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Black Coffee (Mass Market Paperback)

by Agatha Christie (Author) "HERCULE POIROT SAT AT breakfast in his small agreeably cosy flat in Whitehall Mansions ..." (more)

2.8 out of 5 stars See all reviews (51 customer reviews)

Price:	CDN$ 9.99 & eligible for FREE Super Saver Shipping on orders over CDN$ 39. Details
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Product Details

Mass Market Paperback: 290 pages
Publisher: St. Martin's Press (Nov 11 1999)
Language: English
ISBN-10: 0312970072
ISBN-13: 978-0312970079
Product Dimensions: 17 x 11.2 x 2.3 cm
Shipping Weight: 137 g

Average Customer Review: 2.8 out of 5 stars See all reviews (51 customer reviews)

Amazon.ca Sales Rank: #22,059 in Books (See Bestsellers in Books)

Popular in these categories:

#1 in	Books > Mystery & Thrillers > Authors, A-Z > ( O ) > Osborne, Charles
#17 in	Books > Mystery & Thrillers > Authors, A-Z > ( C ) > Christie, Agatha
#30 in	Books > Mystery & Thrillers > Mystery > Series

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Product Description

From Amazon.com

Subtitled A Hercule Poirot Novel, Black Coffee is actually an Agatha Christie play recrafted as a book meant to be read rather than seen on the stage. The story was first produced in 1930, and Charles Osborne has done little to it except string the dialogue and stage directions together in paragraph form. Christie loyalists will welcome and applaud his dedication to the original, but it does seem as though he could have given it a bit more flair. Still, Poirot himself, bumbling Captain Hastings, and obsequious George are all in good form and it is amusing to find them engaged in another adventure, with an interesting assortment of possible murderers, blackmailers, and innocent (if suspicious) bystanders.

The novel opens as Poirot receives a summons at his breakfast table from England's premier physicist, Sir Claud Amory. Busy working on a new formula necessary for England's defense in the Second World War, Amory suspects a member of his household of espionage. Of course, by the time Poirot and sidekick Hastings arrive at the scientist's country house, he is suddenly and mysteriously dead. Amory himself turns out to have been not quite nice, and his family, regardless of his scientific efforts, is pretty pleased with the new state of affairs. Still, Poirot manages both to save the more amiable members of the household from themselves and to protect the secrets of the British Empire. The novel is warmly evocative of another time and place and a welcome reminder of vintage Christie. --K.A. Crouch --This text refers to the Hardcover edition.

From Publishers Weekly

Christie biographer Osborne's adaptation of the grande dame's 1930 play has been blessed by the Christie estate and heartily endorsed by her grandson Michael Prichard. It's a classic "someone in this room is the murderer" tale set in 1934. Scientist Sir Claud Amory invites Hercule Poirot to his estate to collect a formula for a new atomic explosive. Prior to Poirot's arrival, Sir Claud discovers the formula is missing from his safe. He offers the thief one minute of darkness to return it but, when the lights come on again, Sir Claud is dead. That's when Poirot arrives on the scene and takes matters in hand. An empty vial of sleeping pills is discovered, and someone in the room at the time of Sir Claud's death was seen with the tablets. Was Sir Claud murdered by his son Richard, who is in deep debt? Or was it espionage involving Lucia, Richard's Italian wife with a mysterious past and a connection to guest Dr. Carelli? Perhaps Sir Claud's secretary, Edward Raynor, or the spinster sister Caroline is guilty. Poirot, with "methods very much his own," aided by Captain Hastings, is lively and stimulating, like a fine black coffee, in this welcome addition to the Christie canon.
Copyright 1998 Reed Business Information, Inc. --This text refers to the Hardcover edition.

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Inside This Book (Learn More)

First Sentence
HERCULE POIROT SAT AT breakfast in his small agreeably cosy flat in Whitehall Mansions. Read the first page

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Concordance

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Front Cover | Copyright | Excerpt | Back Cover

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Customer Reviews

51 Reviews

5 star:		(6)
4 star:		(12)
3 star:		(10)
2 star:		(14)
1 star:		(9)

Average Customer Review

2.8 out of 5 stars (51 customer reviews)

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1.0 out of 5 stars Grave Robbing, May 25 2004

By A Customer

Anyone who respects Christie would understand that she wrote BLACK COFFEE as a play (her first) - and, in the theatre, its a sort of minor masterpiece. She often would adapt her novels into plays herself, and occassionaly, vice-versa. She did not choose to 'novelize' Black Coffee - because it belongs in the theatre. (same is true of Unexpected Guest and Spider's Web) Now, we have dreary, hackish "novel' versions of these, of which Christie would doubtless disapprove, written with NO sense of the stage (ie the dialogue is NOT the most important element), a tin ear, and, worse, idiotic 'improvements'. Its sad that people can ransack a dead author's work. Sadder still the estate allows it. On the page, however, it is not as bad as the truly awful audiobook version, with a half-dozen risable accents.

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3.0 out of 5 stars Adaptation of an Agatha Christie play, Feb 11 2004

By	Karen Potts (Lake Jackson, Texas) - See all my reviews (REAL NAME)

Charles Osborne writes the novel "Black Coffee" as an adaptation of Agatha Christie's original play. This is a typical Hercule Poirot mystery with Poirot being called to the home of Sir Claud Amory, a scientist who suspects that someone in his household is trying to steal his secret formula. Poirot arrives just after Sir Claud is poisoned. He knows that the killer had to be someone in the room so he begins his investiation of the the four family members and two others who might be involved. The usual red herrings are thrown out before Poirot reveals the real culprit. This is an average Christie story and doesn't contain any of the clever twists that distinguish her best work.

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2.0 out of 5 stars Review of "Black Coffee" by : Agatha Christie, Mar 13 2002

By A Customer

This book failed in many areas. There was no plot, no suprise ending, no engaging characters. But to explain subsquent terms, the book lacks developement. Personally, I like a book that is straightfowrd, simple and doesn't waste time, and I like suprise ending's and such. Although this book was simple and straightfoward and only took me a day to read, perhaps it was TOO simple and straightfoward. Like I said no suprise ending, no plot or great characters. If you don' believe me read it for yourself.

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Most recent customer reviews

3.0 out of 5 stars A commendable effort - but not for purists

Since I've never seen the script of the original (1930) play, I cannot comment on the similarity between that script and Charles Osborne's conversion of the play into a... Read more

Published on Jan 5 2002 by Karl

1.0 out of 5 stars Completely Shocked!
Well, Osborne broke the fundamental, essential rule of mystery writing. Never give away the murderer, at least so early into the story.

It's astounding. Read more

Published on Aug 11 2001

4.0 out of 5 stars Agatha Christie gone Charles Osborne...not bad.
The mystery was excellent, a classic Agatha Christie plot. A mystery where even the least likely person is suspicious and you really don't have ANY idea whom to suspect. Read more

Published on Jul 19 2001 by magnet83n

2.0 out of 5 stars Definitely Decaf!
Many of the other reviews already said it, what a waste. They should have kept it a play. After all, I've read "The Mousetrap" and "Witness for the... Read more

Published on May 17 2001 by CMBohn

2.0 out of 5 stars Reads too much like a play
...This is a novelization of play by Agatha Christie. And like many novelizations of both plays and screenplays it reads too much like the author took the stage directions and... Read more

Published on April 2 2001 by Old Fisherman

4.0 out of 5 stars Yeah it was alright
This book wasn't bad at all but it has a lot of dialogue and is set in one room. The plot is very interesting and the murderer is very clever but not as clever as poirot. Read more

Published on Dec 5 2000