From Publishers Weekly
Irish writer Boylan is better known as a novelist (Beloved Stranger, etc.), but this collection of 38 short stories is a pleasing showcase for her quirky plotting and deceptively simple, smooth prose style. The shorter stories are more effective, most notably "My Son the Hero," in which a mother decides that her doltish adult son has committed a murder and takes matters into her own hands. "The Stolen Child" offers a series of musings on the nature of babies after a woman indulges her fascination with infants by briefly kidnapping the child of a woman with seven bratty, out-of-control kids. "The Little Madonna" takes a broader perspective on the issue of children, as an older woman offers a series of thought-provoking ruminations on how modern sexuality has affected child raising after she sees a tabloid story about the birth of a "perfect" baby girl. The longer stories are less consistent, as Boylan tends to rapidly change direction and pursue divergent narrative lines, losing control of her intriguing conceits. Her odd, conceptual approach to the art of the short story is something of an acquired taste, but these tales trace the development of her Patricia Highsmith-like tone and meticulous storytelling. Though her range is narrow, she is an appealing and idiosyncratic chronicler of the quirks and foibles of the Irish working class.
Copyright 2002 Reed Business Information, Inc.
From Library Journal
Acclaimed for her six novels, the Irish-born Boylan is also a gifted short story writer. This book, which is intended as an introduction for American readers, collects previously published pieces written from 1978 to 2000. Boylan usually manages a somewhat different twist on daily life. Her subjects are often people in prosaic situations: couples whose relationships have "gone bad" but who stay together because their options are limited, neighbors whose children worry about appearances, misunderstandings between children and adults, interactions between mothers and sons, families struggling with unique dynamics, and individuals struggling with their aging. In her introduction, Boylan describes her characters as "a consummately Irish collection of anarchists, dreamers, and outsiders," going on to say that while reviewers have described her work as "savage comedy," she prefers to call the stories "tales of life's infinite possibility and the comic grandeur of life's impossible dreams." These observations are apt, and the descriptions that Boylan provides are exquisitely rendered. Recommended for all lovers of the short story medium.
Ellen R. Cohen, Rockville, MD Copyright 2002 Reed Business Information, Inc.
