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Crook Factory, The
 
 

Crook Factory, The (Mass Market Paperback)

by Dan Simmons (Author) "HE FINALLY DID IT ON A SUNDAY, JULY 2, 1961, UP IN Idaho, in a new house which, I suspect, meant little to him, but..." (more)
3.5 out of 5 stars  See all reviews (16 customer reviews)

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From Publishers Weekly

In previous novels, Simmons has cast John Keats as an intergalactic emissary (Hyperion) and Mark Twain as an occult adventurer (Fires in Eden). His new excursion in fictional literary biography?and first nonfantasy since Phases of Gravity (1989)?is a gutsy speculation on Ernest Hemingway's exploits in wartime espionage, much of it apparently based on fact. In 1942, Hemingway petitioned the American embassy for help in establishing a counterintelligence outfit he called "The Crook Factory," designed to investigate Nazi activity in his adopted home of Cuba. Joe Lucas, a dedicated if unimaginative young FBI agent, thinks he has been assigned to humor the well-connected writer but soon discovers that Hemingway and his crew of colorful sycophants have stumbled on a Nazi spy nest abuzz with activity. Someone is channeling information through the island's intelligence underground, all of it implicating a host of historical celebrities. The more deeply Hemingway's team probes, the more Lucas is persuaded that the Crook Factory has been deliberately set up as an expendable military subterfuge. As vividly depicted by Simmons, pre-Communist Cuba is an exotic locale whose volatile wartime intrigues are comparable to those of the cinematic Casablanca. It's the perfect milieu for Hemingway, whose larger-than-life evocation must be accounted one of Simmons's sterling literary achievements. The macho figure he cuts here is the stuff of countless Life magazine photos, and his development as Joe's friend and mentor is handled with intelligence and dignity. No one will mistake the novel's immersions in the numbing, repetitive detail of secret service operations for Papa's own concise prose. But the web of conspiracy Simmons spins, the zesty characters it entangles and its intricate cross-weave of fact and fiction distinguish this celebration of the Hemingway centenary.
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.


From Library Journal

This delightfully spry novel offers a fictionalized account of Ernest Hemingway, who during the 1930s set up a U.S. government-sanctioned intelligence network, a.k.a. the Crook Factory, in Cuba with a cadre of fishing buddies, waiters, prostitutes, and other unlikely operatives to apprehend Nazi infiltrators. Simmons (The Rise of Endymion, LJ 9/15/97) very cleverly takes one of the actual players, remembered only as Lucas, and morphs him into Joe Lucas, an FBI agent sent by J. Edgar Hoover to keep tabs on Ernesto. The plot quickly evolves into a real page-turning espionage story, complete with corrupt police officials, double agents, secret codes, and multiple murders. Without falling into hero worship, Simmons offers one of the best fictional portraits of Hemingway available. The writer is intelligent and tough but at the same time a hotheaded and reckless amateur. Though Hemingway is the hook, this would be an equally intriguing story without him. Fun reading for both Hemingway aficionados and spy novel enthusiasts.
-?Michael Rogers, "Library Journal"
Copyright 1999 Reed Business Information, Inc. --This text refers to an out of print or unavailable edition of this title.

Inside This Book (Learn More)
First Sentence
HE FINALLY DID IT ON A SUNDAY, JULY 2, 1961, UP IN Idaho, in a new house which, I suspect, meant little to him, but which had a view up a valley to the high peaks, down the valley to the river, and across the valley to a cemetery where friends were buried. Read the first page
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Customer Reviews

16 Reviews
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Average Customer Review
3.5 out of 5 stars (16 customer reviews)
 
 
 
 
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5.0 out of 5 stars Hemingway, Nazis and the FBI, Aug 25 2003
By Mike V. (San Diego) - See all my reviews
What's not to like???
Fun novel that takes a fictional stab at what Hemingway was doing some of the time while living in Cuba.
If you like Simmons other books, beware it's not in his usual genre.
If you have an open mind (or, just like good historical fiction with a crime/mystery/spy twist) then you will enjoy this outing.
I also highly recommend Darwin's Blade and the Kurtz novels from Mr. Simmons. They are good reads as well.
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4.0 out of 5 stars Such a fine book with such a flaw..., Jul 23 2003
By T Galazka (NYC, NY USA) - See all my reviews
I really liked the novel. It moves FAST, the personae are detailed and lifelike, the settings ring true... The only problem I had was that Simmons decided to go the easy way and poke some fun at Hoover's obsession with Communist spies. The sad fact is that, far from overreacting, the FBI in Hoover's time did nowhere nearly enough to counter that threat. The declassified Soviet and US files are damning enough, and good historical books were already available when Mr. Simmons was writing his novel. I'd recommend "Venona: Decoding Soviet Espionage in America" by John Earl Haynes, Harvey Klehr, and "The Secret World of American Communism (Annals of Communism Series)" by Harvey Klehr, John Earl Haynes (Contributor), Fridrikh I. Firsov, Timothy D. Sergay (both volumes from Yale Books) to set the record straight.

