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4.0étoiles sur 5
A mix of diamonds and duds, Juil 7 2003
I was really impressed with some of the fiction in this book. I really loved the stories Travels with the Snow Queen and Quiting Loup. I also loved Twa Corbies. But some were a little bit to be desired. I really thought that the whole feminist fairy tale theme was a little bit hard to swallow and a tad annoying but overall a good read.
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3.0étoiles sur 5
Some Great Stories Make Up For the MANY Duds...., Janv. 16 2003
This is actually one of the better "Years Best" that I've read so far. Again, I skimmed right past Windling & Datlow's Summations- They go on waaayyyy too long, as usual. Also as usual, Fantasy Editor Terri Windling monopolizes the bulk of the book with her choices. Horror Editor Ellen Datlow does get some payback, though: One of her choices, Peter Straub's "Mr. Clubb and Mr. Cuff", runs in excess of 50 pages. The titular duo is memorable, but the story goes on too long, and the style it's written in is difficult to stick with. The end is worth it, though. The book opens with Kelly Link's "Travels With the Snow Queen" which I couldn't even finish; I hated it. Link appears again towards the end of the book with "The Specialist's Hat", an absolutely chilling ghost story with a drop-dead scary ending. I couldn't move on to the next story until the next day, because I was turning Link's story over in my mind all night. It was absolutely one of the spookiest stories I've ever read. Sara Douglass offers up the REAL secret behind those Gargoyles on Church roofs in "The Evil Within", a far-fetched but fun Horror tale, and Lisa Goldstein's "The Fantasma of Q____" is an interesting victorian tale with an neat twist at the end. Stephen King's contribution is pretty good; Not his best, but the end makes it worthwhile. One of the book's better tales is Terry Lamsley's "Suburban Blight", where an abandoned building hides a terrifying secret. "Inside the Cackle Factory", by Dennis Etchison, tells us just what happens to all of those washed-up stars we never see on TV anymore. John Kessel's "Every Angel is Terrifying" is a realistic story of escaped killers that takes a mildly fantastic twist at the end; It's extremely well-written, and creepy as hell. As always, there's a Dracula story (Sort of)- It's Mark W. Tiedmann's "Psyche", and it's a keeper. Drac himself is only peripherally involved, but his influence permeates the entire story. Jane Yolen, Norman Partridge, and Michael Blumlein all contribute interesting stories as well. I couldn't get through Christopher Harman's "Jackdaw Jack"- It was just awful. There's another Charles De Lint Newford story, which is excellent as usual, and Terry Dowling's story, "Jenny Come To Play" is just a nasty read; Although they're nothing alike, it has the same feel as "The Silence of the Lambs". And as usual, Terri Windling monopolizes the end of the book with dud stories that I can't get through. Windling tends to favor feminist fantasy stories that are all too much alike; I was actually offended by Carol Ann Duffy's ode to man-hating, "Mrs. Beast"; The less I say about this trash the better. If a man had written such an anti-female story, he'd be finished. As I said, there are some GREAT stories here, but they're outweighed by the duds, and when one of these stories are bad, they're BAD. I'll read the other two volumes of "Year's Best" that I own, but I'll pass on buying new ones. Windling & Datlow's selections leave a lot to be desired, and I wish they would get a little more daring.....
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4.0étoiles sur 5
The current pulse of nonrealistic fiction., Jui 27 2002
Par Un client
In their twelfth annual survey, Datlow and Windling have assembled a rewarding collection of genre (and extra-genre) fiction from English language sources of all kinds from 1998, with a little poetry thrown in as well. In a format based on Dozois's science fiction anthologies, Datlow and Windling's series has become an annual "event" for lovers of nonrealistic short fiction. The editors are open to just about anything and everything, as long as it has significant fantasy or horror elements, but they are more likely to reprint material by women writers, or about female characters. As far as biases go, that's not a bad one to have: some of the best fantasists working today are women.The editors look at mainstream magazines like "The New Yorker" and "Ms." -- both of which had strong stories chosen for this book. From "The New Yorker" they selected Stephen King's "That Feeling, You Can Only Say What It Is in French," which in 20 tightly-written pages gives the reader the entire life of a woman who may be getting precognitive flashes about the crash of the plane she and her husband are on, or who may simply be fantasizing the crash as a death wish. I knew this woman completely by the end of the story (whose title refers to déjà vu). The "Ms." story was Lisa Goldstein's "The Phantasma of Q-----," with a moment of magic realism passing so quickly it's hard to catch. It is a strength of this series that it covers work in mainstream, genre and academic/small press sources. A number of British and Australian magazines, anthologies and collections provide selections, with two superior tales well worth reading. The best thing in the book (and saved for last) is the superb modern fairy tale by A. S. Byatt, "Cold" -- sitting in a warm library, I was shivering at the frozen world depicted. A beautifully textured story, the best I've read in several years. It came from Byatt's collection, "Fire and Ice." Christopher Harman's "Jackdaw Jack" (from Ghosts and Scholars, a UK little magazine) is the best shocker in the anthology. Its pieces fall into place like a well-wrought jigsaw, and the end left me numb. Among the other stories is an unclassifiable gem by Ray Vukcevich, "By the Time We Get to Uranus" (from the anthology, Imagination Fully Dilated). In the story's surreal world, a person's body slowly develops an astronaut's suit from the feet up, and eventually the person floats off into space. When this happens to a man's wife, he's concerned that his suit isn't developing as fast as hers, as they can't leave together. A metaphor for what separates the sexes these days, the story works and then some. The stories I detailed here are my favorites, but others will find others they like as much or better. Some motifs of the book are hispanic magic realism, foreign fantasy in translation, and stories that are just very strange. I'm not a fast reader, and this long book took me a year and a half to finish. The extensive prefaces (in roman numerals) run over 100 pages before you even get to "page 1." Windling first documents fantasy for 1998; Datlow then does the same for horror, after which we get essays on the media, comics and obituaries for 1998. The prefaces are meant to be references more than essays, and I do use them as a reference, but they are slow going just to read (and some of the info is duplicated by approaching the genres separately). The shortlist of "honorable mention" stories at the end is also useful as a reference. All in all, a class act by two dedicated anthologists who deeply care about the state of the contemporary nonrealistic story.
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