From Publishers Weekly
Brimming with action and energy, wit and charm, pathos and joy, Silverberg's anthology of short novels from 11 masters of fantasy, six of whom contributed to the original Legends (1998), provides a dazzling display of the genre's variety and versatility. Otherland fans will welcome Tad Williams's The Happiest Dead Boy in the World as a chance to visit with an old friend they never thought to see again. George R.R. Martin's The Sworn Sword, which continues the story of Dunk and Egg that he began in the first Legends, will also please his readers. All the returning authors more than live up to their reputations, except for Anne McCaffrey, whose Beyond Between, an ill-conceived explanation of what happens when a dragon fails to return from between, strikes the book's lone sour note. Yet for all the returnees' star power, it's the new authors who truly shine here. Elizabeth Haydon's entry, Threshold, follows five doomed friends left to guard the remnants of a civilization about to be destroyed in a cataclysm after most of the populace has already fled to a safe haven: a stunning tale of courage and honor, duty and friendship, it may be the book's best entry. Robin Hobb's Homecoming, the story of the settlement of the Rain Wild River and one woman's journey to independence, is the other contender. Terry Brooks, Diana Gabaldon, Raymond E. Feist, Orson Scott Card, Neil Gaiman and Silverberg round out the all-star cast.
Copyright 2003 Reed Business Information, Inc.
What a treat most of this second volume of great fantasy turns out to be. Robert Silverberg's excerpt from THE BOOK OF CHANGES shines as the sci-fi master weaves a tasteful story of a kidnapped poet in a faraway land. Reader Jason Culp is more than equal to the task. Next is Neil Gaiman's "The Monarch of the Glen," a superb modern myth breathtakingly enacted by Peter Bradbury. Bradbury amazes in his hushed portrayal of Scots, Brits, and Americans--this particular segment alone is worth the listen. Sadly, Orson Card's bloated and pretentious "The Yazoo Queen" strikes out. But, overall, this is a strong production. D.J.B. © AudioFile 2005, Portland, Maine--
Copyright © AudioFile, Portland, Maine
--Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.