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Embers
 
 

Embers (Paperback)

de Sándor Márai (Author) "In the morning, the old general spent a considerable time in the wine cellars with his winegrower inspecting two casks of wine that had begun..." En savoir plus
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In Sándor Márai's Embers, two old men, once the best of friends, meet after a 41-year break in their relationship. They dine together, taking the same places at the table that they had assumed on the last meal they shared, then sit beside each other in front of a dying fire, one of them nearly silent, the other one, his host, slowly and deliberately tracing the course of their dead friendship. This sensitive, long-considered elaboration of one man's lifelong grievance is as gripping as any adventure story and explains why Márai's forgotten 1942 masterpiece is being compared with the work of Thomas Mann. In some ways, Márai's work is more modern than Mann's. His brevity, simplicity, and succinct, unadorned lyricism may call to mind Latin American novelists like Gabriel García Márquez, or even Italo Calvino. It is the tone of magical realism, although Márai's work is only magical in the sense that he completely engages his reader, spinning a web of words as his wounded central character describes his betrayal and abandonment at the hands of his closest friend. Even the setting, an old castle, evokes dark fairy tales.

The story of the rediscovery of Embers is as fascinating as the novel itself. A celebrated Hungarian novelist of the 1930s, Márai survived the war but was persecuted by the Communists after they came to power. His books were suppressed, even destroyed, and he was forced to flee his country in 1948. He died in San Diego in 1989, one year before the neglected Embers was finally reprinted in his native land. This reprint was discovered by the Italian writer and publisher Roberto Calasso, and the subsequent editions have become international bestsellers. All of Márai's novels are now slated for American publication. --Regina Marler --Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.

From Publishers Weekly

Two very old men Konrad and Henrik, "the General" once the closest of friends, meet in 1940 in the fading splendor of the General's Hungarian castle, after being separated for 41 years, to ponder the events that divided them. This 1942 novel by a forgotten Hungarian novelist, rediscovered and lucidly and beautifully translated, is a brilliant and engrossing tapestry of friendship and betrayal, set against a backdrop of prewar splendor. In the flickering glow and shadow of candlelight, the General recalls the past with neither violence nor mawkish sentiment, but with restrained passion. The two met as boys, Henrik the confident scion of a wealthy, aristocratic family, and Konrad the sensitive son of an impoverished baron. Of their closeness, the General says, "the eros of friendship has no need of the body." When they are young men, Konrad introduces Henrik to Krisztina, the remarkable daughter of a crippled musician. Henrik and Krisztina marry, and the two keep up a close friendship with Konrad, until one morning, on a hunt, Henrik senses that Konrad is about to fire at him. Nothing happens, but Konrad leaves at once, vanishing. For the first time, the General goes to his friend's rooms, and then his wife unexpectedly comes in. He never speaks to her again. Capturing the glamour of the fin de siŠcle era, as well as its bitter aftermath, M rai eloquently explores the tight and twisted bonds of friendship. (Oct. 2)Forecast: M rai's history he was born in 1900, rose to fame in Hungary in the 1930s, fled the country after WWII and committed suicide in San Diego in 1989, virtually forgotten is at least as compelling as the story he tells here. Embers has already been published to much acclaim in Europe 250,000 copies sold in Italy and 230,000 copies in Germany and is licensed in 18 countries around the world. Feature coverage is to be expected, and though sales may be less explosive on these shores, Knopf's plan to translate future works by M rai should encourage a reappraisal of the writer's place in literary history.

Copyright 2001 Cahners Business Information, Inc.

--Ce texte provient d'une édition qui n'est plus publiée ou qui est non diponible.

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L'avis des consommateurs

58 évaluations
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4.2étoiles sur 5 (58 évaluations de client)
 
 
 
 
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2.0étoiles sur 5 You Have To Give Konrad Some Credit, Mai 30 2004
This review is from: Embers (Hardcover)
EMBERS takes place in 1939 Hungary on a country estate near Budapest. The story begins with the arrival of a letter. In this letter, Henrik, a former Austrian general, learns that he is going to receive a visit from his childhood friend and onetime fellow officer, Konrad, the man who once betrayed Henrik with Henrik's beautiful wife, Krisztina and who Henrik has not seen in forty years.

