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The Rotters' Club
 
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The Rotters' Club (Paperback)

de Jonathan Coe (Author)
4.2étoiles sur 5  Voir tous les commentaires (20 évaluations de client)
Prix éditeur: CDN$ 21.00
Price: CDN$ 15.33 & se qualifie pour Livraison super-économique GRATUITE pour des commandes de plus de CDN$ 39. Détails
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Vendu et expédié par Amazon.ca.

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  • Cet article : The Rotters' Club de Jonathan Coe

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Descriptions du produit

From Amazon.com

At a time when people are looking back on the 1970s with nostalgia, Jonathan Coe's The Rotters' Club is a timely reminder of how ghastly that benighted decade was in Britain. Set in the "industrial" heartland of the West Midlands, it chronicles the growing pains of four Brummie schoolboys--Philip, Sean, Doug, and Benjamin--who must come to terms not only with the normal pangs of adolescence but with terrible knitwear, ludicrous pop music, nightmarish food, and insidious racism, all set against the awful, surreal, and tragicomic reality of a postimperial nation.

The book suffers in its programmatic attempts to make the four boys and their families symbolize, or represent, something important to do with British life. Doug, for instance, symbolizes Industrial Decline--his dad is a shop steward at the doomed British Leyland Longbridge plant. Sean symbolizes Sexual Liberation--at least he's the one who seems most likely to get his rocks off. And young Ben Trotter would appear to represent A Young Jonathan Coe. But if this aspect of the novel seems contrived, then the author's capricious, deft, wryly comedic, and touchingly empathetic style keeps things chugging along, as he knits together the troubles and tragedies of some fairly ordinary people living through fairly extraordinary years. --Sean Thomas, Amazon.co.uk --Ce texte provient de la Hardcover édition.



From Publishers Weekly

This witty, sprawling and ambitious novel relates the coming-of-age stories of a group of adolescents in Birmingham, England, in the 1970s, with the era itself becoming a kind of character, encompassing trivialities like music as well as more serious issues: labor struggles, racism, terrorism. Of course, the teenagers Benjamin Trotter (a play on his name accounts for the novel's title) and three of his male classmates, along with two female peers, are struggling with their own timeless issues: Why are my parents so weird? Will I ever have sex? Is Eric Clapton God? Coe amusingly and sympathetically articulates the desperate nature of teenage life, demonstrating a sure command of his protagonists' vernacular. He juxtaposes "crises" of adolescence with much more compelling events: a pub bombing by Irish nationalists and drawn-out strikes, for example, and the very real toll they take on people, including some of his characters. But this interweaving also reveals the novel's biggest problem: the combination of these two narrative strands isn't as seamless as it ought to be, nor as illuminating as Coe intends. The book is Dickensian in scope, with multiple plot lines and perspectives as well as miniature portraits of virtually everyone connected with the teens. Unfortunately, the narrative is sometimes hard to follow, and individual characters often remain opaque. The difficulty is compounded by rapidly shifting perspectives and an awkward framing narrative set in the early 2000s. As he demonstrated in his well-received novel about the Thatcher years, The Winshaw Legacy, Coe is immensely clever, but that cleverness is almost misplaced here: universal as it may be, adolescent angst doesn't really compare to the problems of massive social change. (Feb. 26)the second of which will revisit the characters' lives in the 1990s.

Copyright 2002 Cahners Business Information, Inc.

--Ce texte provient de la Hardcover édition.

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L'avis des consommateurs

20 évaluations
5 étoiles:
 (10)
4 étoiles:
 (7)
3 étoiles:
 (1)
2 étoiles:
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1 étoiles:
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Évaluation du client type
4.2étoiles sur 5 (20 évaluations de client)
 
 
 
 
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Commentaires client les plus utiles

 
4.0étoiles sur 5 The Very Maws of Doom, Nov. 17 2007
Par Craobh Rua "Craobh Rua" (N. Ireland) - Voir tous mes commentaires
(TOP 500 REVIEWER)   
"The Rotters' Club" was first published in 2001, and went on to win Bollinger Everyman Wodehouse Prize. It's set in 1970s Birmingham, and incorporates a number of real-life people, places and events into the back-story - including the Birmingham Pub Bombing (which led to the imprisonment of the Birmingham Six), the infamous British Leyland plant, the Unions and the inevitable strikes, Enoch Powell, the National Front and various other similar factions and the changes in musical fashion - most notably, from prog to punk rock.

The book tells the story of Ben Trotter's life at secondary achool, and opens in 1973. Ben has one older sister, Lois, and a younger brother, Paul and all three attend King Williams School - quite a prestigious establishment, though seen as a school for "toffs" by the city's working class. Of Ben's two siblings, Lois is much more likeable - and, as it turns out, a great deal more unfortunate. She starts dating Malcolm - generally just referred to as 'Hairy Guy' - shortly after the book opens. (Hairy Guy proves to be a big influence on Ben's musical taste). Paul, Ben's younger brother, generally tends to be a poisonous, spiteful brat. Among Ben's friends at school are Philip Chase, Duggie Anderton and Sean Harding. Like Ben's father, Duggie's father also works at British Leyland. However, where Ben's father is management, Duggie's father is a shop steward for the Union and a committed socialist. Ben, like every other boy at school, is hopelessly in love with Cicely Boyd. It's a pity, really, as he would have been much better off with the very likeable Claire Newman. (Meanwhile, Claire's sister - Miriam - is having an affair with Duggie's dad as the book opens).

