Black River (Paperback)

In this story, the sequel to Fury, we again meet up with Frank Corso, a journalist who lost his cachet when he wrote a story based on falsified evidence. Since that time he has moved to Seattle where his determination has found him a new job and let him reestablish himself as a newsman and a writer. He has been allowed to sit in on the trial of Nicholas Balagula, a ruthless crime boss who has never been brought to justice. But when photojournalist Meg Dougherty, Corso's closest friend is suddenly attacked and very nearly killed a different kind of trial emerges, with Corso sitting in the judge's seat.

A tangled web of loose connections sends Corso down the dark side of the city, tracking down hired killers, builders, and janitors to find what Meg saw that put her in a hospital. Corso isn't a genius, but a determined seeker who can eventually work his was through the toughest knot. Although this time what he doesn't know very nearly kills him.

As always, Ford's characters a gem-like. While the bad guys are 'bad,' the good guys aren't angels, and individual idiosyncrasies bring them all to life. The main characters do develop, but slowly. It has taken Corso two novels to move from his initial bitterness to a dark cynicism. For all that Meg is unconscious for most of the book, she has changed the most, which brings out the best and the worst of Corso's character.

Like a typical shallow fan, I wasn't all that comfortable when Ford switched from Leo Waterman. I had gotten used to the humorous antics of the alcoholic bums who made up Waterman's investigatory team. But Corso is a compelling character, and this new series may very well be closer to what Ford really wanted to accomplish. In any case, I think you will find Black River great entertainment.

For years, the government has chased the Russian mobster Nicholas Balagula through one trial after another with no success. Balagula sees United States justice as a game-a game where he has always won by jury tampering, violent intimidation and the murder of witnesses. Now, he is on trial once again. This time, he is being tried for the deaths of 63 people who lost their lives in a hospital building collapse. The trail has been moved from California up to Seattle and extraordinary measures are being taken to protect the safety and integrity of the jury and the case.

Frank Corso is the only non-participant allowed to attend the murder trial of Balagula. His well-publicized notoriety and connections gets him unlimited access and he hopes to turn the project into another one of his true crime books. While he wants another success on his hands, he also wants the government to win. At the same time, with a grandstanding golden boy of the United States Attorney's Office in charge, Warren Klein, he has his doubts whether they can do the job. It looks like his suspicions are correct as from the beginning the trial things begin to go wrong and like most golden boys of one stripe or another, Klein blames everyone else for his mistakes.

While his suspicions concerning the case have been initially confirmed, Corso isn't really paying attention. His old flame and very special friend, Meg Dougherty, is in intensive care in the hospital. Apparently in her occupation as a photojournalist, she witnessed something so horrendous that she drove her car under a parked semi in a desperate attempt to get away that nearly resulted in her death. Corso wants to find out what she saw as well as clearing himself from the suspect list as the police seemed convinced that he had some hand in her near death.

Frank Corso is an interesting and hard to define character. This novel reveals a little more about his personality and what drives him while at the same time managing to hide a tremendous amount behind his darkly complex personae. As in his other books, a certain sense of darkness and moral decay pervades the work. Full of interesting complex characters, tight writing and multiple themes make this another good read. Once again, he provides a journey where justice is not an absolute black and white stereotype, but shades of gray. G. M. Ford's books are never simplistic stories with two-dimensional characters but complicated stories featuring multidimensional characters and shades of moral nuance. As always, this is another one of his books well worth reading.