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An Acrobat of the Heart: A Physical Approach to Acting Inspired by the Work of Jerzy Grotowski
 
 
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An Acrobat of the Heart: A Physical Approach to Acting Inspired by the Work of Jerzy Grotowski (Paperback)

de Stephen Wangh (Author) "On the first day of class, the students who have just joined the Experimental Theatre Wing at N.Y.U. enter a long, narrow studio and put..." En savoir plus
4.2étoiles sur 5  Voir tous les commentaires (5 évaluations de client)
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Les clients achètent cet article avec The Empty Space: A Book About the Theatre: Deadly, Holy, Rough, Immediate de Peter Brook

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  • Cet article : An Acrobat of the Heart: A Physical Approach to Acting Inspired by the Work of Jerzy Grotowski de Stephen Wangh

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Descriptions du produit

Review

"Stephen Wangh is a wonderful acting teacher--. He has distilled his life's study of the actor's body in the creative act into a practical journey for the reader--. Best of all, the book is a useful guide for an actor's daily work in the studio."--Anne Bogart, director

"An indispensable book for anyone studying modern theater--. Stephen Wangh is a master teacher."--Moisés Kaufman, playwright

Product Description

A Vintage Original

"The actor will do, in public, what is considered impossible." When the renowned Polish director Jerzy Grotowski began his 1967 American workshop with these words, his students were stunned. But within four weeks they themselves had experienced the "impossible."

In An Acrobat of the Heart, teacher-director-playwright Stephen Wangh reveals how Jerzy Grotowski's physical exercises can open a pathway to the actor's inner creativity. Drawing on Grotowski's insights and on the work of Stanislavski, Uta Hagen, and others, Wangh bridges the gap between rigorous physical training and practical scene and character technique. Wangh's students give candid descriptions of their struggles and breakthroughs, demonstrating how to transform these remarkable lessons into a personal journey of artistic growth. Courageous and compelling, An Acrobat of the Heart is an invaluable resource for actors, directors, and teachers alike.
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On the first day of class, the students who have just joined the Experimental Theatre Wing at N.Y.U. enter a long, narrow studio and put down their bags below the north-facing windows. Lire la première page
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1.0étoiles sur 5 Disappointing, Mai 31 2001
Par Un client
I felt disappointed reading this book.... The ideas of the author are not fresh and his interpretation of Grotowski is, at best, misguided.
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5.0étoiles sur 5 a grateful heart, Janv. 29 2001
Par Un client
After a long hiatus from performing, reading this book excited me to absolutely no end! Stephen's thoughts and wise teachings brought me back to a place that I'd forgotten and was sorely missing. Thank you for the palpable tenderness and care that LEAPS off the page directly into my world and " where I live " Reading about acting can be confusing, right? This book magically trancends anything stodgy, incoherent, or inconsistent in structure and message. ( SO MANY acting and performance manuals DO NOT EVER get past the lumpy and condescending realm...) THIS is elegantly crafted and now sacred to me! Thank you Stephen.
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5.0étoiles sur 5 Every actor should read this book., Déc 9 2000
Par Damon Navas-Howard (Santa Rosa, CA USA) - Voir tous mes commentaires
Stephen Wangh, a former student of Grotowski and now a teacher of Experimental theater shares his knowledge in this inspiring and well written book. First of all, I want to say that you really need to have a teacher and be in a group to learn Grotowski's physical acting better. Grotowksi's work can also be very challenging and confussing at times and this book really helps guide you through it. The book follows a group of Stephen Wangh's first students through his training. That is what makes the book better then your average acting text book. You take a journey along with these people while learning the Grotowski method. As an actor I could relate to the actors frustrations and fears and in the book we see them overcome them. The book explains everything from what clothes to wear to voice work. I am glad Wangh added a section at the end of the book about how to deal with and survive acting. Very few people talk about this subject and it needs to be brought up more. I read this book before I was about to start working on a play and it re-inspired me and made me more discplined and focused. Stephen Wang also isn't self centered and basically says that do what you have to do to do the role you're playing good but try this method. The book is very well-thought out and easy to understand. Any actor should read this even if they think they know the Grotowski method.
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5.0étoiles sur 5 Next Best Thing
Reading Acrobat is like being with the authors (or the "next best thing"). It is a book filled with insights of interest to those in the theater and otherwise. Read more
Publié le Déc 9 2000 par Roy Lynn Godkin

5.0étoiles sur 5 A Teacher with Heart
Reading An Acrobat of the Heart is the very next best thing to having Stephen Wangh as a professor. The book has a delicate, intuitive approach to acting which is as... Read more
Publié le Nov. 2 2000

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