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Lost Geography: A Novel
 
 

Lost Geography: A Novel (Paperback)

by Charlotte Bacon (Author) "One August morning, Margaret Evans opened the door of her clinic to find a tall, slight, sandy-haired boy ranting about forest fires and cod ..." (more)
4.0 out of 5 stars  See all reviews (1 customer review)
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From Publishers Weekly

Everything goes in cycles in Bacon's quietly impressive debut novel (following her short story collection, A Private State), in which three generations of down-to-earth young women weathered by adversity seek less steady but sufficiently tractable men for taming, childbearing, then marriage. For Margaret in Saskatchewan in 1933, her daughter, Hilda, in Toronto, and her daughter, Danielle, in Paris, the more things change, the more they stay the same. All these women are strong, reserved, sensual, practical and capable of one major move, after which they settle down, eternally faithful to their offspring and the mate from whom they are parted only by death. Each man has one or two salient characteristics (Davis is a secret lover of beauty, Armand deals in antiques and generosity, Osman in secrets and gambling), but each couple is similarly devoted, and apart from a mother-in-law or two, sufficient one to the other. No one has friends outside the family. These are quiet people who communicate largely without talking, so the dialogue is limited, apart from pointed stories about earlier generations. Bacon's rather detached third-person narrative, which moves from husband to wife, also keeps the reader at a distance. But her prose has a pleasing simplicity that makes the book a quick and pleasurable read, and she captures moments well, as when Danielle and Osman, getting serious, "sat there for a few more minutes, quietly measuring each other's capacity for danger." Cool as the novel can be, its conclusion, set in 1990s New York, where Osman moves with their children, Sophie and Sasha, after Danielle's death, glows with a hard-won warmth. (Apr.)
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.


From Library Journal

The family featured in Bacon's tale moves among Regina, Saskatchewan; Toronto; Paris; London; and New York City and takes place between 1933 and the present. The book opens with the first narrator, Margaret, a nurse, who meets her future husband, Davis, a Scottish immigrant, when she treats him for a bad case of the flu. They fall in love and raise three children: Hilda, Jem, and Stuart. The second narrator, Hilda, then moves on to Toronto, where she creates a new life and gives birth to Danielle, the third narrator. After school, Danielle moves to France and meets Osman Harris, a Turkish-English man. They marry and have two children, Sasha and Sophie, the final narrators of this tale. A neatly interwoven story of landscape, personal history, and survival, this multigenerational first novel contemplates how much we are made up of our past as well as out present. With well-drawn characters and a subtle palette for a plot, this is a very good book about loss and change. For public and academic libraries.
Robin Nesbitt, Columbus Metropolitan Lib., OH
Copyright 2000 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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4.0 out of 5 stars Some geographies were lost, but new ones were found, Dec 1 2003
This review is from: Lost geography (Hardcover)
The common thread in this book is the transcontinental distances that characters put between themselves and their families. It all starts with Davis leaving Scotland for Canada, not so much to find a living, but to escape the stifling constraints of tradition. Then Hilda, his daughter, left her past in Regina and moved to Toronto. Hilda's daughter, Danielle, needs to escape her mother, who is larger than life without even trying, and in order to find hr own identity, moves to Paris. There she falls in love with Osman, who has also abandoned his native England escaping a sad childhood. And so it goes...

The first chapters of the book are definitively for the impatient reader, as the author does not spend too much time recreating scenes or circumstances. There is a certain economy of language, and the flow hassles through. Once we get to Paris, the pace slows down, and we get to savor the intricacies of the characters. I enjoyed this book, and identified especially with Danielle's character. I did not appreciate the common use of archetypes that the author used, though, above all when it came to define French or Canadian people. Still, this is well worth a read.

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