism. Desolate Angel follows Kerouac from his childhood in the mill town of Lowell, Massachusetts, to his early years at Columbia where he met Allen Ginsberg, William S. Burroughs, and Neal Cassady, beginning a four-way friendship that became a lifelong obsession. Kerouac's frenetic cross-country journeys, experiments with drugs and sexuality, travels to Mexico and Tangier, and years of failure, frustration, and depression are recounted with detail and sensitivity. Desolate Angel is a harrowing, compassionate portrait of a man and artist set against an extraordinary social backdrop.


About the Author

Dennis McNally holds a doctoral degree in history from the University of Massachusetts and his written about Kerouac and the Beats for many scholarly journals. He is perhaps best known as the longtime publicist for the Grateful Dead and the author of the inside history of the band, A Long, Strange Trip. He lives in San Francisco.

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5.0 out of 5 stars (2 customer reviews)
 
 
 
 
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5.0 out of 5 stars A living, freewheeling account of life's ultimate beauty, Jan 21 2004
By "reignsong" (Angelica, New York United States) - See all my reviews
This is a biography, but as the fluid phrases turn and the images flow, you are transported into the time and space inhabited by Kerouac, and his band of unruly "beats."
The reproduction of NYC locales where Kerouac hung out are painstakingly recorded in this book...you could make a checklist of buildings, streets, and landmarks to visit in Manhattan so that you know where to tread where the great Piscean hipster had once tread. McNally adores every character in this tale, but his adoration seldom gets in the way of his unbiased depiction. I could be mistaken, but he even adopts some of Kerouac's run-on writing techniques to parallel this portrayal with a stylistic homage.
As a snobby lit major and aspiring writer, I was skeptical about whether a History scholar could entice me with a lively writing style, or could do justice to the life of a great writer. McNally has done both with sheer brilliance. The words sparkle, the images shock, comfort, and familiarize you within this strange world. This is not a dull, turgid historical text. It is a living, freewheeling account of life's ultimate beauty through the pathos and elation of it all. Buy the damn book!
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5.0 out of 5 stars painting Jack's Angel in a bigger canvas, Nov 28 2003
By Karmacoupe (New York, NY USA) - See all my reviews
I can't believe more people haven't written reviews of this book! It's essential if you're a Kerouac fan. It's by far the best-written word pictures of the bigger world Jack lived in. In fact, based on how well it was written and the accurate big picture it captured, Jerry Garcia found the author and brought him in to do the same thing for The Grateful Dead as their official biographer. [see A Long Strange Trip]

I've got pretty much every Kerouac or Beat bio published, and other than the oral biography 'Jack's Book' which is in a class of it's own because its just a bunch of quotes, this is the best because of how it marries a passion for the subject with a creative historian's eye. it has the same graphic, visual enthusiasm of Jack's voice, mind and writing, without being a cheap imitation. hmm, not unlike how Jimmy Herring's guitar playing in the Jerry-less Dead -- creating from the same pool of color and intent, painted with a similarly deft stroke, but unique and only imitative in subtle knowing energy loving ways.

The main vision of this work is how it paints the bigger canvas of the cities, culture, and country that Kerouac lived in. Other books may tell the ABCs of where Jack went when, and Jack's own books paint well the person he meets at the roadside coffee shop, but Jack was doing a series of small intimate portraits. Only indirectly and by implication did he write about popular culture and mores, or the politics and global events that were shaping the nation's mind.

This book is only comparable to cultural histories or documentaries on NY or SF or America of say 1940 to 1960. What this did for me was fill in the picture of what was going through the minds of all the "neat-necktied producers and commuters of America" that Jack was surrounded by but never really entered their world. What WAS the America that Jack rejected and stepping out of onto his Dharma Path? thank god Kerouac captured what was going on in the hip pioneers' cabins in the rare clusters of non-conformity that were the embryos of the entire counter-culture soon to blossom, but obviously most serious broad-minded historians don't love Jack enough to set their studies around his story. so equally thank god we've got one historian Jack-channeler who fills in the sets around jack's characters.

Just to be clear, the book Is all about Jack and the people in his life, it's not Mostly a 40s / 50s history book, there's just More of that big picture stuff in here than in any other Jack bio. For me, there was more of an 'ah-ha' in this book, as I understood more all the other people walking along Market Street and filling Times Square and commuting to the suburbs of Queens and Las Gatos.

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