From Publishers Weekly
In this picaresque, harrowing, humorous yet deeply sad excursion through his dark-starred youth, Bunker (No Beast So Fierce, etc.)--arguably the most renowned convict writer in America--serves as both participant in and witness to the mid-century carnival of L.A. crime immortalized by James Ellroy. The bright, mischievous product of a Depression-era broken home, Bunker was raised in a worsening succession of institutions. In this account, he initially explores how the violence he experienced in these places directed him toward criminality, culminating in a stretch in San Quentin at age 17. These experiences instilled in Bunker the Convict Code, which boils down to: Don't ever snitch, and respond to all threats with uncompromised ferocity. This ferocity made him notorious among his jailers and peers. Bunker details experiences among pimps, prostitutes, gamblers, thieves and L.A.'s nascent gang and drug culture, plus flirtations with affluent society, in the person of a benefactor, Louise Wallis, a producer's wife for whom he worked as a chauffeur and who nurtured his literary dreams. He captures the kaleidoscope of postwar California's underworld with a disturbing seductiveness reminiscent of Ellroy. Bunker ultimately returned to prison for two long periods due to relatively minor infractions; he describes the dangers of California prisons, greatly worsened in the 1960s by racial polarization. Though out of prison now for 25 years, Bunker remembers the experience well: these chapters, as in his novels, present a uniquely searing portrait of life behind bars. Although the memoir ends abruptly with the 1974 acceptance for publication by W.W. Norton of one of Bunker's novels, it remains a thought-provoking and richly re-created tale of a career criminal. (Mar.)
Copyright 2000 Reed Business Information, Inc.
From Library Journal
Having served a total of 18 years in prison, Bunker has made a career out of being an ex-felon in the decades since his release. His four works of fiction (No Beast Too Fierce, Animal Factory, Little Boy Blue, and Dog Eat Dog) describe adolescents in trouble with the law--as he was. This memoir, his first nonfiction book, has stories similar to those in the other volumes, but this time the stories are apparently true. Bunker is sufficiently like the juvenile offenders of today to make his self-revelations hit home. The legal system that he describes, however, goes back several decades. Readers who are interested in how things used to be will find substance here; those who are looking for insights into today's correctional facilities may be misled. Bunker writes well, and his hard-boiled episodes can hold the readers' attention. Devotees will probably like this new volume; others may want to pass.
-Frances O. Sandiford, Green Haven Correction Facility Lib., Stormville, NY Copyright 2000 Reed Business Information, Inc.
