From Publishers Weekly
The latest offering from Banks (
The Wasp Factory) gives a scion's-eye view of an eccentric, splintering Scottish business family. Having secured immense wealth via the Empire! board game (invented by a relative in 1880) and its various offshoots, the Wopuld family must now decide whether to sell the company: the American Spraint Corporation wants Empire! as a jewel in its crown. As the family gathers to celebrate matriarch Grandma Win's 80th birthday and have a board meeting, Win dispatches grandson Fielding to find his cousin Alban, who has fled the family to become a forester, in order to solidify her vision of the family legacy. Banks flashes back through Alban's painful memories of his mother (who committed suicide) and his cousin Sophie (whom he loved) as he heads home. The book contains a plethora of family secrets, none of which fully drive the plot, but the gothic setting, big passions and light humor suffice. Bank's 23rd book isn't his best, but it carries one all the way up its craggy steeps.
(Oct.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.
--This text refers to the
Hardcover
edition.
Review
** 'Banks begins his most consistent book since THE CROW ROAD with slaight-of-hand tricks displaying the master in rude form ... These shifts in voice are so perfect, so clean and witty that when Alban comes to the fore, we feel he's one of is ... the maturity of voice and verve if the writing mean GARBADALE matches anything in the Banks canon' WATERSTONES BOOKS QUARTERLY ** 'Banks still has the ability to make the reader smile with pleasure' SCOTLAND ON SUNDAY ** 'Banks is at his best in moments of high drama with extremes of human emotions' OBSERVER ** 'A book of intrigue and humanity. A real page-turner you can't put down, from one of the masters' LOOK ** 'Full of Banks' familiar magic and easily rivals his brilliant book THE CROW ROAD' NEWS OF THE WORLD ** 'Banks' work has grown smoother ... but it still packs an intoxicating kick' FT MAGAZINE ** 'Banks is unsurpassed at presenting clear, small-scale, central images, with behind them looming shapes in chiaroscuro. He convinces you, also, that this is the way the world really is' TLS ** 'Still a master. Banks's evocation of the tortures and travails of first love is moving and lyrical' INDEPENDENT ** 'A page-turning family saga ... Banks's mix of popularism and politics offers up enjoyable food for thought' METRO ** 'Banks may make all kinds of demands as far as the structure of his fiction is concerned, but, taken sentence by sentence, he is unrivalled for clarity and pleasure ... His most accomplished book since THE CROW ROAD' LITERARY REVIEW ** 'There are so many larger-than-life characters in this wonderful novel ... As good as anything Iain Banks has ever written, if not better. It is the story of one young man's getting of wisdom, an oblique but observant history of Britain from the 1980s to the present day, and a great game of consequences' SUNDAY TELEGRAPH ** 'Nobody can evoke the mindset of a self-obsessed, sexually active, mildly philosophical bloke as convincingly as Banks, and it's terrific to have him back, firing on all cylinders like one of his beloved chipped BMWs' SUNDAY HERALD ** '[Banks's] lightness of touch is marvellous ... There are protracted passages which are majestically realised tours de force ... What Banks serves up is both unanticipated and terrible. The fates of his characters are genuinely affecting. He achieves this by a broad adherence to a thriller structure. And by an empathetic brilliance' Jonathan Meades, EVENING STANDARD