From Amazon.com
Night of the Wolf interweaves a tale of the Roman Empire with magic, romance, and--lycanthropy. It follows
The Silver Wolf, Alice Borchardt's absorbing story of the coming of age of a young woman who must learn to control and enjoy her wild side within the exotic setting of decadent Rome. This sequel begins by focusing on a mysterious figure from
The Silver Wolf, Maeniel, a wolf who must contend with being a part-time human. Some of the other characters are magical in their own ways, such as Dryas, a warrior queen and priestess of the Caledoni. Others are resolutely human, such as Lucius, a Roman noble who finds himself at the mercy of Caesar and Cleopatra. Maeniel gradually begins to understand the quirks of human nature and in time finds that all roads lead to Rome, where Caesar's life is in the hands of Maeniel and his allies. With an adventurous plot, an unusual historical background, and a large helping of steamy sex scenes, this series should be much to the taste of fans of Marion Zimmer Bradley's
The Mists of Avalon or
Diana Gabaldon's Outlander series.
--Blaise Selby
From Publishers Weekly
This pseudo-historical fantasy sequel to last year's The Silver Wolf needs an exhausting amount of novelistic foreplay to stoke its climax, the assassination of Julius Caesar. Maeniel, the man who was empowered in the previous novel with the ability to turn into a wolf, now meets menopausal Dryas, a fiercely independent warrior from the White Isle's northern highlands. Dryas has been summoned by Archdruid Mir as the Celts' last hope to stem the Roman invasion by assassinating Caesar. First, though, she is supposed to seduce and kill Maeniel, who has been savaging Mir's people to punish them for having sacrificed a Celtic princess with whom he had an affair. (Their libidinous entanglement provides grist for several sexy flashbacks.) Many pages later, Maeniel and Dryas have become allies and are in Rome as the fateful Ides of March approach. Borchardt effectively conveys her sympathy with wolf psychology, but she rides militant feminism into the ground. Her dialogue runs to the cheesy, especially the vaporings of Caesar's doomed wife, Calpurnia, and the stock chitterings of stereotypic gay Roman epicureans. Undigested chunks of familiar Latin and Shakespeare constantly impede the action, so that hunky primitives and gratefully lustful middle-aged temptresses notwithstanding, Borchardt's attempt at mingling wolves and women, Avalon's mists and the debauchery of Rome turns out irrevocably sterile. Author tour; foreign rights sold in Germany, Holland and the UK. (Aug.)
Copyright 1999 Reed Business Information, Inc.