Krisztina has been dead for thirty-two years and since that time, with the exception of the servants, Henrik has been the estate's only inhabitant. Once he learns of Konrad's impending arrival, he immediately begins making preparations for the visit, seeking to recreate, down to the candles, silver, flowers and food, the last dinner he, Krisztina and Konrad shared together. This dinner followed a long day of hunting that changed the lives of all three persons forever.

Before Konrad's arrival, however, we learn about Henrik's childhood and his first meeting with Konrad at the Imperial Military Academy. It is, in fact, Konrad who introduces Henrik to the beautiful Krisztina.

Henrik believed that he, Konrad and Krisztina comprised an inseparable threesome until the day he is betrayed by both friend and wife, a betrayal he discovers only when Krisztina fails to control herself and utters two revealing words.

Henrik's world falls apart. He retreats to his hunting lodge and he and Krisztina never see each other again; she dies eight years later. Henrik severs his friendship with Konrad, not speaking to him for forty years.

On the night of Konrad's visit, however, Henrik certainly makes up for his forty-year silence. EMBERS is almost a monologue-a rant even-as Henrik unleashes all his long pent up fury and rage. I found this "almost monologue" far too long-winded and melodramatic. I feel the book would have been vastly improved had Marai let Konrad speak instead of writing a long diatribe directed against him. I could understand Henrik's rage, but, my goodness, it's been forty years, I felt like telling him, get over it. Konrad did betray Henrik's trust and friendship but Konrad certainly deserves credit for staying the night and listening to the bitterness of an old man who can't get over the injustices of life and the foibles of love.

While Marai writes elegant, lovely prose, I really can't understand the popularity of this book. The story is terribly predictable and the ranting bitterness of Henrik gets to be "too much." I really wouldn't recommend EMBERS, but if you do read it and, like me, don't like it, be comforted. It's a short book and it really won't take up much of your time.

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5.0étoiles sur 5 There is much more than "friendship" at stake ..., Mai 11 2004
Par Erika Borsos "pepper flower" (Gulf Coast of FL, USA) - Voir tous mes commentaires
(TOP 100 REVIEWER)   
The title "Embers" makes this reader think of a smoldering fire -- one either ready to die out-- or ready to be reawakened -- into a full blazing *fire*. Indeed, the metaphor fits ... the unexpected shock of *what* it is that could erupt into a flame ... and why the title fits, becomes cystal clear about half-way thorugh the book. Similar to Franz Kafka, Marai builds a personal tension that becomes an existential experience, a psychological conundrum -- for the General (Henrik). The General has lived with certain questions... questions he needs answered. The book begins with the General describing his boyhood friendship with Konrad. The friendship began in military school during the Austro-Hungarian empire. The General was of an upper class background, Konrad's parents sold their land and lived on the edge of poverty to provide their son, an advantage in life. The General's father made an observation about Konrad, the first time he visited their home. Konrad was playing a Chopin piece with Henrik's mother, when Henrik's father made a very telling observation about Konrad, "He is different kind of man". This observation sets up the mystery which the book gradually ... very gradually reveals. It is the reason why the book is so intriguing and fascinating. The reader wants to discover ... why is Konrad 'different'. Just what does this mean?

The General is preparing his castle for Konrad's visit. The friends are going to reunite after 41 years of separation. Although, they remained on the best of terms as the closest of friends for 24 years ... something happened ... it made Konrad leave, without a word. The General needed to know, why did Konrad take off ... no word of good-bye ... to explore the world. Konrad often stayed at the General's castle and dined with the General and his wife, Krisztina. This reader suspected that somehow Krisztina held the key ... to his unexpected and unexplained departure. However there is a deeper unexplained ... primitive ... dark secret ... waiting to be unraveled. It is revealed in elegant prose. The book is deeply moving and filled with suspense ... a mesmerizing experience. Erika Borsos (erikab93)

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4.0étoiles sur 5 Not Quite Classic Status, Avril 23 2004
Par Bruce Kendall "BEK" (Southern Pines, NC) - Voir tous mes commentaires
(REAL NAME)   
EMBERS is an excellent novel, and Marai was obviously an accomplished story teller, but I can't concur that this work ranks with the likes of Kafka, Mann or even Zweig, as the Die Ziet reviewer enthuses in one of the cited reviews. There is merit in the crtic's comparing Marai to Joseph Roth, however. I would even venture to guess that Roth's The Radetzky March had some bearing on Marai's depiction of the old General who is the central character in the novel. There is also the common theme of the death throes of the Austro-Hungarian Empire and the rigid, yet elegant social standards it represented.

