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5.0étoiles sur 5
A Jewel, Déc 31 2003
Knut Hamsun has sometimes been described as the Thomas Hardy of Scandinavian literature, and the theme of Victoria- love between two people of different social classes- is one which Hardy treated several times. Here the protagonists are Johannes, the son of a miller, and Victoria, the daughter of the local squire, who meet and fall in love as children. Although they continue to love one another throughout their lives, they are separated by circumstances and the story ends tragically. The forces that conspire to thwart their love are more complex than simple snobbery or class-distinction. During the period in which the book is set (the 1890s), the marriage of an internationally successful author (which Johannes becomes in adult life) to the daughter of a minor nobleman would not have raised too many eyebrows in society. Although Victoria's family are aristocratic, however, they are not wealthy; indeed, they are in desperate financial straits and need to secure a financially advantageous marriage for their daughter to re-establish their fortunes and to restore the Castle, as their crumbling manor-house is called. She is therefore pressurised, much against her will, to become engaged to Otto, the son of a wealthy official at the Royal Court, even though she does not love him. Johannes also enters into an unsuccessful engagement with another woman; only at the end of the novel, when it is too late, do Victoria and Johannes discover how much they mean to each other. This could easily be the plot of a Hardy novel, but Hamsun tells this story in a style which is very different to Hardy's. Hardy's novels are generally complex, discursive and with a large cast of characters both major and minor. Victoria is a very short novel (at 170 pages much shorter than any of Hardy's), told in a simple and direct manner and concentrating very much on the two lovers. The other characters are not developed in any detail, with the partial exception of Otto, who is presented as an arrogant and unpleasant lout. Although the story is told in a straightforward manner, this does not mean that the prose is plain or unadorned. Although this is a third-person narrative, the action is mostly seen from the viewpoint of the poet Johannes and narrated in an appropriately poetic style. (This, at least, is the effect of Oliver Stallybrass's translation; I do not speak Norwegian so I cannot compare it with the original). The lyricism of the writing complements the pathos of the loves' plight; the result is a book that can be compared to a jewel, small, but beautiful and highly polished.
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