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Manhattan Nocturne: A Novel
 
 

Manhattan Nocturne: A Novel (Paperback)

by Colin Harrison (Author) "I sell mayhem, scandal, murder, and doom ..." (more)
3.5 out of 5 stars  See all reviews (23 customer reviews)
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Product Description

From Amazon.com

In this full-bore detective tale of scandal and mayhem in the Big Apple, Colin Harrison whips up noir for the 90s, complete with a jaded newspaperman protagonist, a mysterious femme fatale, exhaustive travelogues of the meat-grinder labyrinth of Manhattan, and an elusive jade figurine. Harrison weds a literary sensibility to this tangled tale, but the pleasures of the novel come mainly from the conventional elements of all detective fiction: the assembling of apparently disconnected pieces into a coherent puzzle. --This text refers to an out of print or unavailable edition of this title.


From Publishers Weekly

If it weren't for the miles of dangerous videotape that snake through this marvelous story, binding its participants to each other and to their ever more elaborate lies, Harrison's latest (after Bodies Electric) could take place in the Manhattan of 40 years ago. The nostalgia is so palpable that the opening scenes conjure images of a jaded reporter sidling through the city's midnight shadows, intent on getting "the story." Porter Wren (returning from earlier Harrison novels) is a columnist for a New York daily tabloid, happily married with two kids and a terrifying mortgage, when he's approached at a swank party by a woman who in earlier parlance would have been called a "dame." She's Caroline Crowley, widow of hot young filmmaker Simon Crowley. Not even Wren's native cynicism cues him to Caroline's real intentions until he has compromised himself and his family's safety. Crowley was found mysteriously dead in a Lower East Side lot; more than a year later, his murder remains unsolved, but that doesn't seem to be foremost on Caroline's mind. Her current predicament concerns the monstrous billionaire who owns Wren's paper, and who believes a mystery video that has been turning up repeatedly in his office must be coming from her. All Caroline asks is that Wren find the original video, which has nothing to do with Simon's death?maybe. But as Wren was advised years earlier by a washed-up journalist, "It's all one story." Harrison shows the truth of this maxim as he deftly connects dozens of far-flung characters?a pair of sad, dotty lawyers in Queens, a spurned lover who shot his fiancee, a nanny in Wren's service?and as many Manhattan locales into a breathtaking collage. His prose brims with the anguish and joy, the guilt and regret and recklessness, of hundreds of the city's voices. He proves that it is all one story?and one that will keep readers enthralled. Author tour.
Copyright 1996 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

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Customer Reviews

23 Reviews
5 star:
 (7)
4 star:
 (6)
3 star:
 (5)
2 star:
 (1)
1 star:
 (4)
 
 
 
 
 
Average Customer Review
3.5 out of 5 stars (23 customer reviews)
 
 
 
 
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Most helpful customer reviews

 
5.0 out of 5 stars EXCELLENT!!!, April 3 2004
By A Customer
I could not put this book down. What a fantastic writer... takes the mystery genre and turns it into high art. Kudos.
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3.0 out of 5 stars Not quite, Nov 13 2003
By S. Harris (Spotsylvania, VA) - See all my reviews
(REAL NAME)   
This review is from: Manhattan Nocturne (Paperback)
Well, Harrison can write. Perhaps too much. One major problem for the novel: Sex. A little in this department goes a long way. I've read plenty of sex scenes in novels, going back to Sonny Corleone shaking the door in the Godfather during the wedding. Good writers seem to know how to place such scenes within the larger context of the novel. Especially so in crime novels. With Harrison however, there seems to be a pornographic line crossed. (Suggestion and mystery - forget it.) Or perhaps it's meant to be a commentary on America and voyeurism. Indeed, not far below the surface of Manhattan Nocturne are all kinds of commentaries - on sex, on celebrity, on film, on materialism and the power of money. All are worthy topics, but any novel that tries to tackle them all is bound to fail. Bound up in all these ruminations is the search for Truth, as Harrison reminds us through the mouths of several characters. I suppose that's why the character Porter Wren can offer up such clear eyed but intimate details on his lovemaking with his wife. (He's a journalist after all.) But other than revealing there is a mystery in her desires that has much to do with her, and little to do with him (other than fulfilling a big time male fantasy), it still doesn't reveal much about her other than suburban kinkiness. (And of course, she's a good mother.) The fact that Harrison returns to such bedroom scenes should be some sort of writing sin.

