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5.0étoiles sur 5
Gripping and Effective, Mars 24 2005
Keneally vividly conjures up the dilemmas that the artist in a repressive regime faces. "The Tyrants Novel" alows the reader to fell the vise closing in on Alan Sheriff as he is forced to work with the regime that is destroying his homeland."The Tyrants Novel" avoids the stereotypical scenes of repression - physical abuse, direct threats - in order to spin a web of gnawing anguish. A few scenes in "The Tyrants Novel" will remain with me for years to come - not because they are rendered so graphically, but because they are presented in a plausible manner that makes them even more disturbing. One thing that Keneally does is to give all of his characters - in what is clearly Iraq - Englich and Irish names. At first, this seems bizarre, but the sad fact is, westertn readers will more readily identify with characters named "McBrien", "Sarah" and "Andrew" than they will with "Abdul" and "Mohammed". A great novel and one that has sent me serching out Keneally's other books.
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5.0étoiles sur 5
The master restored, Juil 12 2004
Allan Sheriff, circled by wire in a desolate place, has a story to tell. Actually, he has two stories: one, his own, describing the life of a writer in Hussein's Baghdad and the other with the same theme. The difference is that the first tells the story of the second. Why is Sheriff fenced in at a remote location of almost indescribeable desolation? What abominable crime has put him there? In answering these questions, Thomas Keneally has returned to the top rank of novelists. He excels again with this modern tale of international politics, survival in an oppressive regime, and personal tragedy. This is among the finest of Keneally's works.Sheriff, a reputable writer, is recruited by Iraq's Great Uncle to post a message to the world. The "sanctions" imposed by the victors of the First Gulf War have brought poverty, lack of food and water and depleted medical facilities to their country. The whims of an arbitrary government, the absolutist nature of the leaders - already a dynasty in the making, and needless casualties from a meaningless war are minimal when contrasted to the universal suffering caused by curtailment of the oil exports. Great Uncle wants Sheriff to expose this injustice through a novel depicting conditions. Sheriff, who might have been willing and able to perform this feat, is afflicted by a more personal crisis - the loss of his wife Sarah. "Alan"? "Sarah"? This couple is close friends with Matt McBrien and Andrew Kennedy. Are these names typical of a Middle Eastern people? Keneally deftly arabesques away from pigeon-holing these people and their circumstances as "Arabs" or even Muslims. In depicting Sheriff's relations with "Mrs Carter", for example, Keneally shows the universality of a mother's grief, the shameful machinations of a government engaged in useless and costly war, and the mixed feelings of soldiers. He doesn't want to distance his characters from the reader - and the use of Anglo-Celtic names in a novel about a suffering people brings us closer to their realities. With his vivid, expressive style, Keneally uses Sheriff to guide us through the harsh world of a despotic regime. Whatever his faults, Hussein's Iraqi people was the true victim of a higher level of despotism - trade embargoes and external demands by international agencies. Keneally describes a nation living on the edge of survival. The people may have the Great Uncle's Blue Overalls at their doorstep, but they know it wasn't the Great Uncle that cut off their drinking water or intercepted the medicines. The reader can always rely on Thomas Keneally for stories of intense feeling and wide interest. He surpasses many of his earlier works with this modern story. That the "Coalition of the Willing" have launched a crusade against the Great Uncle doesn't reduce the value of this book. Keneally uses Sheriff to expose many facets of Iraqi life. His wit and sardonic humour are more pointed here than any previous work. Keneally's sense of justice is monumental. It's a sense to be admired - better, to be emulated. He knows there are no simple answers to human questions, and he displays that view in this exemplary book. [stephen a. haines - Ottawa, Canada]
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5.0étoiles sur 5
The master restored, Avril 30 2004
Allan Sheriff, circled by wire in a desolate place, has a story to tell. Actually, he has two stories: one, his own, describing the life of a writer in Hussein's Baghdad and the other with the same theme. The difference is that the first tells the story of the second. Why is Sheriff fenced in at a remote location of almost indescribeable desolation? What abominable crime has put him there? In answering these questions, Thomas Keneally has returned to the top rank of novelists. He excels again with this modern tale of international politics, survival in an oppressive regime, and personal tragedy. This is among the finest of Keneally's works.Sheriff, a reputable writer, is recruited by Iraq's Great Uncle to post a message to the world. The "sanctions" imposed by the victors of the First Gulf War have brought poverty, lack of food and water and depleted medical facilities to their country. The whims of an arbitrary government, the absolutist nature of the leaders - already a dynasty in the making, and needless casualties from a meaningless war are minimal when contrasted to the universal suffering caused by curtailment of the oil exports. Great Uncle wants Sheriff to expose this injustice through a novel depicting conditions. Sheriff, who might have been willing and able to perform this feat, is afflicted by a more personal crisis - the loss of his wife Sarah. "Alan"? "Sarah"? This couple is close friends with Matt McBrien and Andrew Kennedy. Are these names typical of a Middle Eastern people? Keneally deftly arabesques away from pigeon-holing these people and their circumstances as "Arabs" or even Muslims. In depicting Sheriff's relations with "Mrs Carter", for example, Keneally shows the universality of a mother's grief, the shameful machinations of a government engaged in useless and costly war, and the mixed feelings of soldiers. He doesn't want to distance his characters from the reader - and the use of Anglo-Celtic names in a novel about a suffering people brings us closer to their realities. With his vivid, expressive style, Keneally uses Sheriff to guide us through the harsh world of a despotic regime. Whatever his faults, Hussein's Iraqi people was the true victim of a higher level of despotism - trade embargoes and external demands by international agencies. Keneally describes a nation living on the edge of survival. The people may have the Great Uncle's Blue Overalls at their doorstep, but they know it wasn't the Great Uncle that cut off their drinking water or intercepted the medicines. The reader can always rely on Thomas Keneally for stories of intense feeling and wide interest. He surpasses many of his earlier works with this modern story. That the "Coalition of the Willing" have launched a crusade against the Great Uncle doesn't reduce the value of this book. Keneally uses Sheriff to expose many facets of Iraqi life. His wit and sardonic humour are more pointed here than any previous work. Keneally's sense of justice is monumental. It's a sense to be admired - better, to be emulated. He knows there are no simple answers to human questions, and he displays that view in this exemplary book. [stephen a. haines - Ottawa, Canada]
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