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The Clearing
 
 

The Clearing (Hardcover)

by Tim Gautreaux (Author)
4.4 out of 5 stars  See all reviews (17 customer reviews)
Price: CDN$ 35.00 & eligible for FREE Super Saver Shipping on orders over CDN$ 39. Details
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In Tim Gautreaux's first novel, The Next Step in the Dance, the author staked a literary claim to Louisiana bayou country. In his second novel, The Clearing, he colonizes that claim. The atmosphere of the novel is humid and snake-infested, a swamp alive with mosquitoes and hungry alligators, stinkbugs and stench, flooding and freezing alternately. The setting provides a fitting backdrop for the bare subsistence lives of the people who live there.

The time is 1923, the place a family-owned mill, and the people a motley collection made up of a manager from Pennsylvania, his brother the constable, poor white and black loggers, three women, Sicilians, and polyglot Cajuns. Byron, the constable, a golden boy before the war, eldest son and heir apparent to a timber fortune, returned from France a damaged man, no longer interested in family or future. He drifted away from home and lost contact. When the novel begins, he has been found in this Louisiana backwater and his brother, Randolph, is dispatched to manage the family mill until the cypress forest is cleared and to bring Byron home. What happens to them in this hermetically sealed redoubt is a story of intense and forgiving brotherly love, as Randolph struggles to reclaim Byron and to maintain decency against formidable odds. They must deal with the Sicilians who own the gambling, liquor and women and will do anything to hang onto this franchise; the loggers who work and fight in equal part; and each other, not as the boys they were, but as the men they are.

You might learn more about old-time logging than you ever wanted to know, but the story is as compelling as Cold Mountain or All the Pretty Horses and just as well written. --Valerie Ryan

Books in Canada

What a surprise it is to read a “literary” novel and not be subjected to the maddeningly slow narrative progression, precious prose, or pseudo-philosophical noodling that so often afflicts the form. Where lesser novels succumb to stasis and tedium, The Clearing, despite its beautiful language and close attention to character, buffets the reader with maximum action. And in this case, the novel being superficially about a family’s war against a Mafia syndicate in (of all places) a logging camp, the action is of a spectacularly violent variety. Barely a chapter goes by without some tough being pistol-whipped, stomped senseless under hobnailed boots, stuck with a shiv, or tow-hooked by scalding buckshot into the weeds.
The story opens in 1923. A man arrives in the mill town of Nimbus, Louisiana, charged with appraising the property for timber tycoon Noah Aldridge, who’s intent on buying it. The place is remote and inhospitable in the extreme. The air hums with the wing-beats of blood-sucking insects; clothes and bedsheets sour in the humidity and never dry on the laundry line; the cemetery disgorges rotting coffins from the mud during seasonal floods; alligators occasionally prey upon solitary drunks stumbling home from the saloon. But Nimbus is abutted on all sides by stands of thousand-year-old cypress-a vast forest waiting to be converted into an equally vast fortune. Amidst all this untapped wealth the appraiser makes a discovery that only adds to Nimbus’s worth: the local constable is Noah’s eldest son, who disappeared years earlier.
Byron Aldridge is a man in self-imposed exile. Having returned from the trenches of World War I with no hope of reconciling himself to the genteel life that awaited, he’s fled the family estate in Pennsylvania instead to make a living as a lawman in a variety of frontier towns, dispensing justice with sometimes homicidal zeal. He’s damaged inside, harbouring too many of the atrocities he lived through years earlier, and just as likely to go on a crying jag as cave in a brawling roustabout’s head with a shovel. Aldridge Sr., in a move that satisfies both his appetite as a capitalist and his duty as a concerned father, buys the mill in Nimbus; he directs his younger son, Randolph, to move down south and tend to both the business and the worrisome Byron.
Randolph’s destination is in all senses the end of the line, populated by “jarhead white trash and single Negroes as big as bulls” who are too unreliable or savage to hold down work anywhere else. When they aren’t toiling in the swamps under almost unendurable conditions, they’re drinking, gambling, fighting, and whoring in a crooked establishment run by Sicilians with Chicago mob ties. Byron’s rough attempts at imposing order on such a volatile milieu have raised the ire of powerful people, and the threat of impending retribution hangs heavy over the camp when his younger brother arrives.
Randolph is soon tainted by Byron’s madness and by the moral degeneracy of the men around him, and it’s his actions that inadvertently escalate the hostilities in Nimbus from sporadic skirmishes into a war of attrition. The late chapters play out as they must, in a torrential storm of hot lead. The body count is appalling, but none of the violent sequences in the book is some throwaway contrivance to merely titillate the reader. The carnage always brings with it some intangible but real diminution, and not just for the victims. As an Aldridge brother despairingly notes upon telling his wife he was forced to kill a man, “he felt his real self disappearing, turning to a brown smudge in the background of her life, a monochrome outline of who he used to be.”
Notwithstanding the cruelty it’s paired with, there’s something refreshingly appealing about this hard-people-doing-their-duty-in-adverse-circumstances stuff; there’s a raw physicality in the writing you simply don’t get from novels set in contemporary (and sedentary) times. Consider this piece of wonderfully described brutishness below, derived from something as routine as loading livestock into the hold of a ship:

