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Consider the Lobster: And Other Essays (Paperback)

by David Foster Wallace (Author)

4.5 out of 5 stars See all reviews (2 customer reviews)

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Product Details

Paperback: 343 pages
Publisher: Back Bay Books; 1 edition (Jul 2 2007)
Language: English
ISBN-10: 0316013323
ISBN-13: 978-0316013321
Product Dimensions: 20.3 x 13.7 x 2.5 cm
Shipping Weight: 318 g

Average Customer Review: 4.5 out of 5 stars See all reviews (2 customer reviews)

Amazon.ca Sales Rank: #8,890 in Books (See Bestsellers in Books)
Popular in these categories:
#2 in Books > Literature & Fiction > Authors, A-Z > ( W ) > Wallace, David Foster
#30 in Books > Literature & Fiction > Essays
#64 in Books > Literature & Fiction > United States > Classics

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Product Description

From Publishers Weekly

This audiobook is like no other—not for the fabulous essays or deft narration, but for its inclusion of footnotes. Audio footnotes? It's quite simple. When Wallace reads his plentiful footnotes, which as fans know are anecdotal asides rather than bibliographic references, his voice changes tone. At first, this audio wrinkle sounds odd. But the novelty quickly fades and the parentheticals play as effective and amusing a role as in his print work, perhaps more so since here flow can be better maintained. Wallace dissects various subjects—lobsters, porn, sports memoirs, September 11—through Midwestern eyes. Smart and incisive, he always goes deep and follows threads of thought to their vanishing points, often in witty (though never a self-consciously clever) manner. His delivery is dead-on and fresh, the words often springing from his mouth as if conceived on the spot. His voice mostly hovers a notch or two above monotone, imbuing the material with equal parts wonder and skepticism. Though this collection comprises a mere four hours on three discs, Wallace's depth and breadth creates the sensation of a larger narrative—an audible confirmation that modern American writing continues to gain strength. Simultaneous release with the Little, Brown hardcover (Reviews, Oct. 10). (Dec.)
Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. --This text refers to the Audio CD edition.

From AudioFile

Only 4 of the original 10 essays are here, but each is formidable. In "Consider the Lobster," the author rambles around the Rockland [Maine] Lobster Festival, a veritable orgy of lobster murder, speculating on the morality of cooking and eating a sentient creature. In the next piece, "The View From Mrs. Thompson's," listeners feel the effects of 9/11 on ordinary folks in middle America. Later, in "The Big Red Son," Wallace attends the Adult Video News awards and faithfully records the comments of some of the sleaze-mongers and stars of the porn film industry, and he positively unstrings the tennis star's autobiography in "How Tracy Austin Broke My Heart." Wallace reads his fresh, provocative essays with delicious irreverence, earning his place alongside the great social satirists of this, or any, time. S.J.H. © AudioFile 2006, Portland, Maine-- Copyright © AudioFile, Portland, Maine --This text refers to the Audio CD edition.

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4.0 out of 5 stars Interesting essays, good readings by the author, Jul 15 2009

By	Zepherine "zepherine" (Vancouver, British Columbia Canada) - See all my reviews

This review is from: Consider the Lobster: And Other Essays (Audio CD)

David Foster Wallace was recommended to me by many friends. Most described him as hilarious, and recommended I start with his book "Consider the Lobster".

I read his first essay on the American adult film industry award ceremony (the one most talked about among my friends). The essay was very interesting (Foster Wallace describes a world most of us have little knowledge about), and his wit, pointed comments and background research enhance the story telling. However, I must confess I was not hooked.

I decided to give this book another try as an audio book. The book is abridged (only selected essays are read - the one on the adult industry was among the selectd essays), and it is read by the author. I think hearing the author's voice enhanced the experience, putting emphasis on parts of the text I would have glossed over. There are times when you clearly hear the author's disbelief,or stupor of what he is observing, or annoyance or anger that I simply missed in the text. So now, I am hooked, and I will give the book (and the essays that are not part of the audio book) a second (and enthusiastic) try.

A note. While most things are not for everyone, I think this is particularly true of Foster Wallace's book. I have come to realize that his humour (that my friends had so enthusiastically recommended), is more dry and intellectual than I expected. It comes from the author's keen insights and sometimes bewildered amazement at what he is seeing. It works, but it may take you a while to get into it.

