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4.0étoiles sur 5
A Road With A Pitt-Fall, Aoû 31 2002
BETHLEHEM ROAD is another installment in the Thomas and Charlotte Pitt series. As such, it has all of the usual features: interesting and, in many cases, familiar characters, an intriguing plot, Victorian London as the backdrop, and a burning social issue of the day that plays a significant role in the story. As occaisionally happens, Ms. Perry lets her soapbox get in the way of her mystery once or twice in this one, but that's only a minor problem.For most of the story, the plot revolves around a series of murders involving MPs. Each is found tied to the same lamppost with his throat cut. Each was returning home alone and on foot from an evening session of Parliament. This is pretty riveting stuff, and for most of the book there is no obvious suspect. The only suspect on the horizon seems unlikely to be the perpetrator. Both Thomas and Charlotte are baffled. Ultimately, however, the solution to this mystery is only the prelude to the real climax of the story, which is abrupt in true Anne Perry style. For me, the solution to (or, really, the rationale for) the lamppost murders is this book's weakness and it's what keeps this from being a five-star book. The lamppost murders need more of a tie-in. At the risk of giving away too much, it just seemed to me that the lack of intent and motive for these murders left a little to be desired when all was said and done. BETHLEHEM ROAD is a pretty good mystery with most of the strengths usually found in the Pitt series. While Perry perhaps over-reaches herself a bit here in trying to pull off a plot within a plot, it will keep readers turning the pages from beginning to end. I found it entertaining and recommend it to other mystery readers, particularly fans of the Pitt series.
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4.0étoiles sur 5
A Road With A Pitt-Fall, Aoû 31 2002
BETHLEHEM ROAD is another installment in the Thomas and Charlotte Pitt series. As such, it has all of the usual features: interesting characters, many of whom are familiar as series regulars, an intriguing plot, Victorian London as the backdrop, and a burning social issue of the day that plays a significant role in the story. As occaisionally happens, Ms. Perry lets her soapbox get in the way of her mystery once or twice in this one, but that's only a minor problem.For most of the story, the plot revolves around a series of murders involving MPs. Each is found tied to the same lamppost with his throat cut. Each was returning home alone and on foot from an evening session of Parliament. This is pretty riveting stuff, and for most of the book there is no obvious suspect. The only suspect on the horizon seems unlikely to be the perpetrator. Both Thomas and Charlotte are baffled. Ultimately, however, the solution to these murders is only the prelude to the real climax of the story, which is abrupt in true Anne Perry style. For me, the solution to (or, really, the rationale for) the lamppost murders is this book's weakness; it's what keeps this from being a five-star book. The lamppost murders, with their bizarre circumstances and the misery they provoke in the families of the victims, need a more compelling purpose than what we end up with here. At the risk of giving away too much, it just seemed to me that the lack of intent and motive for the murder of these men left a little to be desired when all was said and done. BETHLEHEM ROAD is a pretty good mystery with most of the strengths usually found in the Pitt series. While Perry perhaps over-reaches herself a bit here in trying to pull off a plot within a plot, it will keep readers turning the pages from beginning to end. For me it was entertaining, even if ultimately a little frustrating. I recommend it to other mystery readers, particularly fans of the Pitt series.
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5.0étoiles sur 5
A case for suffragettes, Jui 10 2002
The statue of Boadicea driving her war chariot stands in front of the British Parliament building. Members of Parliament (MPs), walking past the statue every day, contended that women did not have the ability to understand issues and vote intelligently. The year is 1888 and women's rights are a contentious issue. When MPs have their throats cut on the way home from evening sessions, suspicion points in many directions. Was it a radical women's rights advocate, a demented anarchist, or perhaps someone benefiting financially?Thomas Pitt and his wife, Charlotte, become involved in the investigation. The entire issue of women's rights unfolds including various repressive laws. There are issues of inheritance, child custody, and a wife's obligations to her husband (religious fundamentalists in the U.S. have been revisiting this issue). This is a real whodunit with a surprising conclusion. The novel provides a good picture of the English social structure of that time period.
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