“The last mule was a big hinny . . . No amount of bootblows or lashes with a deck rope could convince it to board. The chief mate, bearded, sunburned as a brick, pulled a hickory shaft out of a capstan and struck the mule a blow between the eyes that brought it down in a rumble of skidding knee bone . . . The animal drunkenly tried to stand, but two legs went over the edge and it fell thrashing into the river, detonating against the surface. ‘Lollis,’ the mate hollered, and a black rouster crabwalked down the canted wharf and jumped onto the mule’s back, fishing up the reins and slapping its rump until his mount’s forelegs caught lumber and pulled them both from the current.”

Gautreaux’s writing is very occasionally marred by a certain adjectival laziness as he throws around easy descriptions to create a mood. Crops are “bug-bitten,” trappers are “musky,” dogs are “wormy,” even the dark is “smelly.” And I was irked that an editor hadn’t detected his repeated reliance on one adjective in particular: “haunted”. In the book’s 305 pages, Gautreaux serves up “fly-haunted mules,” a “water-haunted prairie,” “headache-haunted employees,” “moss-haunted [tree] trunks,” a “mud-haunted” yard, and several more elaborately described hauntings. Meaning dwindles with every subsequent usage, and many of the above constructions simply don’t work, besides.
Still, one of the chief pleasures of The Clearing is the forthright eloquence of Gautreaux’s writing. Whether he’s telling us that an engineer “looked as though all unnecessary meat had been cooked off of him by the heat of his engine,” or that the South’s newly emergent jazz sounds to a startled Yankee like “a music that had cast off sentiment . . . and strutted, half naked and sweating,” his descriptions provoke stunned admiration.
In praising Gautreaux’s previous novel and two short story collections, critics have referred to him as an important Southern writer, a label Gautreaux has admitted to both puzzling over and chafing under. This latest novel, while set in the South, is the work that should erase that rather confining distinction. The divisions and old animosities that linger from America’s Civil War, the psychic wounds imparted by the Great War, the burgeoning mechanization of the early 20th century that enables humanity to pillage nature at a terrible rate: all of these subjects transcend his Louisiana bayou setting. Violence may be our oldest and most universal story. Gautreaux has added a worthy chapter.
Matt Sturrock (Books in Canada)

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Customer Reviews

17 Reviews
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Average Customer Review
4.4 out of 5 stars (17 customer reviews)
 
 
 
 
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5.0 out of 5 stars Beautifully written - best book I've read in years, Mar 26 2004
By A Customer
This was an amazing story of family and trauma. The characters were well-developed and beautifully drawn in direct, piercing language. You didn't know where the story was going to end up, even in the last 10 pages. It was a fantastic read. Highly recommended!
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5.0 out of 5 stars An absolute knockout; harrowing and superbly written both, Jan 20 2004
By Bob M. (Woodstock, NY) - See all my reviews
I can add little to what has already been contributed by the majority here except for my own enthusiasm for what was, for me, the best novel I've read in well over a year. I found the plot and conflicts riveting, the characters beautifully drawn and involving and the setting and atmosphere, first and foremost, almost overwhelming, the stuff of nightmares, which is offset by the sheer beauty of the writing.

Towards the novel's end, Gautreaux describes the sound of a distant train whistle as that of the cry of "a white ibis caught in an alligator's jaws," a phrase that could well apply to THE CLEARING.

A week on, I've yet to be able to stop thinking about it and have added it to a shelf of alltime favorites.