On the good side, Harrison does create some memorable characters (Caroline is a good femme fatale). In fact, Caroline's story within the story was more memorable than the actual story itself.. Dialogue sounds right. And the plot's not bad either, though twisty as hell, with something of a whimper ending. On the bad: continuous name dropping (Tarantino, Dan Quayle, Mayor Giuliani, etc.). Manhattan Nocturne is simply an attempt to write a Big Important Novel (much like Tom Wolfe's attempts). That never works. A smaller, more focused one would of been a better approach.

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4.0 out of 5 stars Really three and a half stars..., Jun 20 2001
By "not-me" (Not San Francisco) - See all my reviews
This review is from: Manhattan Nocturne (Paperback)
I have to agree with much of what Mr. Brenner said in his review of this novel. Yes, it does start out very well, and continues to hold interest, but the end sort of peters out, almost as if Mr. Harrison was either rushed or just got bored with what he was writing. The end of a mystery should be the most intense part, in my opinion, and the beginning and middle seemed to hold more intensity than the conclusion.

But, there are a great many things I enjoyed about this book. The "devil may care" attitude of narration was one of them. Porter seems to know he's not a "good" person in others eyes, but it doesn't seem to affect his storytelling. He doesn't apologize to the reader, but is trying to work things out for himself.

I also enjoyed the character of Caroline. Her personality wasn't immediately shown as the typical girl of noir novels who comes into the detective's (in this case journalist's) office with a hat pulled over one eye, wanting him to find out who killed her late husband. She subtley changes as the relationship between her and Porter becomes more familiar. Even in the end, although much is revealed, she remains not quite mysterious, just not understood.

This isn't a bad read, but it is disappointing. I'd like to see Harrison avoid the realm of mystery and perhaps try something more general. The writing is good, even though the story is somewhat lacking.

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Most recent customer reviews

4.0 out of 5 stars Great Thriller, Warts and All
Colin Harrison is an enigma. He writes some of the best thrillers out there, but he has a real tendency to frustrate me as a reader even while I'm marveling over the brilliance... Read more
Published on Mar 23 2001 by Falco Gingrich

3.0 out of 5 stars Great Beginning That Bottomed Out
The first one hundred and fifty pages or so, Colin Harrison had me hooked. "Manhattan..." is the seamy story of a tabloid reporter named Porter Wren who risks not only... Read more
Published on Dec 30 2000 by Brett Benner

5.0 out of 5 stars Fantastic writer with rare writing talents
Beautiful prose-style writing! This is the only novel I have found so far that could be compared to "Gold Coast" by Nelson Demile. Read more
Published on Aug 30 2000

1.0 out of 5 stars Abysmal
After suffering through Harrison's Afterburn, one of the worst novels I've ever read, I began wondering if maybe Afterburn was a fluke, that Harrison really had some ability... Read more
Published on May 9 2000 by James Fiorenzo

3.0 out of 5 stars Okay so it's not the best, but it ain't bad!
I listened to an abridged audiotape of this book and liked it from the beginning. The narrator was good and gave the story a kind of grittiness that makes you think of dark, foggy... Read more
Published on Mar 14 2000

2.0 out of 5 stars A good plot ruined by tangents and rotten ending
It took too long for the action to take off in this book. That's ok for serious literature, but let's face it, this is a thriller that should be fast paced. Read more
Published on Feb 10 2000

1.0 out of 5 stars What a waste of time...why can't we rate NO stars?

I did not like anything about this book...except maybe the faithful wife. She had character and commitment... Read more

Published on Nov 3 1999

4.0 out of 5 stars I am surprised that anyone could dislike this book.
It is unusual to find a book whose plot is exciting and whose characters at the same time are real. Real in that they experience the feelings we all experience in our lives at one... Read more
Published on Oct 3 1999 by A. Seibert

4.0 out of 5 stars Liked the book, disliked the author
Satisfying literary thrillers don't come along too often, so I'm grateful to Colin Harrison for his combination of complex plotting, subtle characterization, and good writing. Read more
Published on Aug 30 1999

1.0 out of 5 stars Amazon cheats the reviewer by not allowing a 0 star rating
It is simply amazing that one person could create such a spectacularly rotten book. I believe this laughable, cereal-box drivel must have been a compilation piece. Read more
Published on Jul 19 1999

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