From Amazon.com
The 14th volume of the critically acclaimed Year's Best Fantasy and Horror anthology series is a 556-page behemoth combining 44 of the best stories and eight of the best poems from 2000. Editors Ellen Datlow and Terri Windling provide long, thorough, and insightful summaries of their fields, horror and fantasy, respectively. If that isn't enough, the anthology includes Edward Bryant's detailed and evenhanded "Fantasy and Horror in the Media: 2000," Seth Johnson's concise and knowledgeable "Comics: 2000," and James Frenkel's "Obituaries: 2000."
The stories and poems in this volume are as strong as the title claims; a few are very good, and most are excellent. The contributors include literary greats like John Crowley, Harlan Ellison, and Louise Erdrich; genre giants like Ramsey Campbell, Charles de Lint, and Tanith Lee; acclaimed young-adult authors like Francesca Lia Block and Jane Yolen; excellent foreign authors better known in their native countries, like Australia's Terry Dowling and Bolivia's Claudia Adria'zola; and terrific new talents like Susanna Clarke, Andy Duncan, and Kelly Link.
With a volume this massive, it is difficult to describe all the stories, or even representative examples of the many different subgenres. Here are summaries of two selections from each editor:
In Louise Erdrich's tragicomic tall tale "Le Mooz," a prideful Ojibwa woman wrecks her marriage after a moose hunt goes awry. In Kathe Koja's chilling and startling "At Eventide," a serial killer tracks down the woman artist who escaped him and sent him to prison. "The Man on the Ceiling," a metafiction by Steve Rasnic Tem and Melanie Tem, is a brilliant, moving, autobiographical exploration of the physical, emotional, and creative lives of two writers. In Susanna Clarke's witty, beautifully written fantasy of manners, "Mr. Simonelli or the Fairy Widower," a poor, handsome young priest learns his new parish overlaps Faerie, discovers a shocking ancestral secret, and makes covert marriage proposals to five beautiful sisters.
The Year's Best Fantasy and Horror is a great and generous collection, perfect for most, but not all, horror and/or fantasy fans. It includes both supernatural and nonsupernatural horror, but it doesn't have anything for the "splatterpunk" fan. Also, while the horror selections are drawn from both genre and nongenre publications, most of the fantasy selections are taken from nongenre magazines, anthologies, and other sources. If you want fantasy drawn largely or exclusively from genre sources, and particularly if you want only heroic/adventure/sword-and-sorcery fantasy, then you should skip the entire Year's Best Fantasy and Horror series. Those subgenres make no appearance in this volume, and have never had much of a presence in this series; it's as if only magic realism, fairy tales, and mythic/folkloric fantasy of a rather sensitive, measured, and grown-up sort need apply (even when it's young adult fiction). Also, extreme, graphic horror may be out of fashion, but its raw, adolescent energy will doubtless reappear in future volumes of The Year's Best Fantasy and Horror whenever great graphic-horror stories are published. --Cynthia Ward
From Publishers Weekly
"Best" is a subjective judgment, but there's no question that for each of the past 15 years Datlow and Windling have assembled an excellent anthology of richly rewarding imaginative literature. Their harvest of horror and fantasy for 2001 is a bumper crop of 49 stories and poems, many from sources that won't be familiar to the average reader and some from newcomers whose promise bodes well for the future of both genres. As in years past, certain themes cut across genre boundaries and explode notions of horror and fantasy as separate literary forms. Shapeshifters are present in Charles de Lint's upbeat "Trading Hearts at the Half Kaffe Cafe," where they teach a lesson about trust in a romantic relationship, and in Susan Palwick's haunting "Gestella," where they crystallize the sense of estrangement in a deteriorating marriage. Ursula K. LeGuin's "The Bones of the Earth," written in the classic high-fantasy style, and S.P. Somtow's "The Bird Catcher," which features a legendary serial killer, are both moving coming-of-age parables. Intimations of realities beyond comprehension dominate Anthony Doerr's "The Hunter's Wife," a transcendent meditation on the consolations of mortality, and Caitl!n Kiernan's "Onion," which brilliantly suggests a universe of chaotic cosmic horrors through the dysfunctional lives of people who have seen but not understood them. Enhancing the mix are top-flight tales by Steve Rasnic Tem, Kelly Link, Elizabeth Hand and Gregory Maguire, and Michael Chabon's "The Dark God of Laughter," a metaphysical mystery that ranks as one of the year's most refreshingly uncategorizable stories. Without question, this book is mandatory reading for lovers of weird and fanciful fiction.
Copyright 2002 Reed Business Information, Inc.