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5.0 out of 5 stars A Superb Storyteller's Latest Work, Jan 18 2004
By David C "David C" (Austin, TX United States) - See all my reviews
My favorite sentence: "The mill manager rose to wakefulness the way a Louisiana coffin pushes up out of the mud after a week-long rain." Mr. Gautreaux's cypress swamp and his characters ring true to me. His acknowledgements mention "several old men, now dead, who didn't know I was listening." I think he was listening very carefully, and am grateful for his reconstruction of this post-World War I backwoods sawmill.

If truth is stranger than fiction, then this fiction is strange enough to be true. Gautreaux knows his characters thoroughly, even the bit players. Pay attention as you read. Little things happen constantly that, coupled with chance, eventually have enormous consequences. I recommend pausing at the end of each chapter to review what just happened. (It's enjoyable, easy reading, but i found myself being pulled along by the story's momentum faster than i could appreciate the subtleties.) At one point i wondered, now if Carl Hiaasen had a villain in this situation. . . Tim Gautreaux's world can be violent, and justice is not guaranteed.

I have come to think of Tim Gautreaux's stories as somewhat unique among contemporary writing in having a moral or ethical dimension. I don't feel that he's preaching to me, but after reading one of his stories (including this novel), i often conclude that what kept a particular character from disaster was an inner moral compass, which let him make the better choice in a difficult place, without knowing why. Being a prude doesn't cut it; you have to shrug off imperfections in the other guy and yourself. But when life gets serious, you have to take a stand.

As you'll see if you decide to read The Clearing, there are at least three social themes in the story. One or more may be of personal interest to you; if so there's enough detail in Gautreaux's characterizations to engage you. Alternatively, there's a rocking good story to carry you over the deeper issues, if you're reading mainly for entertainment.

This may be a book you'll want to read twice.

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Most recent customer reviews

2.0 out of 5 stars Decent Plot doesn't make up for Weak Characters
The Clearing looks like a very busy book on the surface; it has many characters, many different subplots and enough violence and death to last you a lifetime. Read more
Published on Jan 3 2004 by Sebastien Pharand

5.0 out of 5 stars GAUTREAUX REALLY WAS LISTENING...
...when he sat around those old fellows talking about the horrors they witnessed and experienced first-hand in World War I. Read more
Published on Dec 30 2003 by Larry L. Looney

3.0 out of 5 stars Writing can't disguise the weakness of the plot
Gatreaux knows how to write. You can flip the book open to any page and pull out something worth reading aloud and for that alone, I'd take my hat off to the man. Read more
Published on Sep 30 2003 by Newton Munnow

5.0 out of 5 stars great stuff
I agree with the other reviewers who said that this is a great, evocative, and fascinating novel. The story is compelling and the writing is taut. I read it in one weekend. Read more
Published on Sep 1 2003 by T. Guill

5.0 out of 5 stars Sinking in the mire.
"The Clearing" is a powerful, engrossing novel set in a remote logging camp deep in the treacherous, snake-infested, alligator-ridden cypress swamps of the Louisiana bayou... Read more
Published on Aug 19 2003 by Michael Murphy

4.0 out of 5 stars An Expertly Plotted and Genuinely Engrossing Story
If you're looking to fell a cypress tree five feet in diameter, or if you need to incapacitate a man using a shovel, or if you need to pull half of a nightclub into a river using... Read more
Published on July 26 2003 by Bookreporter.com

5.0 out of 5 stars a classic
belongs on a short shelf with Cold Mountain and All the Pretty Horses. a mythic story told in muscular prose that builds to a dark climax and a cresendo of resonating themes... Read more
Published on July 25 2003

5.0 out of 5 stars A novel teaming with the hazards of the swamp
This novel takes place in the southwest Louisiana of the 1920s, a place at the very end of the virgin cypress era, a region no more tame than a sack plumb full of cottonmouth... Read more
Published on July 22 2003 by Dayne A. Sherman

4.0 out of 5 stars Civilization's short sojourn in the Louisiana Bayou
The mill clearing at Nimbus is buried in the swamps of Louisiana, knee deep in snakes and alligators. Read more
Published on July 21 2003 by Luan Gaines

5.0 out of 5 stars Two Brothers Reunite in an Eerie Time and Place
Steeped in the history of the Louisiana bayou and so rich in imagery that it reads like an epic poem made over for PBS, this book far surpasses every blurb on its back cover. Read more
Published on July 15 2003 by Eliot Press

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