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5.0 out of 5 stars Sink your teeth into this buttery work of wordiness, Jul 12 2006

By	Dave Id (Montreal, QC, CAN) - See all my reviews

This review is from: Consider the Lobster: And Other Essays (Audio CD)

Its almost an embarrassment; say mortifying to even comment on a book whose author has an absolute mastery of the English language. If English was made of colors, this book would be its acid trip. Consider the Lobster is a collection of essays on various topics from the AVN Awards (AVN is the Oscars of the porn industry and to open the book with this essay was a brilliant hook for the reader) to the funny side of Kafka to the suffering of lobsters at Maines Lobster Fest.

Wallace, a self-described SNOOT of the bards verse writes like a salt and pepper professor that put the image of Billy Connelly during his stint as Billy MacGregor, the Irish teacher in the American TV Satire, Head of the Class. The image even now still comes up, since hes just bloody brilliant and so meticulous, a perfectionist with a singular wit that could make the staunchest and driest of intellectuals crack-up. But on the contrary, looking at his picture on book flap, he looks more like he should be riding a Harley than he does a professor.

Wallace even writes about this type of preconceptions we make of people we read or listen to without ever seeing them. We make assumptions and deduce that one should look a certain way and when we meet them, or see them. We realise that you cant judge a book by its cover, even if it has an endearing picture of a lobster raising a claw to be counted. As a personal comment, the book cover cant top the cover of A Party of One, but its damn close

Wallace majored in my favourite subject, philosophy (focused on mathematics and logic) and graduated summa cum laude and detains an MFA in creative writing, making him a power house of intellectual writing. As an author and when not teaching, he also takes assignments for magazines in different ranges of the social strata, Playboy, Esquire, Harpers, Rolling Stone and has written book reviews for papers such as NY Times, LA Times and the Washington Post (those included in Consider the Lobster are simply watershed events in how one should write a review which makes me particularly self-conscious about even attempting to critique his book, I am but an amateur)

The writing style in Lobster, is difficult. The reader will necessitate the use of a good dictionary or the online Merriam-Webster at the very least. Even though when considering the core audience, when hes, as an example writing a political report (Up, Simba) for Rolling Stone, he does take the pedanticism down to an acceptable level. Pedanticism is a harsh word, perhaps it would fit better to say that he can make certain essays more accessible. Reading his material is a complicated adventure (especially if you consider the final essay, Host) but never does the reader feel like hes being talked down to or made to feel like a moron, but the aberrant use of rare words can make one feel out-of-the-loopy. But his willingness to adapt to his intended reader, which in the case of Up, Simba, is the college crowd that reads Rolling Stone is just another indication of his mastery over this language.

Not only will the reader grasp the encyclopaedic knowledge of whatever subject Wallace is treating, he will also learn patience and perhaps the ancient art of the use of a magnifying glass, because the footnotes (of smaller font size), have their own footnotes (of even smaller font size) which often are interwoven with interpolations. One footnote, its sub-footnotes and its interpolation, took over one and half pages of space. This can make reading difficult, not because of wordiness or of the intellectual challenge it presents, but because the font is so small that it can strain the eyes an experience this reviewer is reminded of the skull cracking migraine ensued by the reading of said footnote during a trip on the subway.

But it was worth the cephalitic throbbing because reading Consider the Lobster is enthralling, riveting, gripping and whole lot more synonyms. It was efficacious into getting this reviewer to consider reading fiction for once. His reviews of books, hook line and sink the reader into craving fiction. Wallace raves about Kafka and praises and admirers Dostoyevsky and despite warning the reader on the difficulty of reading such authors, teases you into wanting it.

This must come from his own love of reading, he even reviews a sports personalitys biography, those soppy from-humble-beginnings-I-rose-above-it-all Monday night made for TV movie candidates that bore me to tears. Yet he treats it for what it is, a mass market soft cover book that only die hard fans of said personality would read, he doesnt review it as he would Kafka. This would be like treating a Spiderman comic with the same outlook as one would Shakespeare, both are literature, but with differing target audiences and differing story telling mechanisms or mediums.

Wallace is an author for all seasons. He can report on porn awards in unsavoury details and then later get very snobbish about American Usage dictionaries, defend those poor lobsters and then deride the mainstream media, through an essay on conservative talk radio, where he berates all of media for having turned into nothing more than a for-profit business. Theres no subject of Americana Wallace cant write about without enlightening the reader on perhaps unconsidered perspectives.

Grab a dictionary, grab a can of Red Bull and grab the Lobster. This book is worth every delicious word. I just hope I didnt make to many mistakes in my usage; I would abhor having Wallaces wrath of Snootiness rain down on me.

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