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Down River
  
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Down River (Paperback)

de Loren D. Estleman (Author)
3.0étoiles sur 5  Voir tous les commentaires (1 évaluation de client)

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From Publishers Weekly

The eighth Amos Walker novel (Motor City Blue) may not have an especially surprising chief villain, but Estleman is still in the top of the class of private-eye storytellers. Here Walker's client is Richard DeVries, fresh out of prison after a 20-year stretch for arson and armored-car robbery during the 1967 Detroit riots. DeVries, who's black, says he was framed for a murder committed during the robbery, and Walker believes him. DeVries also considers the $200,000 never found after the robbery as his due: "I paid for it, and now it's mine." He identifies a rising auto executive as the "revolutionary" who got him to throw the fire-bomb. Soon Walker finds himself involved with a hotshot, would-be car magnate, his "ex-model" wife and a centenarian auto pioneer. By the violent ending, Walker has uncovered a computer scam and some ugly, 20-year-old secrets. Estleman's colorful characters, crackling dialgoue, rich plot, authentic Detroit setting and throwaway humoras usualwork very well.
Copyright 1987 Reed Business Information, Inc. --Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.


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Novel - further information not yet available.

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3.0étoiles sur 5 Sturdy traditional private eye yarn, Avril 28 2003
This review is from: Downriver: An Amos Walker Mystery (Paperback)
This is case number 8 for Detroit private eye Amos Walker and by now Mr Estleman was well into his stride with the series and he produced a solid and thoroughly professional outing for his sleuth.
Walker meets his client ,De Vries ,on the day de Vries is released from prison having served twenty years for arson ,the police having maintained it was a crime designed to act as a diversion for a major robbery in 1967 ,against the backdrop of the riots sweeping Detroit .De Vries is adamant he was set up by a white liberal associate of his at the time of the act and wants ,not revenge ,but his share of the money from the robbery.

The solution sees Walker enmeshed in the world of high finance in the automotive industry and before the case is closed murder and violence rear their ugly heads.Walker'sinvestigations also take him to a world where peolpe still mourn for the loved ones they lost in the violence and disorder of the late 60's and the compassion for the victims of those times is neatly and tellingly done.
I liked the way Estleman in the depiction of many key figures has avoided stereotyping and neatly undercuts expectations -de Vries is a humourous man who wants ,not blood but financial recompense;an old style cop,instrumental in de Vries' arrest is not the racist we may well have expected but afamily man with scruples who is not above going out on a limb to right old wrongs.
The major caricature ,oddly enough is the main character, Walker himself and he is the traditional gumshoe to a Tee-white,middle aged .an ex-cop with a working if scarecely warm relationship with the police.
Milieu as ever with the series is good and Detroit comes alive as a character in its own right-gritty ,decaying and in thtrall to the culture of the gun

Enjoyable.

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