As I said, this is a very good novel of its kind. It just suffers from a perspective defect.

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4.0 out of 5 stars Real Spys Versus Real Men, May 9 2003
By Patrick Shepherd "hyperpat" (San Jose, CA USA) - See all my reviews
(REAL NAME)   
Hemingway always liked to present an image of being a 'man's man', and the side of him that acutely observed and recorded those around him and their swirling tide-pool of emotions was normally hidden from view. Simmons, delving deep into the minutia of what is known about the man, managed to catch this ambivalence in this spy-vs-spy novel. Hemingway's braggart, macho face is clearly in evidence, but also much that is deeper: his genuine feelings for his children (and his 'children' were a much larger group than his biological family), his own realistic opinion of both his own and other's writing abilities, his fears and depressions, his charismatic presence, his dominance of almost any group he was part of, his real appreciation of what excellent art is, his total arrogance towards those whom he felt did not meet his standards.

Beyond this fine character portrait, we find a plot that seemingly came strictly from the land of make-believe, that is until you look at the documented facts surrounding the creation and operation of Hemingway's contribution to the WWII effort, his self-named Crook Factory. Nominally a strictly amateur counter-espionage group, which should have occupied the attention of the Washington bureaucrats for all of two minutes, is instead shown here to be the focus of not one but at least four professional intelligence-gathering organizations. Simmons weaves a finely complicated tale within the documented facts, some of which paint a very frightening picture of certain American organizations, and which become even more frightening in light of certain recently passed legislation allowing these organizations even more effectively unsupervised power. In Simmons' hands the facts and the fiction meld to become a nice who-is-really-who thriller, a ball of twine that Simmons carefully unravels and knits into shapes that continue to intrigue till the very climax of this work.

Simmons' style is a long ways from Hemingway's, normally a pretty basic utilitarian prose that does a decent job of presenting the story, but not exceptional. In a few spots, however, he caught something of Hemingway's inimitable ability to describe far more than just what the objective words on the page relay. These moments are few, though, and in many places I felt he presented too much mind-boggling detail of marginal relevance to the main story, regardless of how well these details are documented. These details in many places somewhat spoil the pacing of this otherwise well-wrought thriller.

Simmons also includes an epilogue, just to tie up all the loose ends. As he says himself within it, this is a bad idea. He had a perfectly good finish without the epilogue, and its inclusion merely weakens the overall impact of the work.

A good, enthralling read, with some nasty implications for today's world, although perhaps not the absolute top-flight work Simmons has exhibited in such works as Hyperion.

--- Reviewed by Patrick Shepherd (hyperpat)

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Most recent customer reviews

1.0 out of 5 stars More chiller than thriller!
I totally agree with the "reader from Kansas" on 7/18/99. I give this one star to bring down the overall rating. Read more
Published on Oct 20 2002

1.0 out of 5 stars Stick to Sci Fi please, Dan
... I think the Hyperion books were some of the best sci fi ever written. Creative, well-written, entertaining, thoughtful. Read more
Published on Sep 12 2002 by Carper

2.0 out of 5 stars Yawwwwwn
Boring....zzzzz
There were maybe 4 chapters of the book that held my interest. The writing was too predictable...WAY too predictable. Read more
Published on May 30 2002

5.0 out of 5 stars "Oh, Papa!"
Without eulogising profusely in a vain attempt to be a (wannabe) critic of contemporary literature - because afterall, that it isn't my profession - I can state "this is... Read more
Published on Jan 14 2002 by cormski

3.0 out of 5 stars Very Good story but too slow and too long
J Edgar Hoover wants FBI agent Joe Lucas (half Hispanic and a proven killer) to join the famous writer Ernest Hemmingway in Cuba who has offered to run a spy ring against the... Read more
Published on Jan 6 2002 by JD Schaefer

5.0 out of 5 stars Fasinating! Profound! Creative! Simply Wonderful!
Thanks, Mr. Simmons. Your wonderful creativity really surprised me. You are a rare talented writer and I am so glad to have found you laterly. Read more
Published on Nov 11 2001

2.0 out of 5 stars Life is too short to waste reading dull books.
I have read just about all of Dan Simmons's writings and the Hyperion books are top-notch science fiction. Read more
Published on May 28 2001 by Donald N. Hilton

4.0 out of 5 stars Great Mix of World War II Espionage and a Man Called Papa
When I found Dan Simmons' "The Crook Factory" a few months ago, I thought that the concept sounded intriguing but flawed. Read more
Published on May 10 2001 by Jason Birkby

3.0 out of 5 stars John Le Carre Lite
I am afraid to admit it, but Ernest Hemingway has never really held my attention as he does most people's. Read more
Published on April 1 2001 by Stone Junction

4.0 out of 5 stars A departure from his sci-fi/horror. Pretty good book
Dan Simmons is a very versitile writer whose books are hard to classify in one particular genre. I've seen his sci-fi in the horror section, his horror in the sci-fi section, and... Read more
Published on Feb 8 2001 by J. Levine

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