Commentaires client les plus utiles
|
|
16 internautes sur 19 ont trouvé ce commentaire utile :
5.0étoiles sur 5
An Innovative Philosophical Novel about the Nature of Identity and Perception, Sep 18 2007
Divisadero will appeal most to those who are deeply interested in identity and perception. This is one of those rare novels that successful explores a philosophical issue, much as Dostoyevsky does with Crime and Punishment.
If, however, you are looking to a traditional novel about one person or a family, you'll find the dream-like shards of this book disturbing and difficult . . . rather than rewarding. You might want to read another novel instead.
Let me take you into Mr. Ondaatje's theme. Who are you? Most people would answer in terms of their name, their associations, their work, where they live, and their experiences. Michael Ondaatje demonstrates a different point of view; you are who you want to be. You can choose to die to who you were born and become someone else. The ease of doing that is increased if you go where no one knows you. But, your perceptions will be permanently framed by your life experiences in a way you cannot escape. Witness the excellent advice to first novelists: Write what you know. If you do that, you can change who you are (become a novelist) but you'll see the world through the lens of your experience even when you shift your focus to new ground.
The primary character in this book, Anna, lives this experience. She grows up in a twin-like existence with an adopted sister, Claire, and a near-brother, the neighbor boy Coop, who works as a hand for her family. The distance between them is broken when Anna and Coop begin to want more from one another. That idyll is broken by an event so terrible it will stay with you in nightmares. Nothing can remain the same.
But what will happen? The story develops from there to follow the disconnected lives of Anna, Claire, and Coop. Anna becomes a writer and Divisadero continues in investigating her research and writing about a poet and novelist. From there, Mr. Ondaatje peels the onion once more to take you into the life of the poet and novelist and his identity and perceptions.
As the stories play out, you'll be fascinated by many sub themes such as the way that we are often twinned with another. How do such twins develop separate identities? In addition, Mr. Ondaatje describes a universe that seems to be operated by unseen hands or laws that cause memes and experiences to recur.
After finishing the book, I was struck by how much meaning Mr. Ondaatje was able to draw out of a tragic event. I suggest you mull over the same point and spend some time thinking about what has happened to you . . . in terms of its meaning, rather than just its lessons.
Great work, Mr. Ondaatje!
|
|
|
15 internautes sur 19 ont trouvé ce commentaire utile :
5.0étoiles sur 5
Deserves the Booker Prize., Jui 13 2007
It is difficult to write a review for a novel that rises above superlatives. Ondaatje is one of the world's greatest living writers, and Divisadero is his finest novel. At times it rises to the level of true greatness, and it is the most challenging novel I have ever read. It is also my new favorite.
Be forewarned: this is not a light read. The prose is smooth and lyrical and unmistakably Ondaatje. The novel focuses on memory, the past, and violence as his prior works have but Divisadero takes the concept one step further: it is separated into three distinct sections, overlapping enough only to give the reader a reason to continue reading. It reads more like a collection of three novellas than it does a novel. It also travels in reverse chronological order. I considered the opening section to be the main story, with the following stories as the reflections spoken of in the last line of the novel.
This is not a novel that concerns itself heavily with plot. It is an exploration of its themes first and foremost. I do not want to speak for the author, but it seems to me it was not written to be a page turner. If that is what you are expecting I think you will probably be disappointed. Any hope of that will be gone with the abrupt end to the opening section. But do not give up because of it. There are many novels with compelling stories: there are few that treat its reader with as much respect as Divisadero. Ondaatje tells you a story, but not all of it. He leaves the unwritten to the reader to piece together. What does it mean that Coop/Anna and Segura both have blue tables they treasure? What does it mean that Coop becomes a card player and Segura names Ramon's sidekick "One-eyed Jaques"? What does it mean that the colors of Anna?s five flags are all represented in Segura's story, from the color of Marie-Neige's dress to the white mucus of diphtheria? My hat is off to you if you were able to decipher their meanings on your first read. But multiple readings are exactly what this book is all about. I am not sure I agree with the Amazon description of the links between past and present as being "explosive", but they are definitely meaningful, and I would argue they are the core of the novel. I never -- NEVER -- reread books within a year, but this is going to be a notable exception.
This novel in one word: Haunting. It will stay with you for a long time. Ondaatje is a master.
|
|
|
7 internautes sur 10 ont trouvé ce commentaire utile :
3.0étoiles sur 5
A Story within a Story, Aoû 27 2008
In Northern California teenage sisters Claire and Anna live with their father and work the family farm together with Coop, a boy who is brought into the family from a neighboring farm. Very quickly this family shatters. To say why, would be to give away a spoiler. So, sorry dear readers my lips are sealed!
I will say that we do follow all three characters into their adult lives. Anna becomes a writer of biographies, which brings us to the second half of the book. She writes about the life of turn-of-the-century French poet named Lucien Segura. There was also another story within the story.
This book is about the past, loss, and passion.
To be quite honest, at times I had trouble following along. I wasn't always sure what family I was reading about until I read further. Then I would catch up and follow smoothly along until it happened again.
I didn't dislike this book, but I do think it would have been better written as three short stories. I just didn't see the connection. That said, Ondaatje's descriptions of both landscape and characters were amazing.
|
|
|
Commentaires client les plus récents
|
de Elizabeth Hay
de M.G. Vassanji
de Ian McEwan
de Alissa York
de Michael Ondaatje
