|
3.0 out of 5 stars
Tired & Angry, April 12 2004
Writing with golden handcuffs must be hard. Long after the author has tired of the characters, the publisher demands more books featuring them. Result: The bored writer's characters get edgier, angrier, more darkly introspective. And the plots get uglier, sillier, less well-crafted. And downright sloppy. Examples: • The protagonist, a lawyer, and the novel's thoughtful, first-person narrator, is suspected of a heinous murder. She believes she has been set-up by powerful forces. And never even thinks for one moment of consulting with or obtaining defense counsel. • Another major character, a career government employee, mentions -- in an off-handed, "oh by the way" way, to her surrogate mother that she easily became a millionaire a while back. Must have slipped her mind. • The dramatic climax is instantly and incredulously resolved. In an error worthy of a wannabe novelist, the reader is only *told* that the protagonists survived certain death. The miraculous, death-defying feat is accomplished through unseen heroics. Worse, we're expected to believe it's via by a cop on administrative leave who is inexplicably wearing body armor, thus avoiding a fatal, point blank shotgun blast. The tremendous body blow aside, she manages to miraculously overpower her captor. Then there's the uncharacteristic cowardly turn of tail by the strong, macho and sadistic villain who simply runs from the scene without even a little skirmish. We learn the sketchiest of details about all this in a most unsatisfactory, quick and dirty, summary fashion. The FedEx guy must have been waiting at the door to pick up the overdue manuscript. Once upon a time, Patricia Cornwell created a most likable and intriguing character in Dr. Kay Scarpetta. But, obviously tired and trapped, the talented Ms. Cornwell has turned on the good doctor. Now we're all feeling her angst, frustration, and pain. There are still hints of Cornwell's smart insights, her tight plotting, and inspired character development. But they're degraded because she's phoning it in. One can only conclude that Cornwell can't or won't give Scarpetta the bullet. So she's setting the stage for her readers to do the dirty deed for her through a slow, agonizing demise. Call that sad tale, Death by Disappointment.
|