The General is like Roth's Grandfather Trotta, as he represents the old military code, that first and foremost demanded strict and total subservience to the Emporer and his cause. One's every thought and every waking breath was dictated by tradition and unbroken order. Pitted against him in Marai's work are his best friend and his young wife, who represent spontaneity, passion and modernity. The General comes to the insight that he was the complacent, self assured stalwart slave to convention and that Krisztina and Konrad were "different," and part of the subtext of the story is an almost Derrida like treatment of "the other."

What prevents- this from being a work of the first rank is Marai's partial failure in providing a compelling narrator. The General is just too long winded and formal a figure to sustain the narrative in any truly convincing manner. I did enjoy the way in which Marai unfolds information, however, and thought that the plot was handled masterfully. It reminded me of an Egoyan movie, in which the culminating revelation slowly and gradually comes into focus, while the audience remains in suspense.

I definitely recommend the read. It doesn't take long, and Marai's prose is indeed as elegant as a display of Viennese dressage. I'm happy that the book was rediscovered and adequately translated. I look forward to the promised future Knopf editions of Marai's works.

BEK

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Commentaires client les plus récents

2.0étoiles sur 5 Disappointing
I think the many high reviews for this book have more to do with what it promises than what it actually delivers. Read more
Publié le Avril 10 2004

5.0étoiles sur 5 Outstanding
Embers is the kind of book you can't put down-even when you've finished. I kept it by my bedside for weeks after reading it, hoping the incredible images wouldn't fade from my... Read more
Publié le Mars 29 2004 par Dangle's girl

5.0étoiles sur 5 Finest piece of literature I have ever read
Once in a while I come back to this Amazon page to see what others readers have to say about this book, trying to add another dimension to this book I love so much and inspire... Read more
Publié le Mars 23 2004

5.0étoiles sur 5 Should have been a classic!
Embers is a terrific re-discovery and I for one am thankful that Knopf chose to translate and publish it. Embers is a slim novel filled with human emotion and pain. Read more
Publié le Janv. 10 2004 par CoffeeGurl

5.0étoiles sur 5 The Savage Edge of High Civilization
There is an edge to Embers that I cannot find in Mann, or Hesse, although those are no doubt two of my favrorite writters. Read more
Publié le Déc 25 2003 par Austin M. Kramer

5.0étoiles sur 5 This one grabs you in a velvet vise and won't let go
Originally published the year I was born (never mind; look it up yourself), Embers is primarily a very long discourse by The General to a mostly silent visitor, his longtime... Read more
Publié le Déc 13 2003 par Peggy Vincent

3.0étoiles sur 5 Just embers, no fire....
I can only partly understand the high ratings and very positive reviews of this book !! Of course it is a major accomplishment to write a book as intricate and lovingly detailed... Read more
Publié le Nov. 13 2003 par aeronef

5.0étoiles sur 5 Let Konrad respond....
Embers is an outstanding novel. The language, the descriptions, the writing style, the historic elements, the rare psychological insight into male bonding, etc. Read more
Publié le Oct. 15 2003 par He who knows, knows.

1.0étoiles sur 5 boring
this book is over-rated...i just don't understand what appeal it has...i agree with a previous reviewer who recommended musil, who is a much more highly skilled (and intersting)... Read more
Publié le Sep 17 2003 par demanding reader

5.0étoiles sur 5 A review of "Embers" from two perspectives
I was moved to add my voice to your reviews of "Embers" for two reasons: because it is such an excellent piece of literature, and because I have read it in its original... Read more
Publié le Aoû 4 2003 par Judith Higgins

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