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White Murder
 
 

White Murder (Hardcover)

by David Wishart (Author)
3.0 out of 5 stars  See all reviews (1 customer review)

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Excerpt

There’re worse places to hole up in when the poetry klatsch takes over he living-room and your wife throws you out for the duration than Renatius’s wineshop on Iugarius. The wine’s good for a start, a cheap, no-nonsense, swigging Umbrian that he brings in direct from the family farm near Spoletium but which could’ve walked all the way to Rome by itself. Then there’s the seedy, spit-and-sawdust ambience and matching clientele, which is a definite plus for the area. With Market Square and the Senate House just up the road, Iugarius wineshops – and there’re several, all with classy modern-style frescoes and Gallic beechwood furniture – are packed in the late afternoon with jolly, back-slapping broad-stripers and pushy young business execs. If you haven’t experienced the joy of these guys yourself, then believe me: the last thing you want when you’re relaxing over a jug is a loud-voiced pack of the world’s e´lite at the next table swigging overpriced Falernian, calling the consuls by their first names and swapping hilarious anecdotes about leaky aqueducts and building tenders. Renatius’s punters are tunics, which means most of the buggers have chins, speak through their mouths and would stand comparison with an intellectually challenged parrot.
So. There I was, killing time in Renatius’s wineshop until Perilla’s poetry pals had finished juggling their anapaests or whatever the hell they do at their literary meetings and it was safe to go home. I was halfway down the jug with a plate of sheep’s cheese on the side and getting pleasantly stewed when the mystery man turned up. You don’t see royalty much in Rome, not in Renatius’s, anyway, but if he’d been a prince of the blood from one of the eastern client-kingdoms slumming it incognito he couldn’t’ve created a bigger stir; which was interesting because like I say Renatius’s is definitely tunic country and these guys don’t impress easy. Yet the moment he walked in the door you could’ve heard an olive bounce, and Renatius himself moved so fast to show him to a table that he blurred. That was weird, too: you’d expect it in an upmarket cookshop, but any wineshop I’ve ever been in you find your own table, and if there isn’t one free then tough. Added to which the last time I’d seen Renatius move that fast was when a stray dog wandered in and cocked its leg against the counter, and as far as I could see there was no difference between this guy and the other half-dozen punters currently soaking up the booze. I poured myself another slug of Spoletian and inspected him over the top of my cup. It was none of my business, sure, but I couldn’t help wondering what kind of semi-divine being we’d got here. Scratch the prince of the blood theory. Whoever he was, the guy was no easterner, let alone royal (I’d’ve guessed southern Italian, and if he rated more than a plain mantle I’d eat my boots); Renatius wouldn’t stir himself for any common-or-garden noble, home-grown or imported; and I’d bet a gold piece to a meatball that none of his clientele would recognise a visiting scion of the Commagene royal house if it leaned over and bit them. So where did that leave us?
Early thirties, lad-about-town type: sharp haircut, good quality tunic and enough flashy personal jewellery to fit out an Aventine cat-house. He was no Market Square patsy, though, that was sure; there were muscles under that tunic, the arm that lifted the wine jug had tendons you could use for catapult cable, and I’d hate to face those hard, cold eyes across the table in a needle dice game. All that plus the fact that the whole room bar me obviously knew him and was treating him like one of the Sacred Shields of Mars while he acted like he expected nothing less could only mean one thing. Or one of two things, rather. Our mystery pal was either a top swordsman or a ditto driver; either of which qualifications, as far as the punters in Renatius’s were concerned, put him less than one step down from Jupiter himself.

Personally, I’d go for the second option. Gladiators tend to be tall, even the lighter netmen: netman or not, quick on your feet or not, you don’t last long on the sand if you’re a short-arse with stubby legs and no reach; not when you’re matched against two hundred pounds of mean beefsteak armed to the teeth and anxious to check out the colour of your liver. This guy was a runt. A steel and whiplash runt, sure, but if he clocked in at any more than five-two and ninety-eight pounds then I was a blue-rinsed Briton. Which, of course, was perfect for the cars because the less there is of the driver the more chance the team has of romping home clear of the competition.
Me, I don’t follow the Colours. Yeah, I can keep my end up in a barbershop conversation, and Perilla and I go to the races now and again at the bigger festivals, but I’m no fan. Fans’re something else, and every tunic is a fan born. Renatius’s clientele mightn’t be in the league of the weirdos who paint every room in their house green or blue and sniff the favourite’s droppings before the race to check that it’s in prime running condition, but the tunic who doesn’t know his way around the teams well enough to play spot the hero when he walks into the local wineshop just doesn’t exist. So I sat back and watched developments.


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3.0 out of 5 stars Not Corvinus' best, Nov 8 2002
This review is from: White Murder (Paperback)
David Wishart's Marcus Corvinus series has developed well. However this latest offering is a little formulaic. There is a tendancy for Marcus to spend a day sleuthing and then to summarise what he's learnt to Perilla - you get the mild impression it's to ensure the reader hasn't missed anything.
The premise of this installment - a murder of the White's chariot first team Leader, Pegasus, right under Marcus' nose - is to enter the murky underworld of Rome's Circus Maximus, chariot racing, racing-throwing and the factions of Green, Red and Blue, White. Wishart creates a credible picture of life at the races, building a suitable tight-lipped and close-bunched set of teams and fans and Corvinus has to pick his way through lot to establish motive. Everyone has one, of course, and it appears that for all the expressions of closed doors each team is more closely interwoven than would be evident at first glance.
Glee clubs, personal feuds, elopement and Bathyllus' love-sick state of mind all provide another fun outing in Marcus Corvinus' Rome.
It is written as well as ever. We are, by now, very comfortable with the main characters, yet the plot and the denouement are, perhaps, not as complex as they could be ; with the result the strong suspicions of who the culprit(s) is/are from the opening chapters end up being confirmed. So, not Marcus' best outing, but, as a series, long may Corvinus continue...
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