The story is mostly told by Sophie - Ben's niece and Lois' daughter - looking back to the 1970s. Occasionally, some of the characters tell part of the story in their own words - a short story by Ben himself, a speech given by Duggie, sections of Lois' diary, the editorials of the school newspaper - even, at one point, a letter written to Ben by another character. On the whole it is a very readable, very enjoyable book - the only sections that didn't work for me were the introduction and the conclusion - featuring Sophie and Patrick. (In fact, the introduction was so bad I nearly didn't bother with the rest of the book). The book also, apparently holds the record for the longest sentence in English literature - Coe would've been better off just using punctuation, and forgetting about the record books, but it's not really that big a deal. Good enough for me to keep an eye out for its sequel - "The Closed Circle", which was released in 2004 and picks up the story in 1990s.
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1.0étoiles sur 5 Rubbish, Avril 10 2004
It may be unfair to review a book you didn't finish. I would certainly say so, in any case but this. I read half of it, and it would have had to undergo a pretty startling metamorphosis in the second half for me to feel even somewhat glad I'd read it, let alone recommend it.

There are three principal things wrong here:

1) Any novel which focuses on a group of characters, each one of them as important as another, has to establish
each personality very quickly and disctinctly, so that they can be told apart. In this respect, Coe failed miserably. Even after several chapters, the main characters are indistinct, and sudden attempts to establish them as 'the musical one' or 'the political one' are by contrast unsubtle and destructive. Basically, I think, Coe isn't very good at imagining or developing characters, but he might have been able to do a little better if he had focused on one protagonist.

2) The tone, I guess, is supposed to be comical, but it ends up being simpering and smug and generally irritating. I found myself wanting to slap the author as often as I actually laughed (which, granted, I did sometimes).

3) The political overtones have the subtley of an artillery piece, and are presented as a matter of fact(...). I was entirely unsympathetic to the causes the book seems to champion, even ones which shouldn't be very difficult to arouse sympathy for, such as anti-racism. How can a book fail to make a good anti-racist point? It's like missing a brick wall at five yards, and it's certainly an achievement.

This is a first novel, which explains a lot, but it's not quite a sufficient excuse. Somebody needs to take away his word processor.

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5.0étoiles sur 5 First review, Nov. 20 2003
Par John V Moran (Portland OR USA) - Voir tous mes commentaires
I don't get much time to read books and when I do, If they don't grab me in the first few pages I put them down.
With the Rotters club I was hooked from the go.
This was a time and a place I recognised.
Growing up in london within walking distance of Grunwicks brought back memorys of events.
Some good laughs as well as some shocking moments.
Can't wait for the next book.
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Commentaires client les plus récents

3.0étoiles sur 5 Not A Carve Up!
The Rotter's Club, in which author Coe attempts to do for the seventies which What a Carve Up! did for the eighties, unfortunately suffers by comparison. Read more
Publié le Aoû 31 2003 par Richard F Bowden

5.0étoiles sur 5 Simply splendid
Sorry that all the others feared manipulation by this wonderful book. I was, quite simply, entranced. Read more
Publié le Jui 26 2003

5.0étoiles sur 5 A haunting look
Enough with the silly overdone 70s nostalgia movies -- "The Rotters' Club" is an intriguing, insightful look into an era when things were shifting (I wasn't there, but I've read... Read more
Publié le Mai 3 2003 par E. A Solinas

4.0étoiles sur 5 Can't wait for the sequel
I realize that this novel is not without its flaws, it manipulates the reader with very visible strings (the opening of the book has all the subtlety of people enticing you to a... Read more
Publié le Avril 23 2003 par S. Maruta

4.0étoiles sur 5 slightly rotten at the core
All in all, a skillfully drawn narrative with appealing and interesting characters. Beware, though: this novel ends with a sentence lasting 32 pages. Read more
Publié le Mars 21 2003 par M. Ettinger

5.0étoiles sur 5 A book reviewer's favourite, RC is a delightful read
Incredible but true. Jonathan Coe's "The Rotters' Club (RC)" was at the top of nearly every London book reviewer's year-end recommended reads list last year. Read more
Publié le Nov. 21 2002

5.0étoiles sur 5 Delightful, British & Progressive
I came to this book because of its ties to Progressive Rock (see Steven Sullivan's review below), but I stayed with it because it is an engaging, witty, humane and laugh-out-loud... Read more
Publié le Nov. 11 2002 par Robert Carlberg

5.0étoiles sur 5 Pleasing, Rich, Engaging, Hilarious
I've read two other pieces by Jonathan Coe, What a Carve Up and the House of Sleep, but this novel is the most entertaining and engaging of all. Read more
Publié le Oct. 14 2002 par JSollami

2.0étoiles sur 5 Ho Hum
Was writing for the high school paper a really important factor in shaping your personality? Was it important to you to be in the "right" group in high school? Read more
Publié le Sep 23 2002 par Ken Temkin

5.0étoiles sur 5 A Hilarious and Heartbreaking Novel
Jonathan Coe's The Rotters' Club is a very amusing, engaging story of four teenage boys and their families and friends in Birmingham, England in the 1970s. Read more
Publié le Aoû 11 2002 par Elizabeth Hendry

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