Starred Review. Shukman, a British travel writer and poet, weaves together political intrigue, passionate romance and personal discovery in a visceral and lush debut. Jackson Small is a traumatized 21-year-old discharged from the British army believing himself responsible for the death in Belize of buddy (and occasional bedmate) Connolly, who is mortally injured when the two are ambushed by Guatelmalan rebels while on a training mission in the jungle. Grief-stricken, he embarks on a penitent quest to find La Joya, the lost center of a vanished Peruvian empire that Connolly claimed to have glimpsed in the cloud forest between the Andes highlands and the Amazonian lowlands. As his adventures unfold, Jackson intersects with a remarkable cast: an orphan boy who saves his life; a world-weary British consular official right out of a Graham Greene novel; a former American Peace Corps volunteer living off the grid with two wives; a warmhearted priest trying to bring Catholicism to villagers; a vicious drug lord; and free-spirited Sarah, who calms Jackson's soul and claims his heart. Shukman's forbidding landscapes and fearsome jungle labyrinths are as striking as his characters, cranking up the intensity of a cinematic page-turner that echoes Greene and Conrad.
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“An unsettling tour de force.”
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The New York Times Book Review“Intense and admirable. . . . A novel . . . devoutly to be wished for.”
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San Francisco Chronicle“A potent tale. . . . The ecstasy of Shukman's writing has a special allure [and] the book's supporting characters all add to its vivid color.”
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The Seattle Times“Seductive and stimulating, full of the wonders and horrors of distant lands.”
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LA Weekly“A powerful new novel [with] a tantalizing premise . . . Braiding power, commerce, archaeology, and tourism with threads of adventure and romance, Shukman weaves a compelling narrative. But his greatest triumph is rendering an almost impossibly remote region so present and palpable.”
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National Geographic Traveler (Book of the Month)
“The writing is too good to miss
. . . Shukman plays the
Heart of Darkness—meets—Graham Greene card with brio, offering smart, lyrical prose and a breakneck plot.”
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Men’s Journal“Shukman proves to be a thrilling novelist keenly sensitive to the power of place. Psychological acuity and ravishing descriptions infuse this nearly hallucinogenic and truly affecting tale of the rule of blood, repentance, and love with deep insights into humankind’s struggle not only to survive but also to dwell in beauty.”
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Booklist “Shukman weaves together political intrigue, passionate romance and personal discovery in a visceral and lush debut . . . His forbidding landscapes and fearsome jungle labyrinths are as striking as his characters, cranking up the intensity of a cinematic page-turner that echoes Greene and Conrad.”
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Publishers Weekly (starred)
Praise from the U.K.“A gripping story of adventure, casual treachery and intrigue, and the redemption of an emotionally and morally ruined soul . . .
The Lost City shares something of the same timelessness [as] Thomas Hardy’s
The Return of the Native, one of the great creations of terrain as a character in English fiction.”
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Guardian “An exquisite debut . . .
The Lost City is a big, hearty work that is both gripping and intensely moving . . . Shukman’s breathtaking, lyrical prose propels a pacy plot which, at its most visceral, becomes cinematic in its scope. On the strength of the writing alone, this is a contender for book of the year.”
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Scotland on Sunday“Haunting . . . Shukman has a phenomenally well-developed sense of place . . . But what’s perhaps most impressive here is the way that he seems able to make everything symbolise something larger than itself.”
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Independent on Sunday “Shukman proves himself a master of driven narrative and psychological drama . . . At times the prose has the terse muscularity of a Hemingway adventure, at others an almost biblical thunder, underscored by touches of Graham Greene . . . This is Shukman pushing his talent to the edge.”
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Scotsman“A powerful debut . . . Shukman skillfully blends his genres: political intrigue, drug lords, and South American militia . . . while the poetic prose harks back to Conrad’s original jungle quest,
Heart of Darkness.”
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Daily Mail
