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The Two Hearts of Kwasi Boachi: A Novel
 
 

The Two Hearts of Kwasi Boachi: A Novel (Paperback)

by Arthur Japin (Author)
4.5 out of 5 stars  See all reviews (2 customer reviews)
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From Publishers Weekly

Dutch singer/actor Japin's debut draws on extraordinary real-life material: in 1837 two young Ashanti princes, Kwasi and Kwame, were taken to Holland, ostensibly to receive a European education, but in fact as peons in a cynical exchange between the Ashanti king (Kwame's father) and the still active slave traders. Kwasi tells the strange story as a gentle, peevish old man living on a failed coffee plantation in Java at the turn of the century. He remembers his jungle boyhood with cousin Kwame, the coming of the Dutch traders and his and Kwame's early years as curiosities at a Dutch school. Later embraced by the royal court, the two went on to college and became offbeat figures in Dutch society, struggling to persuade themselves that they had really found a new life. Kwasi, the more adaptable, cherished a passion for a Dutch princess until she married elsewhere for convenience. Kwame, deeply uneasy at his equivocal role, joined the army and was posted back to Africa where, eventually realizing that he was a mere plaything of the Dutch, he killed himself. Only toward the end of his life is Kwasi aware that he, too, has lived in self-deception. Japin tells the tale with imaginative empathy and, in the case of Kwame, truly powerful poetic re-creation. However, his incorporation of text from authentic 19th-century documents is disconcerting. This is an unusual story that could appeal to an appetite for the odd corners of history, but perhaps is too close to history to please the lovers of literary fiction who would at first seem to be its natural readers. (Nov. 21)
Copyright 2000 Reed Business Information, Inc. --This text refers to the Hardcover edition.


From Booklist

Japin's beautifully written debut novel is based on the true story of two West African princes, Kwasi and Kwame, who are sent by the king of Ashanti (modern-day Ghana) to study in Holland in the 1830s. In Holland, they attend a private boarding school, where Kwasi excels at his studies and Kwame at art. Neither boy fits in; they are ridiculed by some and shunned by others. Kwame never ceases to long for the day he can return home to Africa, whereas Kwasi embraces the new culture and tries to blend in as much as possible. The boys' different reactions to Dutch culture drive a wedge between them, and they choose separate paths. As Kwame tries to return home, Kwasi accepts a government post, only to encounter prejudice from every side. Both face harsh disappointments: Kwame from the home he thought would not forsake him, and Kwasi from the realization that the abandonment of his native culture has harmed him most of all. Quietly moving, Japin's novel is a powerful study of displacement and disillusionment. Kristine Huntley
Copyright © American Library Association. All rights reserved --This text refers to the Hardcover edition.

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5.0 out of 5 stars Why, of course, you belong here!!, Mar 23 2001
By Basil Gangliaa (New York, New York) - See all my reviews
Mr. Japin has succeeded on all fronts with a thorough and powerful chronicle as he assumes the voice of Kwasi Boachi, an Ashanti prince who embodies mockery for the sake and hope of belonging.

The world of Kwasi Boachi, though set in an era apart, stays true to the current reality of Black existence worldwide. You may be a Black prince. You may be a Black slave. At either extreme, you, especially as a Black man, remain far below the worthiness of simple human consideration, and as such can without conflict be at once Prince Nobody and Slave Nobody. Of course, this worldview of Blacks, while tightly upholstered, does not represent an uninterrupted fabric. No man-made construction could be so perfect neither in its evil nor in its goodness. There are right-thinking men and women of all colors who do not subscribe to lies and low thoughts on this matter.

Nevertheless, in the Black case, the fabric retains an amazing consistency under its disguise as an end unto itself. However, the real game is and has always been power and money, not color. Race, however, is probably the most convenient distraction used to establish a hierarchy complete with the areas of high and low pressure necessary for fierce winds to blow. How powerful and perceptive the author's summary in opening the book: Color is not something one has, color is bestowed on one by others.

Kwasi Boachi and his friend Kwame were, in different ways, blind to this fact. Kwasi makes the fatal mistake of attempting to prove his humanity to people who are impervious to believing or acknowledging it. His lifelong friend, Kwame, makes the fatal mistake of fully trusting a romantic notion of culture, not realizing that his notion was incomplete, consisting of only those cultural elements that did not threaten a broader power structure. Gestalt is ugly.

Look at how this tragedy played itself out in the book and think of today's dramas in parallel. Kwasi and Kwame discover that being Black means being treated extraordinarily - extraordinarily badly or extraordinarily well, but never simply as another human being of equal standing. Worse, while the bad treatment has its obvious ill effect, the evil of good treatment manifests itself so subtly as an undertone to a warm embrace.

What is the evil present in good treatment? Well, if a Black man is held up as a marvel, it is because of the shocking truth that a monkey can read, write, and perform human tricks. If he is congratulated, it is patronage that at its height of sincerity merely approaches the professional protocol that demands recognition of obviously uncommon deeds. At its depth see Tiger Woods and Fuzzy Zoeller for a prime example:

"That little boy is driving well and he's putting well," Zoeller said. "He's doing everything it takes to win. So, you know what you guys do when he gets in here? You pat him on the back and say congratulations and enjoy it and tell him not to serve fried chicken next year. Got it?" Then, as he was walking away, Zoeller snapped his fingers and added, "Or collard greens or whatever the hell they serve."

This is the sentiment that says, "Wow, the monkey plays golf like a champion!" and gives new meaning to "greens fees". Racial prejudice is a distraction, an effective tool for stifling productive exchange and maintaining artificial but profitable differences between people. The masses of white people who maintain this system unwittingly are not compensated to the degree of their cooperation. Their pay has traditionally been "Thank God you are better than the Negro". Hardly negotiable but yet strangely satisfying. And, by definition, Blacks aren't compensated for submission - these days taking the form of inferiority complexes and sham rebellions. Now, while we both argue, someone is smiling on our trivia and counting white, black, brown, and Green money in neat, non-discriminatory stacks.

Racism alone cannot defeat a people - not by far. But, we would be silly not to recognize it for what it is and for what it does. The Two Hearts of Kwasi Boachi is a telling microcosm, and, in that, is much larger than black and white. However, given the role of race in public discourse, I thought it worth taking time with the racial surface of this book.

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4.0 out of 5 stars A African Prince's Attempted Entrance Into World Of Whites, Mar 7 2001
By A Customer
A well researched mid 19th century histrory of two Ghanian Princes who are sent to be educated in Holland only to encounter the depths of prejudice, a prejudice which is unspoken but a governing fact. Truly accepted by a few, a novelty for many, with no one willing to acknowledge the truth. It is a miracle that today Kwashi Boachi has decendants who can know the story of their forebearer and be proud of him as a caring, sensive human being. While the early part of the book was a bit slow, I found myself wanting to learn the story of the cousins lives and the truths these lives speak to us.
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