L. Frank Baum Creator of OZ: A Biography (Hardcover)

Rogers does well to show how his background involvement in the suffragette movement most likely helped to inspire him to write one of the few female protagonist in fantasy literature (one only has to look to Harry Potter to see how little progress the genre has made in the past 100 years). One wonders if Rogers stumbled upon the curious fact that Baum's mother-in-law was a prominent member of the New York state women's movement at the turn of the century when she was researching some of her other books.

But over all the book seems to fall flat in giving the reader s true sense of the man and his times. While there is a fair amount of background on Baum's involvement with the women's movement and Theosophy neither aspect is fully developed for the reader. Rogers seems to feel that the reader ought to know exactly how these movements fit into turn-of-the-century life and what they were all about. Granted 1900 America is not exactly foreign to today's readers, but many of the ideals that people in that time subscribed to are all but forgotten. The women's movement is not feminism as we understand it today, a little more detail and background would help.

Over all one does not get a sense of the time and place Baum existed in. Granted, his life was fairly boring, routine and seems, despite constant money troubles, fairly well off. However context would help establish a reason to care about Baum other than the fact one might enjoy his writing. There are plenty of text synopses, but little delving into where the stories came from. Was he simply trying to modernize the fairytale? Based on Rogers book one gets the impression Baum was something of a hack, simply grinding out tales for children. I feel that there is more to his writings than that.

Kudos to Rogers for exploring fully Baum's non-Oz works. Again, a little more follow up (beyond the four or five paragraphs at the end) about what happened to the Oz series after Baum died and what happened to his copyrights etc (is the book in public domain? What happened to his original publishing house as I do not recall they still exist...?) His influence has been great ( C S Lewis owes at least a small debt to Baum) but Rogers seems to attribute it all to the MGM movie.

For those who have never read an Oz book, this is still an important book. L. Frank Baum was an intriguingly different man for his times and reading about his life gives wonderful insight into America of the late 19th and early 20th centuries. His feminism and respect for children and animals become some of the endearing features of his fiction and what make his Oz series classics of American literature.

He married Maud Gage, the daughter of Matilda Joslyn Gage, one of the leading women suffragists. So the information that Katherine Rogers provides on his relationship to his mother-in-law and his home life with Maud is invaluable to students of the women's movement. Gage's own 1893 book, WOMAN, CHURCH AND STATE, has just been brought back into print by Humanity Books in their Classics In Women's Studies series. Her belief that christianity and the Western state are the very basis of the oppression of women, which is detailed in this work, was radical at the time. Her own spirituality found a home in Theosophy which became the religious practice of Baum and was influential in his writings.

Baum took his family to the Dakota territory where three of Maud's siblings had settled. The book's account of their life on the northern prairie will be of interest to those who study the history of 19th century Dakota. As first a merchant and then a newspaperman, Baum's views on life in the Dakotas are well represented. It is in this section where we first encounter Baum's racism. He wrote an editorial where he called the native Americans "a pack of whining curs" who should be totally exterminated [p.259]. Rogers doesn't develop this aspect of his personality very deeply saying that for Baum these were "thoughtless lapses, in which Baum unthinkingly went along with contemporary attitudes [p.272]." Her treatment of his racism is confined to the Notes at the end of the book.

For those who are avid readers of Baum's fiction, the book is a wealth of information. Each of his novels are analyzed and related to the events in his life. When possible drafts are compared with completed works to gain insight into Baum's creative process. His relationships with his illustrators W. W. Denslow and John R. Neill are described. The close relationship he had with Denslow is contrasted by the distance he maintained with John R. Neill. His dispute with Denslow, who illustrated The Wonderful Wizard of Oz, over the ownership of the characters may have contributed to his reluctance to know Neill better. Baum and Neill only met once. He relating to Neill mostly through the publisher, which accounts for some of the mistakes that exist between Baum's descriptions and Neill's pictures.

The book contains 35 pages of Notes, many of them long and detailed additions to the text. A six page listing of Baum's published works will be a joy to collectors. The 13-page index makes it easy to find any details quickly in the text. This is a wonderful work with a positive perspective on Baum, his writings, and the time in which he lived.